Since he made his one and only on screen appearance as James Bond in "On Her Majesty's Secret Service" in 1969, George Lazenby has discussed his dramatic experiences before and behind the cameras many times. As any Bond fan knows, Lazenby was plucked from obscurity to replace Sean Connery, who had quit the 007 series after "You Only Live Twice" in 1967. Lazenby was a well-known Australian model but he had no acting experience. Midway through the film, he told producers Cubby Broccoli and Harry Saltzman that he had decided to quit the role after this one film. Not even he temptation of a mega salary could convince Lazenby to sign on for more films. He became convinced Bond could not thrive into the 1970s. Ultimately, Sean Connery returned to the role for "Diamonds Are Forever" and would be followed by Roger Moore's long run as 007. Lazenby's acting career never took off but over the passage of time, he has had the satisfaction of seeing his movie regarded as one of the best by both enlightened critics and fans. He has discussed his trials and tribulations on the film set many times, acknowledging that he was sometimes egotistical and demanding, but also denying many other rumors regarding his behavior. In this rare 1970 interview, Lazenby discusses the controversies while the movie itself was still in general release. The uncredited interview is refreshingly intelligent and Lazenby is candid and honest about his opinions. He admits his suggestions for making Bond more contemporary were justifiably ignored but also denies reports that he did not get on well with the crew. He also says that his refusal to cut his hair and shave his beard cost him a studio-paid tour of America, so he paid for his own publicity tour. The documentary is one of the few that acknowledges that the film was a major boxoffice success, despite inaccurate initial reports that it was a bomb. Given the fact that he is critical of aspects of the production, it's rather surprising that Eon Productions allocated so much footage for use in this interview.
Cinema Retro has received the following press release:'
History Press is delighted to announce that it will be publishing Some
Kind of Hero this October.
For over 50 years, Albert R.
Broccoli’s Eon Productions has navigated the ups and downs of the volatile
British film industry, enduring both critical wrath and acclaim in equal
measure for its now legendary James Bond series. Latterly, this family-run
business has been crowned with box office gold and recognised by motion picture
academies around the world. However, it has not always been plain sailing.
Changing tax regimes forced 007 to
relocate to France and Mexico; changing fashions and politics led to box office
disappointments; and changing studio regimes and business disputes all but
killed the franchise. And the rise of competing action heroes has constantly
questioned Bond’s place in popular culture. But against all odds the filmmakers
continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007
as the undisputed king of the action genre.
by Bond scholars Matthew Field and Ajay Chowdhury, Some Kind of Hero is
based on over
100 new interviews
with the stars, directors, writers, filmmakers, studio executives and the men
who played James Bond. The authors have also drawn upon archives of rare and
unpublished material from around the world.
Some Kind of Hero is the culmination of many years researching and
interviewing the talented individuals
responsible for bringing the James Bond films to the screen. Authors Field and
Chowdhury commented: ‘As we delved deeper into the Bond mythos, we realised
there were many untold tales from many unsung heroes who played key creative
roles in the series. We hope that even the most devoted Bond fans will find
fascinating facets to the franchise in these pages. We have gained a new
appreciation of not only how the series was started but how that Rolls-Royce
standard has been maintained. When SPECTRE
is released later this year, we hope readers will gain some insight in yet
another chapter in the remarkable story of the James Bond films.’
ABOUT THE AUTHORS
MATTHEW FIELD began his writing
career with The Making of The Italian Job.
He has since co-produced a feature length documentary about the film for
Paramount Pictures. In 2008 he penned the autobiography of Oscar-winning film
producer Michael Deeley, Blade Runners,
Deer Hunters and Blowing the Bloody Doors Off! Field’s James Bond
journalism has appeared in Mi6
Confidential and Kiss Kiss Bang Bang.
He is a regular contributor to Cinema
Retro. In 2012, he served as editorial consultant on MGM’s feature length
documentary, Everything or Nothing.
Matthew currently works for a leading film-marketing agency. His most recent
feature film credits include Stephen Frears’ The Program, Michael Winterbottom’s The Face of an Angel and the Australian period drama, The Dressmaker.
CHOWDHURY was born in London and read Law at university there
and in The Netherlands. He has since provided legal advice on various motion
picture, music, publishing, television and theatrical projects. He was the
associate producer on two feature films, Lost
Dogs and Flirting with Flamenco. In
2012, he penned the screenplay to the multi-award winning, Olympic-themed
short, A Human Race. Ajay is the
spokesperson for The James Bond International Fan Club, established in 1979. He
edited their James Bond journal, Kiss
Kiss Bang Bang, and for the last two decades has contributed to numerous
books and magazines on the James Bond legacy. He is regularly called upon by
worldwide media to commentate on all things 007.
CLICK HERE TO PRE-ORDER FROM AMAZON UK (NOT AVAILABLE FOR PRE-ORDER IN THE U.S. YET)
Here's a blast from the past: Sean Connery as the "mystery guest" on a 1965 episode of "What's My Line?". The clip recalls an era when those who appeared on television tended to be sophisticated, well-mannered and polite. The celebrity participants in the game always wore tuxedos and fine dresses as they played to win token amounts of money that never exceeded $50. The fun was waiting until the end of the show to see if the blindfolded panelists could guess the mystery guest, who would inevitably disguise his/her voice. Here, the "Great Scot" shows a bit of humor as he feigns a high-pitched female voice. Later he seems rather shy engaging in actual conversation with host John Daly. He briefly mentions that he is in New York to film "A Fine Madness" and shows some enthusiasm for his about-to-be-released prison classic "The Hill". He noticeably does not mention the forthcoming release of his fourth James Bond blockbuster "Thunderball", which opened in December 1965. By this point, it's apparent that the bloom was off the 007 rose for Connery.
Sony and Eon Productions have released some behind the scenes footage dedicated to the filming of a high speed car chase through the streets of Rome for the forthcoming James Bond film "SPECTRE" starring Daniel Craig.
by Michele Brittany (Published by McFarland & Company, $38), 278 Pages,
Softcover, ISBN: 9780786477937
15 years ago, when I was unsuccessfully hawking a manuscript for a proposed
James Bond book around publishers, I was informed categorically in one
rejection letter that "There are already far too many Bond books jostling
for attention in the marketplace". This may or may not have been the case,
but it struck me even then as nonsense and has never, as far as I'm aware, been
a deterrent to any publisher to seize an opportunity to jump on the
Bondwagon. (I'd rather have been told my work simply wasn't any good). In the
intervening years there have been so
many books bearing the James Bond tag that even die-hard aficionados must have
had a job keeping up.
Bond and Popular Culture" (an assembly of "Essays on the Influence of
the Fictional Superspy") will find its keenest audience among those who
simply must read everything related
to their iconic hero. For it is less about Bond himself, rather – as the
subtitle suggests – it’s focus falls upon 007’s cultural influence and those who
followed in his wake. Also, naturally enough, his antecedents. Following a
foreword (which left me eager to locate James
Batman, a 1960s production from the Philippines which merged Bond and
Batman), the collection of essays of varying length are divided into five
categories: Film, TV, Literature, Lifestyle and Reinterpretation. A wide range
of topics are discussed, from Bollywood and the Japanese Nakano films to The Man from
U.N.C.L.E and Doctor Who, with a
fistful of others in between, all appended with an extensive array of footnotes
and bibliographic detail.
you might anticipate from a work such as this, some of the theses it comprises
– though unquestionably well researched and informative – can be a little hard
going. And, also perhaps a tad predictably, one or two are of a nature that
(unintentionally) sap the fun out of a subject which, let's be honest, really
shouldn't be taken too seriously.
the 24th 007 screen adventure SPECTRE looming on the horizon, the
months ahead will be hard on the wallets of serious Bond buffs. Not least of
all in the book department. At a princely $38, this non-illustrated, comparatively
slender offering is unlikely to top the shopping lists of many. But for those
who do choose to invest, it’s be best filed on your bookshelf
alongside similarly highfalutin tomes such as "Bond and Beyond: The
Political Career of a Popular Hero".
Eon Productions has confirmed that Daniel Craig has undergone knee surgery for an injury he suffered during a fight sequence on the latest James Bond production, "SPECTRE". Eon said the surgery was "minor" and is not anticipated to affect filming. Craig is anticipated to resume shooting the movie on April 22 at Pinewood Studios, the series' traditional "home" outside of London. The film is shaping up to be the most expensive and ambitious entry in the long-running series. For more click here.
In SPECTRE, a cryptic message from Bond’s past sends him on
a trail to uncover a sinister organization. While M battles political forces to
keep the secret service alive, Bond peels back the layers of deceit to reveal
the terrible truth behind SPECTRE. Sam Mendes returns to direct SPECTRE,
with Daniel Craig reprising his role as 007 for the fourth time. SPECTRE
is produced by Michael G. Wilson and Barbara Broccoli, from a script by John
Logan and Neal Purvis & Robert Wade.
SPECTRE follows the release of SKYFALL, the biggest Bond
film of all time, which took in $1.1 billion worldwide. SPECTRE is
set for global release on November 6, 2015.
his recent review of the Nitehawk Cinema’s splendid and rare 35mm showing of
the James Bond film, “A View to a Kill,” our intrepid correspondent Hank
Reineke was skeptical of a claim made that night that the movie played on its
first-run at Manhattan’s notoriously déclassé (circa 1985) Selwyn Theater on
West 42nd Street. According to a newspaper display ad from May
24, 1985, and held in his own files, Reineke determined that the only midtown
Manhattan theaters showing “A View to a Kill” on its original release were the
Loews Astor Plaza on West 44th, the Loews 84th Street Six, the Loews
New York Twin, the Loews 34th Street Showplace, and the Orpheum on
86th and 3rd Avenue.
Reineke’s metaphorical throwing down of the gauntlet (however accidental!), Joe
Berger, one of the presenters of the Nitehawk’s wonderful film series, “The
Deuce,” was quick to contact Cinema Retro to defend their claim. Berger,
in a friendly but firm manner – provided us with a scan from the Village
Voice newspaper from that same week in 1985. The listing leaves
little doubt the fourteenth James Bond did, in fact, play the Selwyn, as one part of a twin bill with “The House
Where Evil Dwells.” As Berger would go on to explain, the row of
aging theaters comprising “The Deuce,” such as the “Selwyn, Lyric, Harris, and
Liberty, VERY FREQUENTLY premiered A-list films on their regular release dates,
with a second, [and] sometimes third film as part of the cheaper ticket
price.” Berger explained that multi-bill attractions would, naturally,
bring in “a smaller box office gross” since all profits were now “split amongst
two or three titles.” But such campaigns were studio “loss leaders” to
some degree as distributors were aware a new film's presence on the Deuce would
“attract a younger, more 'inner-city' crowd.” The one stipulation for the
bargain, according to Berger, was “that the theatre COULD NOT advertise” their
showing through the usual marketing methods- such as a display in a print
The cinematic equivalent of the "smoking gun" tape that brought down President Richard Nixon: the vintage newspaper listing that proves "A View to a Kill" did indeed play on 42nd Street during its initial run.
for Reineke’s contention that the film played “two blocks north” of the Selwyn
at the Loews Astor, Berger went on to explain that the film’s distributor would
only want the Astor (and similar high-end cinema establishments) to be
prominently advertised as these venues could charge a “larger ticket price” for
“a single feature.” This, naturally, would result in greater
profits for all involved.
all sounds right to us. As a mea culpa, we intended to fire Reineke,
until we realized that he has been donating his services to us on an unpaid
basis. We were then going to sentence him to a terrible fate: 24 hours of
around the clock screenings of “The Man With the Golden Gun”- until we
remembered he likes the damned film. We’ve settled on making him watch Jerry
Lewis in “Which Way to the Front?” three times in succession (unless the
Supreme Court rules this is truly “cruel and unusual punishment.”)- Lee Pfeiffer
Cinema Retro has received the following press release:
MI6 Confidential, the
full-colour magazine celebrating theworldof James Bond 007,
returns with its twenty-ninthissue.
Ask anyone with a passing interest in Bond and they'll
recall the terrorist organisationSPECTREpulling the strings on
some of 007’s most dangerous missions; but not because they have beenaregular fixture of recent times. However, the organisation
will be back (and just possiblyitsubiquitous leader,
Blofeld) in the 24th screen adventure. This issue pays tribute to the legacythatwent before it. Packed
with trivia, and historical data, we recount the rise of Blofeld from thegermof an idea from author Ian Fleming and producer Kevin
McClory to his most recentfilmicappearanceinForYourEyesOnly.
Eon Productions and Sony have released the official teaser poster for the new James Bond film "SPECTRE" starring Daniel Craig, currently filming and scheduled to open on 23 October in the UK and 6 November everywhere else.
This was my first visit to the triplex located at 136
Metropolitan Avenue. The cinema is only
a couple of blocks stroll from the Bedford Avenue L subway station and sits mere
minutes from Manhattan’s Lower East Side. As the movie I hoped to catch Thursday night was a special “one night
only, one showing only” screening to begin at 9:30 P.M., I hesitated before buying
my advance ticket and traveling into the city. I live in central New Jersey; far from where Manhattan’s southern end
and Brooklyn meet. I’m 53 years old now and
a workday late night out is getting ever more difficult to recover from. But, in the end, I simply couldn’t pass on this
opportunity to catch the Nitehawk Cinema’s wonderfully wrought presentation of
the fourteenth James Bond film “A View to a Kill” that was released in 1985. Though 007 film retrospectives
aren’t necessarily rare to repertory theater programming, too often fans are offered
only such early Sean Connery-era classics as “Dr. No” and “Goldfinger” as
exemplars. Here was a rare chance to re-experience
- in glorious 35mm and nearly three decades after its original release - Roger
Moore’s rarely theatrically re-screened sign-off as James Bond.
It was the right decision. The Nitehawk is a bountiful oasis for moviegoers
and film enthusiasts. The walls of the
lobby are adorned with both foreign and domestic movie posters and a lengthy plexi-glass
wall display of vintage old-school “big box” and clamshell case VHS tapes circa
the late 1970s and early 1980s. The
cinema itself offers the usual – and sometimes the more unusual - highbrow
art-house films, but there’s also great enthusiasm among programmers for pure
popcorn movies: the weird, the
exploitative, and the guiltiest of celluloid pleasures. Offering a fully stocked bar complete with an
impressive array of draft and bottled beers and other alcoholic (and
non-alcoholic) refreshments, a great selection of hot comfort foods, and the
most delicious hot buttered popcorn I’ve enjoyed in some time (served in a deep
stainless steel bowl), the movie-going experience at the Nitehawk is an
absolute delight. The terraced seating
and plush seats and aisles with ample leg room and courteous attendants are a
refreshing bonus. Best of all, the fans
who gathered to watch Roger Moore stroll and fire one final time into the trademark
gun barrel were simply my kind of moviegoers. There was no one chatting away on cell phones
or sending glowing texts about nothing while the feature was in progress.
The Bond film, which played out before a sold-out and
appreciative audience, was part of the cinema’s on-going series “The Deuce.” Upcoming screenings in the series include “Fight
for Your Life” (1977) and “Wolfen” (1981). “The Deuce,” for the uninitiated, was an
affectionate pop-cartographic nickname for the nostalgically remembered stretch
of aging movie palaces that once populated the area of 42nd Street
between 6th and 8th Avenues. By the early 1970s, this great neighborhood and
glorious entertainment strip became the playground of prostitutes and drug
addicts. The once magnificent theaters were
relegated to playing before houses half-filled with adventurous teenagers,
junkies, the homeless and mental cases.
To some degree, “A View to a Kill” was an odd choice
for inclusion in the series. Any James
Bond, even one of the series less remarkable ones as this one, was, by no
means, atypical of the usual 42nd Street movie fare of the
time. The Times Square theaters more
usually offered 24/7 programming of the cheapest Kung-Fu films from Hong Kong,
the sleaziest and most lurid of low-budget horrors, and the world renowned pornographic
all-nighters. To paraphrase one of the
film’s presenters this evening, “Some people have described 42nd
street as the place where movies went to die. We think of 42nd street as the only place where many of these
movies could have lived.”
In their opening presentation to the film, organizers
of the screening spun a somewhat dubious tale of “A View to a Kill” having played
as the top-bill of a double-feature program at the notorious Selwyn Theater. The Selwyn, once one of the brightest
fixtures on the strip had, in its final years, fallen prey to disrepair and
neglect. It eventually morphed
unpleasantly into a legendary dank and ghoulish Grind-house with sordid
clientele. I can’t say for certain
whether or not this classy James Bond film actually played a fleapit like the late-stage
Selwyn, but if true it would have mostly certainly been on a subsequent run. My own clippings book reveal that upon its initial
U.S. issue on May 24, 1985, this particular 007 opus had opened two blocks
north of the Selwyn at the more elegant Loews Astor on W. 44th
Though Moore’s final outing as James Bond is, arguably,
the least successful of his tenure, it remains a very entertaining programmer
throughout. The 35mm print screened was
in fine condition, the color palette still mostly bright but with just enough
black scratches to remind you that you were enjoying a real film as originally
presented. Though few James Bond
zealots would allow their true feelings to show, Bond snow “surfing” through a
phalanx of Russian assassins as the cover version of the Beach Boys’
“California Girls” played on the soundtrack brought about a murmur of amused
giggles and cheers. Time and history
have allowed Moore’s lighter-turn as Bond to enjoy a welcome reevaluation. It was somehow liberating for the devoted 007
fan, for two hours time at least, to put aside the grim and solemn tone of the recent
Craig Bonds and actually have some fun and smile during a James Bond movie
Today is "Red Nose Day" in England, wherein celebrities, sports stars and the public raise money for charity. The BBC have a show called "Comic Relief" on TV tonight, which comes live from The London Palladium from 7 PM through 2 AM. Filled with comedy sketches, music acts, etc, one of the highlights will be a special James Bond segment filmed at Pinewood starring Daniel Craig - and Sir Roger Moore!
Thanks to Cinema Retro contributor Hank Reineke, who provided this scan of the 1972 James Bond TRIPLE feature that consisted of "Dr. No", "From Russia With Love" and "Goldfinger". Those were the days....This ad is from the now-deceased State Theatre in Journal Square, Jersey City, NJ. Below is the U.S. one sheet poster made for the triple feature.
Jourdan as the Bond villain Kamal Kahn in "Octopussy".
Louis Jourdan, the talented and iconic star of French cinema, has passed away at age 93. Among his major English-language films that made him an international star were Hitchcock's "The Paradine Case", the classic musical "Gigi", "Three Coins in the Fountain", "The Swan", "The V.I.P.S" and "Year of the Comet". In 1983, Jourdan also entered pop culture history by playing the lead villain opposite Roger Moore in the James Bond film "Octopussy". For more click here. For more about Jourdan and "Octopussy", visit the MI6 Community web site here.
Eon Productions has released the first tantalizing glimpses from the production of "SPECTRE", showing Daniel Craig in action in the snow-capped mountains of Austria. A brief behind the scenes film report accompanies this first officially released photo of Craig as 007. In the clip, cast and crew members discuss the filming and Craig is shown briefly at the very end as Bond shoots an adversary dead. It's hard to draw any definitive conclusion from these glimpses except that Craig looks exceptionally cool (in both senses of the word) and that, at least for us long-time veterans of all things Bondian, the atmosphere inevitably brings back welcome memories of the 1969 classic "On Her Majesty's Secret Service".
USA Today culled this frame of Daniel Craig from the behind-the-scenes footage.
Daniel Craig (James Bond), Léa Seydoux (Madeleine Swann) and Dave Bautista (Hinx) were in the Austrian ski resort of Sölden for SPECTRE. Other Austrian locations for SPECTRE include Obertilliach and Lake Altaussee.
It was in 1987 that the "new" James Bond, Timothy Dalton, made his debut as 007 in "The Living Daylights". It was a troubled production to bring to the screen, given the fact that Pierce Brosnan had been signed to play the role of Bond only to be thwarted by a contractual clause relating to his NBC TV series "Remington Steele". Dalton was the fourth actor to play 007 on the big screen, if you don't count David Niven in the 1967 spoof version of "Casino Royale". He followed in the paths of Sean Connery, George Lazenby and Roger Moore. Dalton is generally credited for bringing Bond back to earth in terms of downplaying the overt comedy that had characterized the series since Connery's final Bond film for Eon Production, "Diamonds Are Forever" in 1971. The good folks at the MI6 web site provide a wealth of interesting trivia relating to all things "Daylights". Click here to read- and while you're at it, subscribe to their superb magazine.
The Daily Mail has a series of photos showing Daniel Craig on the Thames en route to the real MI6 HQ to film sequences for the new 007 film "Spectre". Craig appears to be having a ball riding a high speed vessel in the company of his co-star Rory Kinnear, who plays the role of fellow agent Bill Tanner.
The article also reveals that, in the wake of the devastating Sony hack scandal, the script is being re-written even as filming is underway, which is not a situation most filmmakers want to contend with. However, Sony and Eon Productions confirmed that an earlier draft of the script that gave away key plot spoilers has been leaked to the web. To ensure that moviegoers don't have the experience of seeing the new film ruined in advance of its premiere next November, the producers have brought in other writers, including "Edge of Tomorrow" scribe Jez Butterworth, to re-write key portions of the story including the finale. The script is also being rewritten by long-time Bond co-writers Neal Purvis and Rob Wade. Daniel Craig has previously said that the script that was in place prior to the hack was better than the one for his 2012 blockbuster "Skyfall", which grossed over $1 billion internationally.
Eon Productions and Sony have confirmed that the recent hack attack against the movie studio has resulted in the cyber theft of the script for the new James Bond film "Spectre" that just began filming. The big budget production has been kept top secret and pains had been taken to keep key plot points from the public. It is known from the title that Bond's arch nemesis organization SPECTRE will fit into the story line and it is has been reported through hacked information that the character Blofeld is to figure into the plot in some way. However, the theft of the actual script could have devastating consequences for the marketing of the film. The producers clearly had anticipated keeping key information close to the vest until the film is released next November 6. Aside from reminding the thieves that the script is protected under British copyright law, there isn't much they can do to prevent it from being published on the web. Both Eon and Sony deny rumors that the filming has been put into hiatus. This is only the latest problem for Sony, which has been the focus of an unprecedented hack that has resulted in embarrassing and confidential information going viral. It is suspected that the North Korean government is behind the action, in retaliation for a new Sony comedy that centers on a plot to kill the nation's dictator Kim Jong Un. For more click here.
The new James Bond film, "Spectre", boasts some exotic locations ranging from Morocco to Mexico to Austria. However, Variety reports that a sizable chunk of the film's rumored $300 million budget will be spent in Rome, where tax incentives have brought in many major studio productions lately. The Bond flick will drop over $62 million to film some high profile chase sequences in Rome, including a spectacular car crash and a scene in which Bond parachutes from a helicopter onto the ancient Ponte Sisto bridge. (No word on whether the Queen will be joining him on this parachute drop, as she did at the Olympics in 2012!) For more click here.
Cinema Retro's own Gareth Owen is interviewed on Bloomberg TV regarding the reasons that Pinewood Studios has remained James Bond's 'home" for more than 50 years. The Broccoli family have always felt most comfortable at Pinewood and they maintain permanent offices there. However, there is an economic incentive to film there, as well. After decades of losing major film productions due to punitive tax measures, the UK is now attracting blockbuster franchises such as Star Wars, Batman and The Avengers due to lucrative incentives that allow producers to reclaim as much as 25% of their British expenditures. The new Bond film SPECTRE is filming at Pinewood and other locations around the world.
(Read Gareth Owen's "Pinewood Past" column in every issue of Cinema Retro!)
Here is the brilliant new teaser campaign for the James Bond film "SPECTRE". What makes it brilliant? Any Bond fan would know...the bullet hole references the final, haunting frame of the 1969 Bond classic "On Her Majesty's Secret Service" starring George Lazenby. In those final moments, Bond's beloved new bride Tracy (Diana Rigg) was murdered by SPECTRE arch villain Ernst Stavro Blofeld and his henchwoman Irma Bunt. The fact that the franchise is reaching back into its early days in terms of this reference bodes well for the new film. Of course, it could be coincidental that the logo mirrors the final image from "OHMSS", but- given the title- it seems intentional. We shall see... Regardless, we love the fact that the SPECTRE octopus symbol is woven into the logo...
WATCH REPLAY OF THE BOND PRESS ANNOUNCEMENT AT PINEWOOD STUDIOS
UK, December 4, 2014 – 007 Soundstage, Pinewood Studios, London. James Bond
Producers, Michael G. Wilson and Barbara Broccoli today released the title of
the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON
Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is
directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film
as Ian Fleming’s James Bond 007. SPECTRE begins principal photography on
Monday, December 8, and is set for global release on November 6, 2015.
with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie
Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz,
Léa Seydoux, Dave Bautista, Monica Bellucci and Andrew Scott. Mendes also
revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for
cryptic message from Bond’s past sends him on a trail to uncover a sinister
organisation. While M battles political forces to keep the secret service
alive, Bond peels back the layers of deceit to reveal the terrible truth behind
007 production will be based at Pinewood Studios, and on location in London,
Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the
snow once again, this time in Sölden, along with other Austrian locations,
Obertilliach, and Lake Altaussee.
on the announcement, Wilson and Broccoli said, “We’re excited to announce
Daniel’s fourth installment in the series and thrilled that Sam has taken on
the challenge of following on the success of SKYFALL with SPECTRE.”.
by John Logan and Neal Purvis & Robert Wade, Director of Photography is
Hoyte van Hoytema and Editor is Lee Smith. Production Designer, Dennis Gassner
returns along with Costume Designer, Jany Temime and Composer, Thomas Newman.
Action Specialist, Alexander Witt is the 2nd Unit Director. Stunt Coordinator
is Gary Powell, SFX Supervisor is Chris Corbould, and Visual Effects Supervisor
is Steve Begg.
the 23rd James Bond film, was a worldwide box office phenomenon, opening #1 in
70 territories around the world, taking over $1.1 billion worldwide and setting
a new all-time box office record in the UK by becoming the first film to take over
Minutes ago, director Sam Mendes announced that the new James Bond film title will be "SPECTRE". The announcement was made at the legendary "home" of the 007 franchise, Pinewood Studios on the Albert R. Broccoli 007 Stage. Christoph Waltz was confirmed as the new villain. His character's name was not given, but the title "SPECTRE" gives credence to rumors that he will be playing the arch villain Ernst Stavro Blofeld, who has not officially appeared in an Eon Bond film since Charles Gray played him opposite Sean Connery in the 1971 film "Diamonds Are Forever".
Returning cast members include Ralph Finnes, Naomi Harris, Ben Wishaw and Rory Kinnear. The writing team from "Skyfall"- John Logan, Neal Purvis and Rob Wade- is also returning.
Bond's new car was also unveiled: the new Aston Martin DB10.
The film is scheduled for release in October 2015.
Cinema Retro has received the following press release from Sony Pictures (UK):
(Pinewood Studios, UK) - On Thursday 4th December at 11:00am GMT (3:00am PST; 6:00am EST) Albert R. Broccoli's EON Productions, Metro-Goldwyn-Mayer Studios and Sony Pictures Entertainment will present a live announcement and photo call from the 007 Stage at Pinewood Studios. The title and cast of the 24th Bond film will be revealed, marking the start of principal photography on Monday 8th December. A global audience will be able to watch the announcement live via a web stream atwww.007.com
The legendary Albert R. Broccoli 007 Stage is located on Broccoli Road at Pinewood Studios.
(Photo copyright Cinema Retro. All rights reserved.)
·The announcement of the title and cast for the 24th Bond film will be streamed live on www.007.com and distributed live via satellite
·The announcement will also be live-tweeted via the official James Bond handle @007
In a major article for The Digital Bits web site, writer Michael Coate has assembled personal insights from a number of James Bond authors and scholars to reflect on the legacy of "Goldfinger", which is celebrating its 50th anniversary. Those interviewed are: Jon Burlingame, Robert A. Caplen, James Chapman, John Cork, Bill Desowitz, Charles Helfenstein, Mark O'Connell, Cinema Retro editor Lee Pfeiffer, Retro contributing writer Steven Jay Rubin and Bruce Scivally. Click here to read.
Although Eon Productions has yet to confirm it, Variety reports that the new James Bond film starring Daniel Craig will begin filming on December 6 at the traditional "home" of the franchise, Pinewood Studios outside of London. The script was rewritten by Neal Purvis and Rob Wade, working from an initial story by John Logan. "Skyfall" director Sam Mendes will be at the helm again and cast members introduced in that film are expected to return for this entry in the series. "Skyfall", which was released in 2012- the 50th anniversary of the screen series- became the highest grossing film of the series and the highest grossing British movie ever released. For more click here.
If you're a Cinema Retro readers, chances are you've seen the James Bond classic "Goldfinger" a gazillion times. Still, the much-analyzed film has many fascinating facts associated with it that the average fan may not be aware of. To celebrate the 50th anniversary of the film's release, the Daily Mail has compiled some of these trivia facts into an article. Click here to read.
There will be a 50th anniversary reunion of actresses from the James Bond classic Goldfinger appearing at the next London Film Convention to be held on 20 September. Actresses scheduled to appear are Honor Blackman, Shirley Eaton, Tania Mallet, Nadja Regin and Margaret Nolan.
The Bond for UNICEF charity event will take place commencing 20 September in Stockholm, Sweden. An array of guest stars and screenings will highlight the festivities. Here is an updated press notice we received:
(Photo copyright Mark Mawston. All rights reserved.)
Cinema Retro's "Man About London", photographer Mark Mawston, covered Sir Roger Moore and Lady Moore during their appearance yesterday at London's Cinema Store. Sir Roger was signing copies of his latest book, "Last Man Standing". For his full schedule of London signing appearances, click here.
Sir Roger Moore will be signing copies of his latest book, "Last Man Standing: Tales From Tinseltown", in London. Below is the schedule for the signing sessions.
"Last Man Standing: Tales From Tinseltown" recounts Sir Roger's personal memories of the his friendships and working relationships with many of the greatest Hollywood legends.
1pm Book signing, Hatchards St Pancras
5pm Book signing,The Cinema Store
2.30pm Book signing, WaterstonesGuildford
1.30pm HarrodsBook signing
1pm Book signing, Waterstones Kingston
Please note: Due to the large crowds that are anticipated, in order to ensure that all books can be signed, Sir Roger will not be personalizing copies. Additionally, there will be no posing for photos or signing any items other than the book itself.
Can't make it to the signings? Click here to order from Amazon UK.
The book will be released in the USA in October under the title "One Lucky Bastard". Click hereto pre-order from Amazon USA
To celebrate the 10th anniversary of the superb 007-themed web site From Sweden With Love, a James Bond weekend will be held in Stockholm September 19-21 to benefit UNICEF Sweden. Among the Bond cast and crew members who are scheduled to appear: Robert Davi, John Glen, Carole Ashby, Rick Sylvester, Kristina Wayborn, stuntman Paul Weston and many others. Click here for full information.
On Sunday 6th July BondStars held their
annual summer barbeque at Pinewood Studios. This year the event was themed
around Timothy Dalton’s debut as 007 in The Living Daylights (1987). Making his first
BondStars appearance was Dutch actor Jeroen Krabbé
who played KGB baddie General
Georgi Koskov. He was joined by fellow
cast members Maryam d’Abo, Thomas Wheatley and Caroline Bliss.
The day kicked off with a screening of The Living Daylights
in Pinewood’s theatre, which has recently been re-named The John Barry Theatre.
Director John Glen and members of cast and crew were on hand to introduce the
Following the screening, guests signed autographs and
chatted with fans. Cinematographer Alec Mills launched and signed copies of
his new autobiography ‘Shooting 007 and other Celluloid Adventures.’
Also returning to Pinewood for the first time in 27
years was the soft-top Aston Martin as
driven by Bond in the early scenes of the movie. Displayed on the lawn in front
of the manor house, the Aston became the centre of a fun re-union photograph
with John Glen at the wheel. Cinema Retro’s Dave Worrall led visitors on his
“traditional” tour of the studios, before the special guests took to the stage
for a series of lighthearted interviews, in which they regaled the audience
with their memories of making the film.
Another enjoyable and memorable event. BondStars promise
to return with another great lineup next year.
Peter Hunt’s On Her Majesty’s Secret
Service celebrates its 45th anniversary this year. Actor George Lazenby, who donned the role of
Bond, James Bond, for this singular
film will be appearing for a Q and A at the screening on Tuesday, July 8, 2014. The event will be held at the Landmark
Theatre, 10850 West Pico at Westwood Blvd., Los Angeles, CA. From the press release:
Bond goes undercover in the treacherous Swiss Alps in this underrated, highly entertaining,
action-packed epic filled with artillery-laden ski pursuits, incredible stunts
and nonstop thrills! George Lazenby (in his only appearance as James Bond)
leaps into the role of Agent 007 with supreme confidence and undeniable
charisma, even finding love with the beautiful and seductive Tracy Di Vicenzo
(Diana Rigg). But first Bond must stop evil genius Blofeld (Telly Savalas) from
releasing a germ warfare plot that could kill millions! Directed by Peter R.
Hunt (Gold, Shout at the Devil).
There will be a special two-day 50th anniversary tribute to the James Bond classic "Goldfinger" held in Oslo, Norway May 22-23. Ken Adam, the legendary Oscar-winning production designer, will be an honored guest along with his biographer Sir Christopher Frayling, Norman Wanstall (who won an Oscar for his sound effects for the film) and actress Margaret Nolan, who played "Dink" and whose body was seen in the classic opening titles sequence. For full information and schedule click here
MI6 Confidential, the terrific British James Bond magazine, is now shipping issue #25. Highlights include: interview with legendary stuntman/coordinator/second unit director Vic Armstrong; interview with former United Artists head of production David V. Picker; The Cars of Ian Fleming; interview with Lana Wood of Diamonds Are Forever, The Bond in Motion London auto exhibition; the story behind the James Bond Jr. animated series, and much more. Click here to order.
Seven James Bond films starring Sean Connery and Roger Moore debut in May on Netfllix, North America. Titles are: Goldfinger, You Only Live Twice, A View to a Kill, From Russia With Love, Live and Let Die, For Your Eyes Only and Never Say Never Again. Click here for a list of other films and TV shows debuting this month.
The provocatively - and appropriately- named Studblog presents a gallery of great old movie newspaper advertisements from regional theaters in America. This ad is from March 1972 and shows a Sean Connery double feature playing in Colorado Springs: his return as James Bond in Diamonds Are Forever paired with the big budget film The Red Tent in which Connery played the legendary explorer Roald Amundsen. The Bond flick was a predictable blockbuster but The Red Tent died at the boxoffice, the victim of a talky script and a bland title that revealed nothing about the fact that the movie was about the ill-fated race to the Pole. Looking at the ad, we never realized Connery's co-star was the lovely Claudia "Capdinale".
Ejiofor and girlfriend Sari Mercer snapped by Cinema Retro's Mark Mawston at this year's BAFTA awards in London.
We don't usually repeat rumors concerning forthcoming James Bond films because inevitably they turn out to be either inaccurate or completely untrue, at least in the very early stages. However, this one comes from a reputable source: Variety, which reports that Chiwetel Ejiofor, the Oscar-nominated leading man of "12 Years a Slave" is strongly being considered to play the villain in the next 007 flick, scheduled for release in November 2015 with Daniel Craig reprising as Bond and Skyfall director Sam Mendes also returning. Variety reports that producers Barbara Broccoli and Michael G. Wilson were so pleased with the response to Javier Bardem's performance as the baddie in Skyfall that they want to raise the caliber of Bond villains by approaching another red-hot actor who is a star in his own right. The strategy isn't entirely new: Christopher Walken, an Oscar winner for The Deer Hunter, had appeared as the villain in the 1985 Bond film A View to a Kill opposite Roger Moore. Click here for more
MGM and James Bond producers Michael G. Wilson and Barbara Broccoli feel they have their own license to kill--film projects, that is, that they allege violate their copyrights to the 007 character and series. MGM had warned Universal not to go forward with a spy movie titled Section 6 that purports to explore the fact-based origins of MI6 in the aftermath of WWI. The Bond producers and MGM stated their concerns that leaked elements of the screenplay showed plot devices that they allege are clearly inspired by the works of Ian Fleming including the fact that British agents have been assigned licenses to kill and that they carry "00" status. Both of those attributes are fictional and are directly linked to Fleming's creation. MGM has filed suit this week against Universal and screenwriter Aaron Berg alleging that Section 6 is clearly based on elements of the Bond books and films. The producers don't control the literary rights to the Bond novels but do have exclusive rights to any screen versions of 007's adventures.
The long-running Bond film series has been the subject of numerous legal battles over the decades. These include successful attempts to stop the airing of TV commercials which the producers allege violated their copyrights. There was also a long legal battle beginning in the mid-1970s to prevent producer Kevin McClory from bringing a remake of Thunderball to the big screen. (McClory had served as producer on the blockbuster 1965 version of the film). The late, legendary producer Albert R. Broccoli challenged McClory's rights for years but the film ultimately was made under the title of Never Say Never Again and released in 1983. McClory lost numerous other legal battles with Broccoli's production company, EON, however. These included launching other derivative films and TV series based on Thunderball, the one Bond novel that he had secured film rights to as the result of a legal settlement he made with Ian Fleming in the early 1960s that alleged Fleming used some of McClory's ideas to develop the novel upon which the film was based.
The Bond franchise is carefully guarded by EON for good reason. More than half a century since the first Bond film premiered, the series is more popular than ever. The latest entry, Skyfall, released in 2012, is not only the highest grossing film of the series but the top grossing British film of all time.
Son Terry (left) watches his Father Dickie, dance with lead vocalist Kerry Schultz and guitarist David D'Andrade (far right) during the band's performance of The Man With the Golden Gun.
By Dave Worrall
Last weekend (Saturday 22nd March) I had
the pleasure of being invited to Jean and Dickie Bamber's Diamond Wedding
anniversary celebrations held at Heatherden Hall, Pinewood Studios. Dickie has
worked in the film industry for over 50 years on productions such as Genevieve, The Ipcress File, Thunderball,
Battle of Britain, A Bridge Too Far and many of the Carry On comedies, to name but a few. Their
son Terry, himself a veteran of the industry, and who I first met on the set of
the James Bond film GoldenEye, did
his parent's proud. Following a champagne reception we dined in the Pinewood
house restaurant (remember the scene in Who
Dares Wins where the hostages are held around a dining table in the US
Ambassador's residence? Well, we were in the same room.)
The evening's cabaret
was provided by the 14-piece band 'Q the Music' who specialize in performing
music from the James Bond films. From Dr.
No to Skyfall, this
mini-orchestra performed some of the best cover versions I have ever heard.
They were brilliant. Bond fans themselves, their renditions of even the
instrumentals such as 'Bond 77' from The
Spy Who Loved Me and 'Runaway' from For
Your Eyes Only, were spot on. Kit Mlynar on saxaphone, and David D'Andrade
on guitar, were excellent, as was lead vocalist Kerry Schultz. Wow, what a
voice. This was professionalism at its best.
Lead vocalist Kerry Schultz belts out a Bond hit song.
If you are a James Bond fan, or
simply like to hear movie music live, I highly recommend this band. In fact,
they are at The Lincoln Drill Hall on April 18/19, and in Wycombe on May 11th.
Check out their web site for further details and treat yourself to a fabulous
night out. www.QTheMusicShow.com
Cinema Retro has received the following press release:
Dear Bond fan,
If you haven't already ordered your
copy of MI6 Confidential issue #24 or (better yet!) a 2014 subscription,
here's a little taste of what you've been missing:
Purvis & Wade on ‘Die Another Day’ being too far-fetched: "We asked if ithe invisible car could be
turned down a bit, so that something more was visible, but it’s up to
Lee Tamahori in the end, the way he wanted to do it. We could talk about
kite surfing as well... but maybe we should leave that one alone. It’s
difficult for us to talk about because we don’t want to criticize... but
it did get a bit over the top. We were busy pretty much throughout the
production because at the 11th hour, just before we started shooting,
there was a change of the whole of the third act. We had a heck of a lot
of work to do to try and make that all fit. So, it wasn’t ideal.”
Pierce Brosnan on his off-screen relationship with Teri Hatcher in ‘Tomorrow Never Dies’:
Brosnan explained, “She was late to the set because she was newly
pregnant. I didn’t know that until the end of the day. I was vexed
because I had a call time of six or seven A.M., and we didn’t do any
work until three or four in the afternoon. I got very upset with her -
she was always keeping me waiting for hours. When we finally got her in
front of the cameras, it was great. Getting her there was the problem. I
must admit I let slip a few words, which weren’t very nice. No one told
me her situation until afterward. By that time I’d already shot my
mouth off and cussed and moaned and groaned.”
Director John Glen on filming during a war: “The Argentinean War was taking place at the
time of Octopussy. We went down to Northolt airfield and Peter Lamont,
the production designer, very cleverly made palm trees out of plaster to
double for a generic South American nation that 007 single-handedly
invades.” Whilst Glen was shooting at Northolt, a member of his crew
overheard a curious conversation in a local pub: “They were discussing
why there were palm trees at Northolt Airport and someone said, ‘It’s to
make the Argentinean prisoners of war feel at home!’ They were quite
serious in the pub."
If you have not subscribed yet, you can still pre-order 5 issues for the price of 4: subscribe or renew for 2014.
Amphibious Lotus Esprit seen in The Spy Who Loved Me (1977)
This model helicopter used in Skyfall (2012) is on display in the foyer.
The Cougar driven by Diana Rigg in On Her Majesty's Secret Service (1969)
Cinema Retro London reporter Matthew Field admires the art gallery section of the exhibition.
Cinema Retro's Dave Worrall with Ken Adam's early sketches of the legendary Aston Martin DB5 that was first seen in Goldfinger (1964).
Blofeld's Bath-O-Sub, as seen in Diamonds Are Forever (1971)
Speedboat driven by Roger Moore in his first Bond film, Live and Let Die (1973)
Dave and Matt get to ham it up with some "real" Bond girls: some of the ladies from Eon Productions. This souvenir photo puts attendees inside the legendary gun barrel and will be available at the Bond in Motion exhibition.
Entrance to the exhibition at the London Film Museum.
On Tuesday 18th
March Cinema Retro was invited to the opening of Bond In Motion at the
London Film Museum
in Covent Garden. The exhibition, which is the largest collection of
official James Bond vehicles ever assembled, had previously been on
display at Beaulieu Motor Museum. The cars looked fabulous in their new
home and the design of the exhibits allows visitors to
get closer to the vehicles than ever before. Iconic cars that have featured in the high octane, all action Bond films on display, include the underwater Lotus Esprit from The Spy Who Loved Me, the Rolls-Royce Phantom III from Goldfinger, and the Aston Martin DB5 from GoldenEye, to name but a few.Additionally a mezzanine
level showcases an array of storyboards, sketches and production design
drawings on display to the public for the first time. New to the
exhibition is a 1/3 scale model of an Agusta Westland
AW101 helicopter used in Skyfall. Museum founder Jonathan Sands and Meg
Simmonds of Eon Productions welcomed VIPs to the champagne reception.To visit the London Film Museum web site click here.
Bond in Motion opens to the public on Friday March 21st at the London Film Museum, 45 Wellington Street, London WC2E 7BN. Tel: 020 7202 7043. The exhibition is open seven days a week from 10am to 8pm. (last entry 5pm). Advance tickets available from Ticketmaster, www.ticketmaster.co.uk
(All photos copyright Cinema Retro. All rights reserved.)
In 1994 producers were making plans to bring James Bond back to the silver screen after a six year absence. Many actors were considered but according to Liam Neeson, who had just hit it big as the star of Schindler's List, he was offered the role. He was enthused about playing the part in the film that would become GoldenEye, but was talked out of his decision. To find out the details click here
"Goldfinger" is not only the name of Sean Connery's classic 1964 James Bond flick, but its also the monicker that the Spanish press has attached to a high profile real estate scandal that has been plaguing Connery for years.
Sir Sean Connery is man known to value his privacy. So he is not a bit pleased to be the marquee name in a slow-rolling but high profile real estate scandal in Spain, where he resided for many years in the town of Marbella. Connery and his wife sold their property in 1999 and relocated permanently to the Bahamas. Shortly after the Connerys sold their estate, it was demolished and a massive apartment complex was built on the land. Spanish prosecutors claim that the construction project was a boondoggle orchestrated by local politicians in violation of the law and various zoning ordinances. The Connerys have been fighting attempts to get them to appear in Spanish courts since 2010. They deny knowing the politicians involved in the scandal on a personal basis and also deny that they dodged paying taxes on the proceeds of the sale of their home. Sir Sean is particularly outraged because the story, which is front page news in the Spanish press, resulted in his home address being publicly revealed. He probably also isn't pleased that he is being linked to the scandal through the very name it is being referred to, which is a reference to his film Goldfinger. For more on the complex case click here.
Cinema Retro has received the following press release:
LONDON FILM MUSEUM TO STAGE ‘BOND IN MOTION’ FROM
21 MARCH 2014
FIRST TIME THE LARGEST OFFICIAL COLLECTION OF
JAMES BOND VEHICLES HAS BEEN EXHIBITED IN LONDON
London, 11 February 2014:
The London Film Museum and EON Productions are delighted to announce that
the BOND IN MOTION exhibition,the
largest official collection of original James Bond vehicles, will be on display
for the first time in London from 21 March.
exciting family exhibitionwill transform the entire London Film Museum
space in Covent Garden and will allow Bond fans and members of the public to
see the most up to date collection, including for the first time in the UK, the
1/3 scale model of Agusta Westland’s AW101 helicopter used whilst filming
2012’s Skyfall. BOND IN MOTION will
also feature a wide range of vehicles, miniature models, action sequence
boards, vehicle concept art and props from all of the James Bond films.
Iconic cars that have
featured in the all action Bond vehicle chases will also be on display,
including ‘Wet Nellie’ Lotus Esprit S1, from The Spy Who Loved Me, 1977, the Rolls-Royce Phantom III from Goldfinger, 1964 and the Aston Martin
DB5 from GoldenEye, 1995.
Eagle-eyed subscriber Frank Coronado sent us a YouTube link to some fascinating B&W footage shot on the Pinewood Studios set of Thunderball in 1965. You'll see Terence Young directing actors Sean Connery, Claudine Auger, Adolfo Celi and Philip Locke in the casino sequence. The footage originated with a Dutch television program.
In a British Film Institute stage interview, composer David Arnold talks about the impact that the 1967 James Bond film You Only Live Twice had on him as a young boy. It was the first Bond film he had seen and even though he had to view it via a 16mm screening, he was hooked not only on the visual elements but also John Barry's thrilling score. Arnold discusses all of this and how he became a 007 composer himself. Click here to view.
Personal letters written to his friend and colleague Dennis Hamilton of the Sunday Times reveal a great deal about the nature of their relationship. In some letters, Fleming expresses his gratitude to Hamilton and at other times chastises him for using insulting verbiage and even wasting his time tending to his garden, an activity Fleming apparently disdained. The James Bond author's letters also reveal that he was once struggling to get through a business meeting without realizing that he was undergoing a major heart attack. The letters are being put up for auction. For more click here