Here's a vintage Sean Connery interview from Belgian television. The description says its from 1969 but it must have been filmed in 1968, as Connery refers to the still undetermined American presidential election between Richard Nixon and Hubert Humphrey. He also discusses his observations about American life, how success has affected him, his retirement from the James Bond role (he gives a nod to the "new" 007, George Lazenby) and discusses making his recent western "Shalako" with Brigitte Bardot.
The New York Times has a rare interview with Japanese actress Mie Hama, one of the few female sex symbols of 1960s cinema to break through to international audiences thanks to her appearance opposite Sean Connery in the 1967 007 classic "You Only Live Twice". Like many actresses who found cult status through the Bond films, Hama wore the mantle of fame somewhat uneasily and retired from acting at an early age to lead a more conventional life. She is still well-known in Japan thanks to the many dozens of films she had appeared in but today she is also known as a popular advocate for self-help theories. Click here to read.
Here's a hidden gem: an obscure interview from 1965 on the set of the James Bond thriller "Thunderball". The interview takes place at Pinewood Studios on the set that served as M's office. Not sure who the woman is who is conducting the interview or what network it was filmed for. Suffice it to say she epitomizes the type of uninformed interviewer that ultimately turned Connery off to the publicity surrounding the Bond phenomenon (she doesn't even know what city he was born in.) She also wastes time asking Connery about comparisons between Bond and MacBeth (!), who he had portrayed a few years earlier on Canadian television. Nevertheless, this is an interesting piece of long-forgotten Bond history. - Lee Pfeiffer
Cinema Retro has received the following press release:
(London, UK, December 12th 2016) MI6 Confidential, the
full-colour magazine celebrating the world of James Bond 007, returns with its
Bond girls are forever, but in the last two decades the
007 producers have shaken up the ‘Bond girl’ archetype significantly. Strong,
independent and critical of Bond’s actions and motives are now the norm. But
even this change hasn’t stopped Bond women from being devastatingly beautiful
and the subject of much admiration. This issue is dedicated to finding out what
it takes to be a Bond girl, with features on Bond’s comic book companions, the
surprising origins of the Bond girl label, and the role of Bond women in the
Featured in this issue:
·The Name’s Bond... - Samantha Bond’s stint as the iconicsecretary
·Bond Girls Stripped - A glimpse of Fleming’s characters in
·Bond Girl Etymology - Where did the widely-recognised
·Quick Fire Bond - Lightning Q&A with some of Bond’s
brushes through thedecades
·The Double X Factor - The feminine power of the 21st
·Gaming Girls - A catalogue of digital delights that have
crossed paths with007
Him Crazy - A cut scene from The Living Daylights revisited
·The Bond Connection - The glamorous women and the spy
films of the1960s
UK-based Big Chief Studios, which specializes in producing officially licensed, highly detailed 12" action figures, has been licensed by Eon Productions to create a line of figures based on the James Bond films. Big Chief announced thatt the first wave of releases will center on the 1964 film "Goldfinger" with likenesses of James Bond (Sean Connery), Auric Goldfinger (Gert Frobe) and Harold Sakata (Oddjob). No formal release date has been set. There have been other authorized Bond figures released over the decades. The first incarnation of Sean Connery in action figure form was produced by Gilbert in 1965 to tie in with the release of "Thunderball". The company also produced an Oddjob doll as well. In 1979 Mego produced action figures of James Bond (Roger Moore), Holly Goodhead (Lois Chiles), Jaws (Richard Kiel) and Drax (Michael Lonsdale) from "Moonraker". In more recent years, Sideshow created a series of highly detailed figures based on the Bond films including the only authorized figure to date of George Lazenby as 007 in "On Her Majesty's Secret Service". The Big Chief license illustrates Bond's remarkable staying power as a licensed collectible line.
THIS STORY HAS BEEN UPDATED WITH CRAIG'S COMMENTS ABOUT THE BOURNE FILMS.
BY LEE PFEIFFER
Last evening Daniel Craig took to the stage for a 90 minute interview as part of the New Yorker Festival, sponsored by the legendary magazine. The interview took place at New York's School Visual Arts. Craig, who is not known to be enamored of engaging in interviews, was clearly in a feisty and humorous mood and attributed his presence at the event as a sign of his long-standing respect for the New Yorker magazine. The wide-ranging discussion covered a multitude of topics with the predominant subject unsurprisingly being James Bond. Craig was sporting a bleached blonde crew cut for a forthcoming role that made him bare a resemblance to the legendary Bond villain Red Grant, played memorably by Robert Shaw in "From Russia With Love". He was dressed casually in jeans, sneakers and a leather jacket and walked on stage with host, writer Nicholas Schmidle, without any formal introduction. Craig displayed considerable humor but did pepper his comments with some liberal use of profanity. Here are some highlights of the interview:
Craig said that rumors that he has been offered $150 million for the next two James Bond films are completely untrue. "I haven't been offered any money", he said. Craig noted that the next Bond film isn't even under discussion at this time. He said that after having spent a full year filming "Spectre", everyone involved feels they need a break from the series for a while. Craig did acknowledge controversial comments he made to the press last year in which he said he would rather slash his wrists than play 007 again. Although he didn't formally apologize for the comments, he clearly seemed to regret saying them. He admitted he was in a foul mood at the time because the ordeal of filming "Spectre" had left him emotionally drained and physically injured after having suffered accidents in the course of production. He did not rule playing Bond again in or out but did say that if he were not to play the role again "I would miss it terribly" and said he considered it "the best job in the world". When asked what specific perk he likes the most about playing the role, he wryly noted that he has an Aston Martin stashed in a garage in upstate New York- a direct benefit of playing Bond.
Craig said that throughout his life he has always enjoyed seeing Bond films but had never read Ian Fleming's novels. He never dreamed he would be asked to play the part of 007. When producers Barbara Broccoli and Michael G. Wilson told him he was their choice to play Bond in the 2006 reboot of the franchise, "Casino Royale", Craig almost dismissed the offer out of hand. He said he felt he was all wrong for the role and took a full year to give the producers his answer, after having consulted with family. He said he reluctantly agreed to take on the part with the proviso that it was understood he would not attempt to play the role like Bond actors who came before him. He was effusive in his praise of his immediate predecessor, Pierce Brosnan, but told the producers that he would not be successful in playing Bond in the lighthearted manner that succeeded with Brosnan. He demanded to see a finished script and to have input in defining the character of Bond in his own persona. Craig was surprised when his demands were met and was highly impressed by the finished script. He said he appreciated the producers' willingness to allow him to make creative suggestions regarding the films he has appeared in.
(Photos copyright Tom Stroud. All rights reserved)
Craig spoke highly of his colleagues with whom he works on the Bond films. He was especially generous in his praise of producer Barbara Broccoli, who is producing his forthcoming New York production of "Othello" in which he will play Iago. Craig said that, while he had heard of Barbara Broccoli before being approached for the Bond role, he assumed she was a woman in her seventies. When he finally met her face-to-face he was astonished that she was decades younger. He praised Broccoli and his other colleagues on the Bond series as the epitome of professionalism.
Asked about the current political situation in the United States, Craig said he was a solidly supporting Hillary Clinton. While not mentioning Donald Trump by name, he did say that he thought a country should not be run like a business, as Trump has professed. Craig said that companies only care about the bottom line and making a profit while the first priority of a nation should be to provide help and compassion for its least-fortunate citizens. His comments got rousing applause. (The scandal of Trump's sexually-charged comments on the 2005 video was unfolding during the interview and Craig may well have been unaware of the developments.)
Craig acknowledged that his second Bond film, "Quantum Of Solace", had a rushed production schedule and suffered from script deficiencies due to a writer's strike. He said the script had to be fine-tuned without the benefit of the screenwriters and that even he ended up writing material, stressing that he did not consider himself qualified to do so. Still he defended the film saying there were still some "fantastic" elements to it.
Regarding his private life, Craig denied tabloid reports that he is "prickly" to deal with. He said that he understood that by playing Bond his life would never be the same and that he would be the subject of intense media attention. He did say, however, that to whatever extent possible, he tries to stay out of the press. He scoffed at the notion that he is anything like Bond in real-life, saying that he is neither a bon vivant or a tough guy. He laughingly said that the public should never confuse him with his on-screen alter-ego. Asked if he had any advice for his possible successor in the role, Craig said that actors should not try to emulate their predecessors and bring their own style and conviction to the part. He said the most challenging aspect of filming a Bond movie was the sheer amount of time it takes to shoot it- a full year. He said he misses his family and New York when filming. He also said that not much time elapses between the end of shooting and the release of the film- perhaps six months. Thus it is important to work out the movie in great detail before filming begins because the schedule doesn't allow much time for making changes after production has wrapped.
Craig cringed when a clip was shown of him in his feature film debut in director John G. Avildsen's little-seen 1992 prison drama "The Power of One". He needn't have been embarrassed as the clip showed Craig giving a powerful performance as a brutal and abusive prison guard. He said he had not seen the film since it was originally released.
Asked about criticism from Paul Greengrass, director of the Bourne spy films, that he wouldn't want to direct a Bond film because they were outdated, Craig responded that no one associated with Bond would want him to and that "He should be so lucky" to be asked. This evoked laughter and applause from the audience. Craig, who made his comments seemingly in jest, did say he has yet to see a Bourne movie, but looks forward to getting around to it in the future.
Asked about long-time criticisms that the character of James Bond was sexist, Craig commented on a clip from "Spectre" in which Bond seduces a character played by Monica Bellucci and pointed out that charges of sexism against Bond were misguided because such scenes are meant to be viewed with a degree of camp.
(Photo copyright Cinema Retro. All rights reserved)
Craig said that since he was a young boy he wanted to be an actor. He used to fantasize about being on the big screen. He said one of the films that inspired him most was Ridley Scott's "Blade Runner", which was a bomb when it first opened. He said he recalled watching it in awe in a mostly empty theater and being mesmerized by the film. He recalled that this particular movie was one of the ones that most inspired him to pursue an acting career.
In terms of future projects Craig acknowledged that he will star in an co-produce a two-season television production of author Jonathan Franzen's best-selling novel "Purity" for Showtime. Craig said he wife got him hooked on the book and he immediately called producer Scott Rudin, who owned the screen rights to make a deal to film the story. Craig said that he feels T.V. is the proper medium for the adaptation because he does not want to have to cut down on the essential elements of the story in order to squeeze them into a feature film's running time. His goal is to ensure that virtually every important element of the book is brought to the screen. He also said that he will play a small supporting role in the forthcoming film "Kings" with Halle Berry, which apparently deals with the aftermath of the L.A. riots that took place in Los Angeles in 1992 following the Rodney King verdict.
Craig verified internet rumors that he was indeed in the latest "Star Wars" movie, playing an anonymous Storm Trooper. Craig indicated he is a big "Star Wars" fan and when the "Spectre" filming coincided with filming of "Star Wars" at Pinewood Studios, he couldn't resist asking director J.J. Abrams if he could appear in a tiny, uncredited role. Not surprisingly, his wish was granted.
(Photo copyright Cinema Retro. All rights reserved)
As the evening approached the last half hour, Craig took questions from audience members. This is always a bit dodgy since eccentrics and kooks seem to be drawn to an open microphone the way moths are attracted to a flame. Refreshingly, most of those who participated asked intelligent questions though there was at least one of the requisite hams who droned on with some self-serving comments, as if the audience wanted to hear about him. Craig handled them all- the good, the bad and ugly- with graciousness, respect and humor. At evening's end, the packed house gave him a rousing ovation. Craig said that, contrary to what one may think of the man who plays James Bond, he goes to sleep early and said he was up beyond his bedtime. With that, he bid everyone goodnight. For more click here.
Felix Leiter, the CIA agent who assisted James Bond in both novels and on screen, is finally getting into the spotlight on his own via a new series of comic book adventures authorized by the Ian Fleming estate. The comics will be written by James Robinson with artwork by Aaron Campbell, both of whom have impressive credentials in the industry. The series will be published by Dynamite. Based on the preliminary artwork, this ain't your grandad's version of Felix Leiter. In the Bond films he tends to be as dapper and sophisticated as 007 himself but the comics will present Leiter as a freelance investigator who looks more "Miami Vice" than "Casino Royale". According to the publicity, Leiter will still be involved in the world of espionage. Bond fans have long griped about the character of Leiter not being used to his fullest potential on screen. Not helping matters has been the problem of inconsistency over the decades with a variety of actors taking on the role. Each played Leiter in an entirely different manner and bore no physical resemblance to the other actors. Only two actors have played the role more than once: David Hedison (in "Live and Let Die" and "Licence to Kill" and, more recently, Jeffrey Wright in "Casino Royale" and "Quantum Of Solace"). In the literary world, Leiter lost a leg to a shark in the novel "Live and Let Die"- a scene that was dramatized in the 1989 Bond flick "Licence to Kill". Leiter did not appear in any Bond movie again until the series was re-imagined with Daniel Craig in 2006 with "Casino Royale". When Wright took over the role, no reference was made to the shark incident. The character debuted on screen in the very first Bond movie, "Dr. No" in 1962. He was played by Jack Lord, who would go on to star in "Hawaii Five-0" on television. For more click here
Cinema Retro has received the following press release:
The World’s leading James Bond tribute band, Q The Music,
are set to broadcast their next major public event across the world; streamed
on the web in November 2016. They are crowd-funding the project by
selling advanced copies of the stream, as well as DVDs and CDs of the show.
On 27th November, the show returns to The Harlington Theatre in Fleet, Hampshire (UK) – following a sell- out show last year. Ramping
things up this year, the show have added a live String section to the
performance and will be using Nic Raine’s String arrangements. Musical
Director Warren Ringham explained: “Nic Raine is widely regarded as the leading
arranger and orchestrator of Bond music – and after all, he was John Barry’s
orchestrator, working on A View To A Kill and The Living Daylights – so this is
a really exciting for us to be teaming up with him.”
For those who can’t be at The Harlington in person, Q The
Music’s electric and awe-inspiring performance will be available right to
spectator’s homes; streams of the show will be on the web 24 hours later. In
addition, DVDs and CDs will be on sale. “This is something we have
wanted to do for a number of years. We have followers all over the
World who ask about seeing us live, and now they can! We have
already sold streams to the US, Germany, Netherlands, Thailand, South Africa
and of course, the UK.”
As well as the concert itself, the stream is going to be
hosted Chris Wright, a co-presenter of the hugely popular podcast James Bond
Radio. “I’m so happy and excited to have Chris there. As
well as becoming a good friend, he is a huge fan of our show (having seen it
himself), so this will be a great opportunity to team up. Chris is
going to be circulating ‘round the theatre chatting to cast and crew, and also
getting reaction from the crowd at the event.”
The show is being recorded, filmed and mixed by Mark Forster and his company
Worldwide Productions. Mark himself worked at Abbey Road Studios and
was involved and worked on the last three James Bond film soundtrack
The show, on Sunday 27th November, still has limited
tickets available for sale if you want to go in person on: www.theharlington.co.uk
The Colonial Theater in Phoenixeville, PA, best known as The
‘Blob Theater’ is hosting a dynamite Triple Bond bill on Fathers Day, June 19. The films to be shown are From Russia With Love, On Her Majesty’s
Secret Service and Casino Royale.Arguably some of the best entries in the series, this a rare chance to
see them again in a restored single screen movie theater.Tickets to the triple bill are $21.Times are as follows:
Sam Mendes hosted the press launch to mark production of Spectre at Pinewood Studios in 2015.
BY LEE PFEIFFER
Director Sam Mendes brought the James Bond franchise to an all-time high in terms of critical acclaim and boxoffice receipts with the 2012 release of "Skyfall", which marked the 50th anniversary of the movie series. He then announced he would not be on board for the next 007 flick, "Spectre". However, after much negotiating (and presumably a boatload more money), Mendes relented and directed that film as well. While not enjoying the hype and response that "Skyfall" did, "Spectre" was also a major international hit grossing close to $900 million, outdone only by "Skyfall", which racked up a gross of $1.1 billion. Now Mendes says he won't direct the next Bond film- and this time he says he means it. Mendes has nothing but good things to say about working on two 007 blockbusters but says it's now time for a new director with a new vision. He also says he doesn't know whether Daniel Craig will continue in the role. Craig, who has done four Bond films to date, has made conflicting statements about his desire to continue in the role. Mendes says that the ultimate decision will be left to producer Barbara Broccoli, who initially championed Craig for the part when virtually everyone else thought he would make a poor choice. That was then and this is now and Craig has enjoyed enormous popularity among the fan base. Still, while diamonds may be forever, a Bond actor's lock on the role isn't. Way back when Sean Connery left the series after "You Only Live Twice" in 1967 many critics predicted the end of the franchise. It would be too inconceivable, they said, to consider anyone else in the role. Over a half-century later, however ,the series is thriving. Bond is cool again even for kids and there is no signs of the character or the films running out of steam. Doubtless, the producers don't look forward to the stress involved in finding a new actor but they have succeeded many times before. George Lazenby played the part very well in his one turn before quitting the series in 1969. Connery came back in 1971 for one film before Roger Moore took the helm for a successful string of films that lasted from 1973 to 1985. Timothy Dalton played the part twice and Pierce Brosnan proved to be the Bond of the new era with four major successes between 1995-2002. Craig began the role in 2006 with "Casino Royale" and has been the Bond of record since. (Before the purists complain, we'll acknowledge that Connery returned again to the role in 1983 with "Never Say Never Again" but the production was not part of the official franchise.) The recent respectability the Bond films have enjoyed from the critical establishment has also upped the ante in terms of who directs the next film. Gone are the days when Bond directors would be dismissed as being workmanlike in their skill. In fact, a new generation of critics is far more complimentary toward some of the previous directors than critics had been at the time of the movies' original releases. The franchise is now attracting "name" directors who might have once avoided being pigeon-holed as a 007 director. One thing seems certain: any major decisions about the next Bond films seem to be quite a ways off. Even if Craig can be lured back to the role, he is committed to some high profile projects in the coming months. For more click here.
Pierce Brosnan in "The World is Not Enough" (1999) (Photo copyright: Danjaq/Eon)
"Shaken, not stirred". Those legendary words have been spoken many times in the James Bond films in relation to how 007 prefers his Vodka Martinis to be prepared. But as Daily Beast writer Noah Rothbaum points out in an article about the origins of that drink, it was largely the screenwriters who made Bond's instructions a catch phrase as opposed to the Ian Fleming novels on which the early movies were based. Click here to read some interesting insights into the drinking habits of the world's best known secret agent.
Guy Hamilton and Roger Moore on the set of "The Man With the Golden Gun" in Thailand, 1974.
BY LEE PFEIFFER
Cinema Retro mourns the loss of director Guy Hamilton, who has passed away at age 93. Guy was an old friend and supporter of our magazine and a wonderful talent and raconteur. Hamilton, though British by birth, spent much of his life in France. After WWII, he entered the film industry in England and served as assistant director to Sir Carol Reed, working on the classic film "The Third Man". He also served as AD on John Huston's "The African Queen". Gradually, he moved up the ladder to director and helmed such films as "An Inspector Calls", "The Colditz Story" and "The Devil's Disciple", the latter starring Burt Lancaster, Kirk Douglas and Laurence Olivier. In 1964 Hamilton was hired to direct the third James Bond film "Goldfinger" and made cinema history. Hamilton found the perfect blend of humor and thrills and the film started the era of Bondmania that would see Sean Connery boosted to the status of international superstar. He also directed the Michael Caine spy thriller "Funeral in Berlin" for Bond producer Harry Saltzman in 1967. He worked once again for Saltzman on the ambitious epic WWII film "Battle of Britain" in 1969, a highly complex film to make given the logistics of recreating dogfights in the skies over England.
Bond producers Saltzman and Cubby Broccoli reached out to Guy Hamilton again in 1971 to direct "Diamonds Are Forever", the film that marked Sean Connery's return to the James Bond series after a four year absence. The film was an enormous success but it also initiated a swing toward more overt humor, which reflected Hamilton's personal vision of the series. When this writer asked him over a dinner in London many years ago if he felt that the increase in jokes and gags was an artistic mistake, Hamilton insisted it was not, although he acknowledged that he had probably alienated some of the more traditional Bond fans. In fact, Hamilton said that his initial plans for the script of "Diamonds Are Forever" would have seen Bond in Disneyland battling SPECTRE agents dressed as famous Disney characters. Hamilton's emphasis on laughs in the Bond films perfectly paved the way for the Roger Moore era which began in 1973 with "Live and Let Die". Hamilton was retained to direct that film as well. Moore agreed with Hamilton's emphasis on overt humor and that angle would largely define the Moore films which lasted through "A View to a Kill" in 1985. Hamilton would direct Moore's second Bond film, "The Man With the Golden Gun" in 1974. He was initially scheduled to direct "The Spy Who Loved Me" but due to his residency in France, tax complications ensued regarding his ability to work for an extended period in England. Ultimately, Lewis Gilbert directed the film. Hamilton's post-Bond era movies included the Agatha Christie thrillers "The Mirror Crack'd" and "Evil Under the Sun", as well as "Remo Williams: The Adventure Begins" and "Force Ten From Navarone". Of the latter, I once asked him if the disappointing movie went wrong during filming. Characteristically, Hamilton told me that it had a lousy script from day one and he knew it would be a lousy movie. However, he was winding down his involvement in the film industry and agreed to do the movie because the producers purchased a beautiful home for him in Spain. He said it was truly "an offer I couldn't refuse".
As age took its toll, Hamilton made fewer trips outside of Spain. However a few years ago, Cinema Retro's Dave Worrall and Gareth Owen accompanied Hamilton to an outdoor screening of "Goldfinger" in London. He had the satisfaction of seeing how well received his movie was even after half a century. Guy Hamilton was the epitome of the British gentleman and a skilled filmmaker as well. His contributions to the movie industry, and the James Bond series in particular, are secure in film history.
The historic Pickwick Theater in Park Ridge, IL, will be
celebrating the 50th Anniversary of THUNDERBALL with the screening of the
classic James bond blockbuster film on Thursday, April 21, 2016 at 7:00pm.
Hosts Matthew Hoffman and Elizabeth Rye of the Classic Film
Series welcome as special guests, representative of the Ian Fleming Foundation
Colin Clark, and 007 continuing novelist and film historian Raymond Benson, who
will introduce the movie and sign books.
IFF board member Colin Clark will have on display from the
Foundation the five foot model of the RAF Vulcan Bomber use in the filming
of the picture, restored to its original condition.
The evening's festivities will include discussion of
Thunderball's history and behind-the-scenes stories, several Bond-related
raffles, and photo ops with Bond movie props and theater standees.
Pickwick's Classic Film Series presentations often draw fans
in costume. Attendees are invited to dress as their favorite Bond, Bond Girl,
or Bond Villain.
On Wednesday, April 20, 2:00 a.m. CST, Hoffman and Clark
will appear on Chicago's WGN AM720 morning radio show with host Nick Digilio to
talk about the Pickwick's special Thunderball celebration and all things Bond.
The latest James Bond hit "Spectre" starring Daniel Craig is now available for pre-order from Amazon. The Blu-ray set, which includes a digital copy, will ship in the USA on February 9. The Blu-ray includes video blogs made during production of the film, a look at the spectacular opening sequence in Mexico and a photo gallery.
Customers can save $17 off the list price by clicking here to order.
Cinema Retro has asked author Michael Richardson to write an exclusive article for us regarding what influenced him to write his new book "The Making of Casino Royale".
BY MICHAEL RICHARDSON
The sixties James Bond spoof Casino
Royale was a psychedelic multi-storylined extravaganza of improvisation and the
constant rewriting of various screenplays, brought about after negotiations
between producer Charles K Feldman, Eon Productions, United Artists and
Columbia Pictures failed to bring about a co-production. Realising that he
would have to proceed without Bond actor Sean Connery, Feldman crammed his
picture with as many famous names as possible: Peter Sellers, Woody Allen,
David Niven, Ursula Andress, Orson Welles, Deborah Kerr, Daliah Lavi, Joanna
Pettet, Barbara Bouchet, William Holden and Jean Paul Belmondo to name but a
few. The cast also included several unbilled cameos such as: Peter O’Toole,
Caroline Munro, Dave Prowse, John Le Mesurier, Fiona Lewis and ex- Formula 1
racing driver Stirling Moss.
I had watched Charles K Feldman’s Casino Royale on
television many times before a friend of mine furthered my interest in the
production by pointing out the different plotlines and disjointed nature of the
screenplay. Over the years, I both researched and came across much more
information about the hap-hazard manner in which CasinoRoyale was produced,
which only wetted my appetite to learn as much as I possibly could about this
feature film that had somehow managed to get out of control. My fascination
with this craziest Bond film of all eventually brought about an exchange of
faxes with director Val Guest, who was living in California at the time. When
Guest made a flying visit to London for Christmas 2005, I telephoned him at his
London home in Belgravia just before the New Year and we discussed the
production in great detail.
Sometime later I was reading an interview with
Guest, where he was quoted as saying, ‘There’s a whole film to be made about
the making of Casino Royale!’ This made me think, though obviously making a
movie was beyond my abilities and resources, but writing a book that outlined
both the development and production of the film was certainly something I could
do. Doubling my efforts to obtain even more information regarding the film, I
read through every Peter Sellers, Woody Allen, Orson Welles and David Niven
biography I could locate. However, this was just the beginning as I then began
consuming every book associated with anyone who had worked on the film
including actors: Dave Prowse, Ronnie Corbett, Peter O’Toole, Chic Murray and
Duncan Macrae, directors: Val Guest, John Huston and Robert Parrish, plus
writers: Wolf Mankowitz and Terry Southern. My quest for additional knowledge
involved the scouring of both British and American film industry publications
of the time, plus searches through many website features and on-line archives
and even obtaining the French published Ursula Andress biography, despite not
being able to read or speak the language.
The Making of Casino Royale (1967)
explores all aspects of production, including the origins of Ian Fleming’s
novel and subsequent screenplays, the casting choices, pre-production, filming
at three British film studios, location filming in England, Ireland, Scotland
and France, plus publicity and merchandising. This gives an overall picture of
how this strange psychedelic pop art movie was assembled from several different
storylines that involved no fewer than seven directors (including two second
unit directors), working from a screenplay credited to three writers, although
known to have input from at least nine other people including Peter Sellers and
Woody Allen. Eventually, I amassed enough information to
assemble a production schedule with dates for the picture, which indicates in
which order the various segments were filmed, who was directing and which major
cast members were present.
The story behind the making of this
film outlines how what was happening behind the scenes was just as bizarre as
anything happening in front of the cameras. The book also pieces together what
material was filmed and then discarded from the movie, by using reference
sources such as production stills, portions of scripts and anecdotes about the
making the film. Overall this outlines the story of a major blockbuster movie,
which got out of control to become one of the most complicated productions
filmed and the most bizarre James Bond film ever. Almost 50 years after being produced the elements that originally worked
against the sixties Casino Royale, such as the lack of a coherent storyline and
the sending up of James Bond, are now considered to work in its favour and have
assisted in making it a cult slice of sixties psychedelia.
to whet your appetite I can confirm that you will discover the answers to the
1 During development, which James Bond
actor was approached about playing the character for what would have been the
first time in June 1964?
2 During December 1965, which actress
well known for appearing in The Avengers television series was named in the
American press as being lined-up to appear in Casino Royale?
3 For his cameo role in the Scottish
Marching Band sequence, what did Peter O’Toole accept as payment?
4 Why did Sarah Miles turn down the
role of Meg, one of the McTarry daughters?
5 What did Shirley MacLaine do the
week before principal photography was due to commence that stopped production?
6 Why was Blake Edwards turned down as
a director for Casino Royale?
7 After suffering the bad experience
of having his screenplay constantly rewritten while making the film What’s New
Pussycat? why did Woody Allen agree to work with Charles K Feldman again on
8 What role was Dave Prowse originally
going to play in Peter Sellers’ nightmare?
Following its popular exhibition at Madame Tussauds in London, the six James Bond wax figures are now on display in the Hollywood branch of famed museum. Fans can pose with likenesses of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. Lazenby's agreement to do a sitting last February made completion of the exhibit possible. The other five actors had previously had likenesses of them on display at various time periods at the museum. For more, including a link to buy tickets, click here.
The band Radiohead confirmed that they had indeed been asked to write a theme song for the blockbuster James Bond film "Spectre". However, their track was rejected in favor of Sam Smith's "Writings On the Wall". Nevertheless, Radiohead was very pleased with their effort and just made it available for fans to experience. For more on the Radiohead/Bond connection click here.
Writing for the superb 007 web site "From Sweden With Love", Cinema Retro columnist Mark Cerulli pays a visit to one of the most memorable James Bond villains: Putter Smith, who portrayed half of the gay hit men team in the 1971 007 flick "Diamonds Are Forever", squaring off against Sean Connery. . Smith, an acclaimed jazz musician, reminisces in part one of this recent interview. Click here to read and to view a fascinating deleted scene from "Diamonds Are Forever".
the mid 1960s James Bond was everywhere – it was the beginning of the “movie
tie-in” era and when Thunderball was released, Bondmania exploded with numerous 007-flagged consumer items from
dive masks to racing sets, men’s cufflinks and beach towels...
almost every movie has a “marketing partner” of some type – tires, toys, cars,
watches, etc. (Try walking into a store
today and avoiding the Star Wars logo!) But for a while, Bondmania has returned – especially in Europe.
now, we all know what watch Bond wears. (Hint: it ain’t a Rolex anymore…) In Paris and London, Daniel Craig’s chiseled
face stared down from massive Omega billboards and store displays for their
beautiful (but pricey) Spectre edition watch.
also publishes Lifetime, a glossy,
high-end magazine aimed at serious watch enthusiasts. The current issue is devoted to Spectre with
in-depth coverage of the film and products related to it. Definitely worth picking up from their
the world is thirsty work so Heineken, a longtime 007 marketing partner,
returns with specially designed packaging and a number of promotional items
like a bottle opener and bottle-shaped flash drive.
vodka of choice in Spectre is Belvedere. Loo7k for their special 007 bottles
and their limited edition Martini set. If anyone needed an excuse to try a martini, this is it!
favorite bubbly is back for Spectre as well – Bollinger Champagne. Their elegant
007 limited edition Bottles are expensive – (145 Euros at the Paris Airport)
but they look like true objets d’art… and of course the beverage they contain
is precious. No wonder Bond drinks it! If one really has money to burn, Bollinger also offers the Spectre
limited edition Crystal Cooler that would look at home deep within a volcano
crater or on an upscale holiday dinner table!
you’re ready for a cloo7se shave, Gillette is inviting consumers to experience
“Bond Moments”, no Walther PPK needed, just a ProGlide razor in a Holiday Gift
Pack, which curiously offers no 007 branding in the U.S.A market.
However, in the UK, the packaging at least features the Spectre film logo though its relationship to the film is tenuous at best.
Blofeldish? The iconic Spectre ring is available on the official Bond website
for a not unreasonable $216.
Doulton caused a stir with the Jack the Bulldog figurine, which sat on M’s desk
in Skyfall. They created a limited edition
to tie in with that film. Now Jack is
back – in a slightly charred form in keeping with his appearance in
Spectre. Fortunately it’s available on
the Royal Doulton website!
quick and by no means comprehensive listing of Spectre products would not be
complete without mentioning THE ultimate 007 tie-in that only a very few fans
will be able to own. Probably the most
exclusive Spectre product of them all – the achingly beautiful Aston Martin DB9
GT “James Bond Edition”. Only 150 of these
were made and all were sold in a flash – even at a $237,007 price. The folks at Aston were feeling generous, so
for that money, they’ll throw in an Omega Seamaster Aqua Terra. Not a bad deal at all!
is just a smattering of available Spectre products. The European market has many other
participating brands – chief among them beautiful and tres expensive 007 pens
and lighters from luxe French manufacturer, S.T. Dupont; bespoke clothing and
more. Everything but radioactive lint…
Last May, in anticipation of the 30th anniversary of Roger Moore's final James Bond film, "A View to a Kill", writer Michael Coate of The Digital Bits web site solicited extensive comments and reflections on the film from a number of 007 scholars including Cinema Retro Editor-in-Chief Lee Pfeiffer. Whether you love or loathe the film, every Bond fan seems to be very opinionated about it. Click here to read the article.
“Vodka Martini, shaken, not stirred.” As soon
as James Bond uttered that iconic phrase, the vodka martini became as much a
part of the character as his Aston Martin or Walther PPK. While previous films have seen 007 quaff a
certain Dutch beer and we know he likes Sake (as long as it’s served at the
correct temperature), in SPECTRE, Bond is back to his beverage of choice – and
that choice is Belvedere.
President Charles Gibb told Cinema Retro that, “We are absolutely thrilled that Belvedere
is associated with James Bond and SPECTRE. Everybody knows that Bond is a man of distinction and that his drink of
choice is a Belvedere martini.” The
partnership is Belvedere’s biggest to date and to drive home the 00
association, the brand has pulled out all the stops, creating two limited
edition Bottles (one of which has its own lighted base) as well as a Martini
Set complete with elegant 007-etched glasses.
London, Belvedere further tied into SPECTRE by staging an invitation only
screening and vodka bash at Loulou’s, a very trendy private club in upscale
Mayfair. They picked up the film’s Day
of the Dead vibe with costumed dancers and waitstaff; and the barmen created a number of beverages,
chief among them the Belvedere Vodka Martini. The drinks were happily consumed by the hip, young crowd that descended
from the nearby screening. I felt it my
duty to try one… maybe two and they were delicious – crisp with a splash of
olive juice. Mmmmm. Everyone was in a
buoyant mood – there was praise for the film and, of course, the free-flowing
Belvedere put everyone in the holiday spirit.
film left this scribe mightily impressed, easily the best of Daniel Craig’s
Bonds. Go see it – then toast 007 with amartini! (Belvedere, of course.)
Cinema Retro has received the following press release:
November 3rd 2015) MI6
Confidential, the full-colour magazine celebrating theworld of James Bond 007, returns with its
predecessor. Director Sam Mendes attracted talent in the form of leading actors
Christoph Waltz and Léa Seydoux, he brought on up and coming cinematographer
Hoyte van Hoytema and took Bondonaneightmonthwhirlwindtourthatincludedlocationworkonthreecontinents.Thisissue celebrates
the bombastic SPECTRE with a
full account of the location work, as well as catching up with Daniel Craig,
his co-stars, and Bond producers Broccoli and Wilson with interviews conducted
just days before the film enjoyed its worldpremiere.
Featured in thisissue:
·No Small Part - Daniel Craig on his
commitment to the 007role
·Around The World With SPECTRE - The globetrotting location
shoot for Bond24
Japanese original release 45 RPM for "Goldfinger".
Writing on the Digital Spy web site, Simon Reynolds and Hugh Armitage provide another of those meaningless but irresistible "Best/Worst of..." lists. This time, it pertains to ranking the James Bond title songs from worst to best. You'll undoubtedly take issue with some of their opinions, but at least they had the good taste to rank the song from "Quantum Of Solace" at rock bottom with the dud title tracks from "Die Another Day" and "The Man With the Golden Gun" breathing down its neck. They also generously provide ample film clips to remind those less familiar with the world of Bond music of the vast difference in the style of the songs over the decades. Click here to read. - Lee Pfeiffer
hallmark of any James Bond film has been the opening gun barrel sequence. It
sets the tone for what's to come, and always sends a shiver up the spine in
anticipation of what is about to unfold. However, since Die Another Day this tradition has been revoked and (much to the
annoyance of millions of fans around the world) relegated to the end of the
films. Not with SPECTRE. It is now
back in its rightful place. Yes, folks, James Bond is back - and how. The
customary pre-title sequence is a stunner, and quite violent. There's no messing around. A lot of people die in this film.
again, Sam Mendes has brought us a film full of excitement, tension and
sexuality that retains a freshness and
vitality in a similar vein to what he did with Skyfall. Although there are many spectacular chases and set pieces
(the stunts and SFX by regulars Gary Powell and Chris Corbould, are well up to
standard), Mendes maintains a sense of reality and plausibility, even though
there are visual 'nods' to the films of the past. It's clever, but not pastiche.
There is just the right level of humour, too, which Craig handles really well.
Refreshingly, I didn't once notice any over-the-top references to products
casting is impeccable, and Craig, as usual, is superb. This really is his film. Christoph Waltz makes for a
perfect villain - a complex character who is equal (or even superior) to Bond,
which is as it should always be. As for the "Bond Ladies", Mendes has
triumphed once more. Monica Bellucci, who is mature in her years, is (for me)
the sexiest woman to ever grace Bond's on-screen adventures. Then again, I've
always been a sucker for a woman in a basque and stockings and suspenders. Sadly,
her part is woefully short. Lea Seydoux
is equally engaging and attractive, but not in a drop-dead-gorgeous superficial
way that we have come to expect from earlier Bond films, and thankfully her
character is integral to the plot, and not just eye candy. David Bautista, who
I assume the producers wanted on board as an Oddjob-type villain, does an
admirable job, and has a sinister and mean on-screen presence, although his
role was totally unnecessary. Likewise, all the ballyhoo surrounding Bond's
Aston Martin DB10 was wasted on me. The chase through the streets of Rome is not one of the
series best by any measure. Mi6 'regulars' Ralph Fiennes, Ben Wishaw and
Naomie Harris really come to the fore in this film, but I cannot comment
further without revealing plot details!
technical front, the cinematography by Hoyte van Hoyetema (shot on 35mm film,
not digital) is as good as Roger
Deakins' efforts on Skyfall, and the
vistas of Rome, Mexico, Austria and Morocco looking stunning. London also plays a major 'role' in
the exciting finale where Bond races against the clock whilst dealing with
ghosts from the past. Brilliant! Editor
Lee Smith (director Chris Nolan's regular cutter) has creatively paced the film
, and easily justifies the film's 148 minutes running time, which seemed to fly
the music. Sam Mendes' composer of choice, Thomas Newman, returns. Whilst his
score for Skyfall was excellent, he
didn't 'arrange' enough subtle cues of the James Bond theme throughout. This
time around he rectifies that, with a superb score that also revisits Skyfall as well as using an instrumental
rendition of Sam Smith's title song 'The Writing's on the Wall' .
you have it. Mendes' second Bond film, the 24th in the series, is top-notch
entertainment that will thrill audiences around the world - and also please the
'die hard' OO7 buffs who are so critical of their favourite secret agent's
on-screen antics. Oh, and there is a
'money shot' at the end of the film which totally threw me. I'm still reeling.
No James Bond fan will want to pass up adding "Bond By Design" to their collection of coffee table books about Agent 007. Written by Meg Simmonds, the archivist for Eon Productions, this volume presents a wealth of ultra rare original art concepts, story boards, costume designs and much more ranging from "Dr. No" through the new film "SPECTRE".
Here is the official description:
"Bond By Design: The Art of the James Bond
Films gives an exclusive tour of EON Productions’ James Bond archives and is
available to buy from October 1. The book includes set, storyboard, vehicle,
gadget and costume designs by legendary designers including Sir Ken Adam, Syd
Cain, Peter Murton, Peter Lamont, Allan Cameron and Dennis Gassner.
Written by Meg Simmonds, EON Productions’ Archive
Director, Bond By Design reveals each movie’s design approach as well as the
stories behind individual items. From DR. NO (1962) through to Spectre (2015),
discover the craft behind some of the most iconic Bond sets, including
Stromberg’s Atlantis base in THE SPY WHO LOVED ME (1977) and Blofeld’s Volcano
Lair in YOU ONLY LIVE TWICE (1967)."
In a controversial interview with Time Out London, Daniel Craig talks in earthy terms at length about the challenges and rewards of playing James Bond and discusses the forthcoming 007 epic "SPECTRE". What's raised eyebrows is his comments about not wanting to play James Bond again. Craig says he'd rather slash his wrists than take on the role of 007, even as he expresses concern that whoever plays the role in the future ensures that the quality of the franchise is preserved. In that respect, Craig's comments are a bit ambiguous. He does leave the door open to considering another Bond film but says he would only do it for the money. Craig's stance is a bit surprising. While the Bond franchise has seen its share of troubles between the lead actors and the producers over the decades, Craig is said to have a warm and mutually respectful relationship with current producers Barbara Broccoli and Michael G. Wilson, both of whom plucked him from relative oblivion (he certainly wasn't a household name) and, against all conventional wisdom, hired him to replace the enormously successful Pierce Brosnan. If Craig's comments distancing himself from the role of Bond sound callous and ungrateful at first blush, he does make clear that he is very proud of the work he's done with his colleagues on the series and cares deeply that the franchise will only continue to improve over time. Bond fans are already in a panic over the notion that Craig may quit the role. They might want to pause before drowning their sorrows in a sea of Vodka Martinis and recall that Sean Connery quit the part twice and it appeared as though even amiable Roger Moore threatened to leave the role on a couple of occasions. (Other actors were even screen-tested for the part). (To read the interview click here.)
Now, here's the kicker that makes us wonder when exactly the Time Out interview was conducted. In the Mail on Sunday's 27 September edition, there was a special supplemental section (obviously done with Eon Productions' blessing) that interviews Craig. In the article, he confirms that he has indeed committed to at least one more film after "SPECTRE"- and reiterates that he considers it an honor to play the role. In fact he states: "I'll keep going as long as I'm physically able. I'm contracted for one more - but I'm not going to make predictions." The article also indicates that Craig is being paid a Goldfinger-sized fortune for his performances, having earned £17 million for "Skyfall" and is expected to earn at least that much for the next two films, should he choose to star in them. So the incentives to do at least one more Bond film are very strong for Craig. How two interviews can feature such opposite viewpoints from him remains a mystery unless he has a double out there somewhere...perhaps a real life case of "The Spy With My Face".
DK publishers will release "Blood, Sweat and Bond", a behind the scenes compilation of remarkable photos from the forthcoming 007 flick "SPECTRE" starring Daniel Craig. Click here to pre-order from Amazon.
Madame Tussaud's Wax Museum in London will display likenesses of all six James Bond actors: Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig this October to coincide with the opening of the new 007 film "SPECTRE". The display opens to the public on 17 October for a limited time. For more click here.
There must be as many incarnations of toy James Bond Aston Martin DB5 cars as there are grains of sand in the Sahara Desert. For die-hard collectors, however, the world is not enough when it comes amassing 007 memorabilia so click here if you want to order (from Amazon) the Hot Wheels 1/64 scale "Goldfinger" Aston Martin DB5. It's rather small, of course, so we suggest using flea circus performers for the ejector seat.
The following is a press release from Sony and Eon Productions:
LONDON, September 8, 2015 – Albert R. Broccoli’s EON
Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment today
confirmed that Sam Smith has recorded “Writing’s On The Wall,” the theme song
to SPECTRE, the 24th James Bond adventure. SPECTRE will be
released in the UK on October 26 and in the US on November 6. The song,
released by Capitol Records, will debut and be available to purchase and stream
on September 25.
Multi-platinum selling artist Sam Smith has co-written
the title song, “Writing’s On The Wall,” with fellow GRAMMY® Award winner Jimmy
Napes. It is the first James Bond theme song recorded by a British male
solo artist since 1965. Smith’s debut album In The Lonely Hour launched
at No. 1 in the UK and bowed in at No. 2 in the US, and has since earned five
No.1 UK singles, four GRAMMY® Awards, three Brit Awards, six MOBO Awards, Q and
Commenting on the announcement, Michael G. Wilson and
Barbara Broccoli, the producers of SPECTRE, said, “Sam and Jimmy have written
the most inspirational song for Spectre and with Sam’s extraordinary
vocal performance, ‘Writing’s On The Wall’ will surely be considered one of the
greatest Bond songs of all time.”
Smith said: “This is one of the highlights of my
career. I am honoured to finally announce that I will be singing the next Bond
theme song. I am so excited to be a part of this iconic British legacy and join
an incredible line up of some of my biggest musical inspirations. I hope
you all enjoy the song as much as I enjoyed making it.”
The 23 previous James Bond theme songs make up some of
the most memorable movie music of all time. The previous Bond theme song,
“Skyfall,” was performed by Adele, and was honored with the Academy Award® and
Golden Globe Award for Best Original Song, the Brit Award for British Single of
the Year, and the Grammy Award for Best Song Written for Visual Media.
A cryptic message from the past sends James Bond
(Daniel Craig) on a rogue mission to Mexico City and eventually Rome, where he
meets Lucia Sciarra (Monica Bellucci), the beautiful and forbidden widow of an
infamous criminal. Bond infiltrates a secret meeting and uncovers the
existence of the sinister organisation known as SPECTRE.
Meanwhile back in London, Max Denbigh (Andrew Scott),
the new head of the Centre for National Security, questions Bond’s actions and
challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly
enlists Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him seek out
Madeleine Swann (Léa Seydoux), the daughter of his old nemesis Mr White (Jesper
Christensen), who may hold the clue to untangling the web of SPECTRE. As the
daughter of an assassin, she understands Bond in a way most others cannot.
As Bond ventures towards the heart of SPECTRE, he
learns of a chilling connection between himself and the enemy he seeks, played
by Christoph Waltz.
Sam Mendes returns to direct SPECTRE, with Daniel
Craig reprising his role as 007 for the fourth time. SPECTRE is
produced by Michael G. Wilson and Barbara Broccoli. The screenplay is by
John Logan and Neal Purvis & Robert Wade and Jez Butterworth, with a story
by John Logan and Neal Purvis & Robert Wade.
SPECTRE is set for release in the UK on October
26, 2015, and in the US on November 6, 2015.
At 07:00 UK time on Monday 7th September, the box-office for
SPECTRE will open across the UK and Ireland, giving cinema audiences the
opportunity to book their tickets in advance to see Albert R. Broccoli’s EON
Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment’s
first time ever, the film will open to the public on the same night as the
World Premiere in London, giving audiences the opportunity to be the first in
the world to see the hugely-anticipated 24th film in the James Bond franchise.
the World Premiere and release in the UK and Ireland on 26th October, SPECTRE
will begin its rollout in territories around the world. The film will release
in the US on November 6, 2015.
Here is some behind the scenes footage of Sean Connery and Jill St. John with director Guy Hamilton rehearsing for the final sequence of "Diamonds Are Forever" that pitted them against actors Bruce Glover and Putter Smith.
Sony and Eon Productions have released the new trailer for the forthcoming James Bond thriller "SPECTRE" starring Daniel Craig. The film opens in the UK on 26 October with worldwide release following on 6 November. Click here to view.
Sony and Eon Productions have officially announced that the world premiere of the new James Bond film SPECTRE will take place in London on 26 October. The film will also open to the public that day throughout the UK and Ireland. These territories will get a jump on the international release date of 6 November, which covers other countries including the United States.
Producers Albert R. Broccoli (left) and Harry Saltzman with author Ian Fleming and star Sean Connery in a publicity photo taken before production started on the first 007 film "Dr. No" in 1962
BY LEE PFEIFFER
Eon Productions has stated on the company's web site and Facebook page that they have not granted rights for a James Bond musical production. Earlier, Merry Saltzman, one of the daughters of the late 007 producer Harry Saltzman, announced that she was staging a musical production based on the Bond films. In response to the Eon statement, Saltzman indicated that she has not sought rights from Eon nor does she believe she needs them since her stage production would fall into the category of a parody. Eon has been very protective of the Bond brand over the decades and it remains to be seen how this will be resolved. The situation does open some old wounds that many thought were long closed. Harry Saltzman teamed with fellow producer Albert R. Broccoli to form Eon Productions and produce the James Bond films. It was an uneasy relationship from day one but the two partners rode the wave of the series' phenomenal success. However, a series of bad financial investments led Harry to sell his 50% share of the franchise in the early 1970s. Instead of offering his share to Broccoli, he chose to sell it to United Artists, thus making the studio Broccoli's new partner in the franchise. This led to many problems for Broccoli as studio management changed in the 1980s and left him at odds with the new regime. In protest, Broccoli did not make a Bond film from the release of "Licence to Kill" 1989 until the revival of the series with "GoldenEye" in 1995. Despite hard feelings that ran for many years, Broccoli and Saltzman did have a reconciliation of sorts in 1981 when Broccoli invited Saltzman to the London premiere of "For Your Eyes Only". They kept in touch occasionally until Saltzman's death in 1994.
Since Broccoli's death in 1996, Eon has been run by Broccoli's daughter Barbara and her step-brother Michael G. Wilson. The pair has succeeded in reinventing the franchise, first with the casting of Pierce Brosnan as Bond and more recently with Daniel Craig in the role. The latest Bond film, "Skyfall" was released in 2012 and is the top-grossing British film in history. As of this writing, Merry Saltzman has indicated she intends to continue development of the Bond musical. It remains to be seen whether her plans will ultimately bear any fruit.
Since he made his one and only on screen appearance as James Bond in "On Her Majesty's Secret Service" in 1969, George Lazenby has discussed his dramatic experiences before and behind the cameras many times. As any Bond fan knows, Lazenby was plucked from obscurity to replace Sean Connery, who had quit the 007 series after "You Only Live Twice" in 1967. Lazenby was a well-known Australian model but he had no acting experience. Midway through the film, he told producers Cubby Broccoli and Harry Saltzman that he had decided to quit the role after this one film. Not even he temptation of a mega salary could convince Lazenby to sign on for more films. He became convinced Bond could not thrive into the 1970s. Ultimately, Sean Connery returned to the role for "Diamonds Are Forever" and would be followed by Roger Moore's long run as 007. Lazenby's acting career never took off but over the passage of time, he has had the satisfaction of seeing his movie regarded as one of the best by both enlightened critics and fans. He has discussed his trials and tribulations on the film set many times, acknowledging that he was sometimes egotistical and demanding, but also denying many other rumors regarding his behavior. In this rare 1970 interview, Lazenby discusses the controversies while the movie itself was still in general release. The uncredited interview is refreshingly intelligent and Lazenby is candid and honest about his opinions. He admits his suggestions for making Bond more contemporary were justifiably ignored but also denies reports that he did not get on well with the crew. He also says that his refusal to cut his hair and shave his beard cost him a studio-paid tour of America, so he paid for his own publicity tour. The documentary is one of the few that acknowledges that the film was a major boxoffice success, despite inaccurate initial reports that it was a bomb. Given the fact that he is critical of aspects of the production, it's rather surprising that Eon Productions allocated so much footage for use in this interview.
Cinema Retro has received the following press release:'
History Press is delighted to announce that it will be publishing Some
Kind of Hero this October.
For over 50 years, Albert R.
Broccoli’s Eon Productions has navigated the ups and downs of the volatile
British film industry, enduring both critical wrath and acclaim in equal
measure for its now legendary James Bond series. Latterly, this family-run
business has been crowned with box office gold and recognised by motion picture
academies around the world. However, it has not always been plain sailing.
Changing tax regimes forced 007 to
relocate to France and Mexico; changing fashions and politics led to box office
disappointments; and changing studio regimes and business disputes all but
killed the franchise. And the rise of competing action heroes has constantly
questioned Bond’s place in popular culture. But against all odds the filmmakers
continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007
as the undisputed king of the action genre.
by Bond scholars Matthew Field and Ajay Chowdhury, Some Kind of Hero is
based on over
100 new interviews
with the stars, directors, writers, filmmakers, studio executives and the men
who played James Bond. The authors have also drawn upon archives of rare and
unpublished material from around the world.
Some Kind of Hero is the culmination of many years researching and
interviewing the talented individuals
responsible for bringing the James Bond films to the screen. Authors Field and
Chowdhury commented: ‘As we delved deeper into the Bond mythos, we realised
there were many untold tales from many unsung heroes who played key creative
roles in the series. We hope that even the most devoted Bond fans will find
fascinating facets to the franchise in these pages. We have gained a new
appreciation of not only how the series was started but how that Rolls-Royce
standard has been maintained. When SPECTRE
is released later this year, we hope readers will gain some insight in yet
another chapter in the remarkable story of the James Bond films.’
ABOUT THE AUTHORS
MATTHEW FIELD began his writing
career with The Making of The Italian Job.
He has since co-produced a feature length documentary about the film for
Paramount Pictures. In 2008 he penned the autobiography of Oscar-winning film
producer Michael Deeley, Blade Runners,
Deer Hunters and Blowing the Bloody Doors Off! Field’s James Bond
journalism has appeared in Mi6
Confidential and Kiss Kiss Bang Bang.
He is a regular contributor to Cinema
Retro. In 2012, he served as editorial consultant on MGM’s feature length
documentary, Everything or Nothing.
Matthew currently works for a leading film-marketing agency. His most recent
feature film credits include Stephen Frears’ The Program, Michael Winterbottom’s The Face of an Angel and the Australian period drama, The Dressmaker.
CHOWDHURY was born in London and read Law at university there
and in The Netherlands. He has since provided legal advice on various motion
picture, music, publishing, television and theatrical projects. He was the
associate producer on two feature films, Lost
Dogs and Flirting with Flamenco. In
2012, he penned the screenplay to the multi-award winning, Olympic-themed
short, A Human Race. Ajay is the
spokesperson for The James Bond International Fan Club, established in 1979. He
edited their James Bond journal, Kiss
Kiss Bang Bang, and for the last two decades has contributed to numerous
books and magazines on the James Bond legacy. He is regularly called upon by
worldwide media to commentate on all things 007.
CLICK HERE TO PRE-ORDER FROM AMAZON UK (NOT AVAILABLE FOR PRE-ORDER IN THE U.S. YET)
Here's a blast from the past: Sean Connery as the "mystery guest" on a 1965 episode of "What's My Line?". The clip recalls an era when those who appeared on television tended to be sophisticated, well-mannered and polite. The celebrity participants in the game always wore tuxedos and fine dresses as they played to win token amounts of money that never exceeded $50. The fun was waiting until the end of the show to see if the blindfolded panelists could guess the mystery guest, who would inevitably disguise his/her voice. Here, the "Great Scot" shows a bit of humor as he feigns a high-pitched female voice. Later he seems rather shy engaging in actual conversation with host John Daly. He briefly mentions that he is in New York to film "A Fine Madness" and shows some enthusiasm for his about-to-be-released prison classic "The Hill". He noticeably does not mention the forthcoming release of his fourth James Bond blockbuster "Thunderball", which opened in December 1965. By this point, it's apparent that the bloom was off the 007 rose for Connery.
Sony and Eon Productions have released some behind the scenes footage dedicated to the filming of a high speed car chase through the streets of Rome for the forthcoming James Bond film "SPECTRE" starring Daniel Craig.
by Michele Brittany (Published by McFarland & Company, $38), 278 Pages,
Softcover, ISBN: 9780786477937
15 years ago, when I was unsuccessfully hawking a manuscript for a proposed
James Bond book around publishers, I was informed categorically in one
rejection letter that "There are already far too many Bond books jostling
for attention in the marketplace". This may or may not have been the case,
but it struck me even then as nonsense and has never, as far as I'm aware, been
a deterrent to any publisher to seize an opportunity to jump on the
Bondwagon. (I'd rather have been told my work simply wasn't any good). In the
intervening years there have been so
many books bearing the James Bond tag that even die-hard aficionados must have
had a job keeping up.
Bond and Popular Culture" (an assembly of "Essays on the Influence of
the Fictional Superspy") will find its keenest audience among those who
simply must read everything related
to their iconic hero. For it is less about Bond himself, rather – as the
subtitle suggests – it’s focus falls upon 007’s cultural influence and those who
followed in his wake. Also, naturally enough, his antecedents. Following a
foreword (which left me eager to locate James
Batman, a 1960s production from the Philippines which merged Bond and
Batman), the collection of essays of varying length are divided into five
categories: Film, TV, Literature, Lifestyle and Reinterpretation. A wide range
of topics are discussed, from Bollywood and the Japanese Nakano films to The Man from
U.N.C.L.E and Doctor Who, with a
fistful of others in between, all appended with an extensive array of footnotes
and bibliographic detail.
you might anticipate from a work such as this, some of the theses it comprises
– though unquestionably well researched and informative – can be a little hard
going. And, also perhaps a tad predictably, one or two are of a nature that
(unintentionally) sap the fun out of a subject which, let's be honest, really
shouldn't be taken too seriously.
the 24th 007 screen adventure SPECTRE looming on the horizon, the
months ahead will be hard on the wallets of serious Bond buffs. Not least of
all in the book department. At a princely $38, this non-illustrated, comparatively
slender offering is unlikely to top the shopping lists of many. But for those
who do choose to invest, it’s be best filed on your bookshelf
alongside similarly highfalutin tomes such as "Bond and Beyond: The
Political Career of a Popular Hero".
Eon Productions has confirmed that Daniel Craig has undergone knee surgery for an injury he suffered during a fight sequence on the latest James Bond production, "SPECTRE". Eon said the surgery was "minor" and is not anticipated to affect filming. Craig is anticipated to resume shooting the movie on April 22 at Pinewood Studios, the series' traditional "home" outside of London. The film is shaping up to be the most expensive and ambitious entry in the long-running series. For more click here.
In SPECTRE, a cryptic message from Bond’s past sends him on
a trail to uncover a sinister organization. While M battles political forces to
keep the secret service alive, Bond peels back the layers of deceit to reveal
the terrible truth behind SPECTRE. Sam Mendes returns to direct SPECTRE,
with Daniel Craig reprising his role as 007 for the fourth time. SPECTRE
is produced by Michael G. Wilson and Barbara Broccoli, from a script by John
Logan and Neal Purvis & Robert Wade.
SPECTRE follows the release of SKYFALL, the biggest Bond
film of all time, which took in $1.1 billion worldwide. SPECTRE is
set for global release on November 6, 2015.
his recent review of the Nitehawk Cinema’s splendid and rare 35mm showing of
the James Bond film, “A View to a Kill,” our intrepid correspondent Hank
Reineke was skeptical of a claim made that night that the movie played on its
first-run at Manhattan’s notoriously déclassé (circa 1985) Selwyn Theater on
West 42nd Street. According to a newspaper display ad from May
24, 1985, and held in his own files, Reineke determined that the only midtown
Manhattan theaters showing “A View to a Kill” on its original release were the
Loews Astor Plaza on West 44th, the Loews 84th Street Six, the Loews
New York Twin, the Loews 34th Street Showplace, and the Orpheum on
86th and 3rd Avenue.
Reineke’s metaphorical throwing down of the gauntlet (however accidental!), Joe
Berger, one of the presenters of the Nitehawk’s wonderful film series, “The
Deuce,” was quick to contact Cinema Retro to defend their claim. Berger,
in a friendly but firm manner – provided us with a scan from the Village
Voice newspaper from that same week in 1985. The listing leaves
little doubt the fourteenth James Bond did, in fact, play the Selwyn, as one part of a twin bill with “The House
Where Evil Dwells.” As Berger would go on to explain, the row of
aging theaters comprising “The Deuce,” such as the “Selwyn, Lyric, Harris, and
Liberty, VERY FREQUENTLY premiered A-list films on their regular release dates,
with a second, [and] sometimes third film as part of the cheaper ticket
price.” Berger explained that multi-bill attractions would, naturally,
bring in “a smaller box office gross” since all profits were now “split amongst
two or three titles.” But such campaigns were studio “loss leaders” to
some degree as distributors were aware a new film's presence on the Deuce would
“attract a younger, more 'inner-city' crowd.” The one stipulation for the
bargain, according to Berger, was “that the theatre COULD NOT advertise” their
showing through the usual marketing methods- such as a display in a print
The cinematic equivalent of the "smoking gun" tape that brought down President Richard Nixon: the vintage newspaper listing that proves "A View to a Kill" did indeed play on 42nd Street during its initial run.
for Reineke’s contention that the film played “two blocks north” of the Selwyn
at the Loews Astor, Berger went on to explain that the film’s distributor would
only want the Astor (and similar high-end cinema establishments) to be
prominently advertised as these venues could charge a “larger ticket price” for
“a single feature.” This, naturally, would result in greater
profits for all involved.
all sounds right to us. As a mea culpa, we intended to fire Reineke,
until we realized that he has been donating his services to us on an unpaid
basis. We were then going to sentence him to a terrible fate: 24 hours of
around the clock screenings of “The Man With the Golden Gun”- until we
remembered he likes the damned film. We’ve settled on making him watch Jerry
Lewis in “Which Way to the Front?” three times in succession (unless the
Supreme Court rules this is truly “cruel and unusual punishment.”)- Lee Pfeiffer
Cinema Retro has received the following press release:
MI6 Confidential, the
full-colour magazine celebrating theworldof James Bond 007,
returns with its twenty-ninthissue.
Ask anyone with a passing interest in Bond and they'll
recall the terrorist organisationSPECTREpulling the strings on
some of 007’s most dangerous missions; but not because they have beenaregular fixture of recent times. However, the organisation
will be back (and just possiblyitsubiquitous leader,
Blofeld) in the 24th screen adventure. This issue pays tribute to the legacythatwent before it. Packed
with trivia, and historical data, we recount the rise of Blofeld from thegermof an idea from author Ian Fleming and producer Kevin
McClory to his most recentfilmicappearanceinForYourEyesOnly.
Eon Productions and Sony have released the official teaser poster for the new James Bond film "SPECTRE" starring Daniel Craig, currently filming and scheduled to open on 23 October in the UK and 6 November everywhere else.
This was my first visit to the triplex located at 136
Metropolitan Avenue. The cinema is only
a couple of blocks stroll from the Bedford Avenue L subway station and sits mere
minutes from Manhattan’s Lower East Side. As the movie I hoped to catch Thursday night was a special “one night
only, one showing only” screening to begin at 9:30 P.M., I hesitated before buying
my advance ticket and traveling into the city. I live in central New Jersey; far from where Manhattan’s southern end
and Brooklyn meet. I’m 53 years old now and
a workday late night out is getting ever more difficult to recover from. But, in the end, I simply couldn’t pass on this
opportunity to catch the Nitehawk Cinema’s wonderfully wrought presentation of
the fourteenth James Bond film “A View to a Kill” that was released in 1985. Though 007 film retrospectives
aren’t necessarily rare to repertory theater programming, too often fans are offered
only such early Sean Connery-era classics as “Dr. No” and “Goldfinger” as
exemplars. Here was a rare chance to re-experience
- in glorious 35mm and nearly three decades after its original release - Roger
Moore’s rarely theatrically re-screened sign-off as James Bond.
It was the right decision. The Nitehawk is a bountiful oasis for moviegoers
and film enthusiasts. The walls of the
lobby are adorned with both foreign and domestic movie posters and a lengthy plexi-glass
wall display of vintage old-school “big box” and clamshell case VHS tapes circa
the late 1970s and early 1980s. The
cinema itself offers the usual – and sometimes the more unusual - highbrow
art-house films, but there’s also great enthusiasm among programmers for pure
popcorn movies: the weird, the
exploitative, and the guiltiest of celluloid pleasures. Offering a fully stocked bar complete with an
impressive array of draft and bottled beers and other alcoholic (and
non-alcoholic) refreshments, a great selection of hot comfort foods, and the
most delicious hot buttered popcorn I’ve enjoyed in some time (served in a deep
stainless steel bowl), the movie-going experience at the Nitehawk is an
absolute delight. The terraced seating
and plush seats and aisles with ample leg room and courteous attendants are a
refreshing bonus. Best of all, the fans
who gathered to watch Roger Moore stroll and fire one final time into the trademark
gun barrel were simply my kind of moviegoers. There was no one chatting away on cell phones
or sending glowing texts about nothing while the feature was in progress.
The Bond film, which played out before a sold-out and
appreciative audience, was part of the cinema’s on-going series “The Deuce.” Upcoming screenings in the series include “Fight
for Your Life” (1977) and “Wolfen” (1981). “The Deuce,” for the uninitiated, was an
affectionate pop-cartographic nickname for the nostalgically remembered stretch
of aging movie palaces that once populated the area of 42nd Street
between 6th and 8th Avenues. By the early 1970s, this great neighborhood and
glorious entertainment strip became the playground of prostitutes and drug
addicts. The once magnificent theaters were
relegated to playing before houses half-filled with adventurous teenagers,
junkies, the homeless and mental cases.
To some degree, “A View to a Kill” was an odd choice
for inclusion in the series. Any James
Bond, even one of the series less remarkable ones as this one, was, by no
means, atypical of the usual 42nd Street movie fare of the
time. The Times Square theaters more
usually offered 24/7 programming of the cheapest Kung-Fu films from Hong Kong,
the sleaziest and most lurid of low-budget horrors, and the world renowned pornographic
all-nighters. To paraphrase one of the
film’s presenters this evening, “Some people have described 42nd
street as the place where movies went to die. We think of 42nd street as the only place where many of these
movies could have lived.”
In their opening presentation to the film, organizers
of the screening spun a somewhat dubious tale of “A View to a Kill” having played
as the top-bill of a double-feature program at the notorious Selwyn Theater. The Selwyn, once one of the brightest
fixtures on the strip had, in its final years, fallen prey to disrepair and
neglect. It eventually morphed
unpleasantly into a legendary dank and ghoulish Grind-house with sordid
clientele. I can’t say for certain
whether or not this classy James Bond film actually played a fleapit like the late-stage
Selwyn, but if true it would have mostly certainly been on a subsequent run. My own clippings book reveal that upon its initial
U.S. issue on May 24, 1985, this particular 007 opus had opened two blocks
north of the Selwyn at the more elegant Loews Astor on W. 44th
Though Moore’s final outing as James Bond is, arguably,
the least successful of his tenure, it remains a very entertaining programmer
throughout. The 35mm print screened was
in fine condition, the color palette still mostly bright but with just enough
black scratches to remind you that you were enjoying a real film as originally
presented. Though few James Bond
zealots would allow their true feelings to show, Bond snow “surfing” through a
phalanx of Russian assassins as the cover version of the Beach Boys’
“California Girls” played on the soundtrack brought about a murmur of amused
giggles and cheers. Time and history
have allowed Moore’s lighter-turn as Bond to enjoy a welcome reevaluation. It was somehow liberating for the devoted 007
fan, for two hours time at least, to put aside the grim and solemn tone of the recent
Craig Bonds and actually have some fun and smile during a James Bond movie
Today is "Red Nose Day" in England, wherein celebrities, sports stars and the public raise money for charity. The BBC have a show called "Comic Relief" on TV tonight, which comes live from The London Palladium from 7 PM through 2 AM. Filled with comedy sketches, music acts, etc, one of the highlights will be a special James Bond segment filmed at Pinewood starring Daniel Craig - and Sir Roger Moore!