Film Reviews & Essays - Celebrating Films of the 1960s & 1970s
 
Film Reviews & Essays
Celebrating Films of the 1960s & 1970s

FILM REVIEW: "MORE THAN THE RAINBOW" (2014), THE LIFE AND TIMES OF NEW YORK STREET PHOTOGRAPHER MATT WEBER

REVIEW: "SOFT IN THE HEAD", A FILM BY NATHAN SILVER

JOHN FORD'S "THEY WERE EXPENDABLE": AN APPRECIATION

CINEMA RETRO SPECIAL REPORT: PAUL TALBOT ON THE MAKING OF CHARLES BRONSON'S "THE EVIL THAT MEN DO"

REVIEW: JERRY LEWIS AS "THE JAZZ SINGER" (1959), RARE NBC T.V. BROADCAST

REVIEW: "CASTING BY" (2013), A FILM BY TOM DONAHUE

A TRIBUTE TO THE FILMS OF CLINT EASTWOOD AND DON SIEGEL

FILM REVIEW: "THE WOLVERINE" STARRING HUGH JACKMAN

ROBERT REDFORD'S "SILENT MOVIE" GETS RAVES AT CANNES

ALFRED HITCHCOCK AND THE "FRENZY" THAT NEVER WAS

GOD(ARD) AND HIS DAME: DR. KAREN OUGHTON LOOKS BACK ON "VIVRE SA VIE"

THE PICTURES PICK A PONTIFF: PAPAL CONCLAVES ON FILM

"THE NORLISS TAPES": THE CLASSIC 1970S TV MOVIE

REVIEW: "SILVER LININGS PLAYBOOK" ENJOYABLE, BUT NOT OSCAR-WORTHY

REVIEW: "THE MAN WHO SHOOK THE HAND OF VINCENTE FERNANDEZ" STARRING ERNEST BORGNINE

TRIBUTE TO WILLIAM CONRAD'S HORROR FILMS

REVIEW: "EXCUSE ME FOR LIVING" SHOWCASES YOUNG AND VETERAN TALENTS

REMEMBERING THE "R.C.M.P." (ROYAL CANADIAN MOUNTED POLICE) T.V. SERIES

REMEMBERING JOHN BOORMAN'S "ZARDOZ"

EDGAR ALLAN POE: MOVIE STAR

CAMERA OBSCURA: HOWARD HUGHES REVIEWS EURO CULT MOVIES

IS THATCHER BIOPIC FILLED WITH ERRORS?

STEVE SARAGOSSI EXAMINES THE LITTLE-SEEN PAUL NEWMAN SPY MOVIE, "THE MACKINTOSH MAN"

WHEN FILM RESTORATIONS GO WRONG: WHY EXTENDED CUTS DON'T NECESSARILY IMPROVE ON THE ORIGINALS

“Contrast, Counterpoint, and Patience: The Vanishing Penultimate Moment in Film” By Collin Stutz

REVIEW: "IRWIN, A NEW YORK STORY"- TRIBUTE TO A COMIC ART LEGEND

MR. HELM GOES TO HOLLYWOOD

HALLOWEEN PAWS FOR REFLECTION ON SCREEN ADAPTATIONS OF EDGAR ALLAN POE'S "THE BLACK CAT"

GARETH OWEN REVIEWS "THE ARTIST", A MODERN CLASSIC ABOUT THE SILENT ERA

FLICK OR TREAT: HOLLYWOOD AND THE SILVER SCREAM

A.O. SCOTT'S TRIBUTE TO "A FACE IN THE CROWD"

THE NEW YORK TIMES LOOKS BACK AT SAM PECKINPAH'S "STRAW DOGS"

A TRIBUTE TO CLINT EASTWOOD'S "THE EIGER SANCTION"

IN PRAISE OF WOODY ALLEN'S FRENCH KISS, "MIDNIGHT IN PARIS"

FIVE UNSUNG PRISON MOVIES

NY TIMES: "ARTHUR" REMAKE A "GRIM LOAD OF MEDIOCRITY"

CNN: "TRUE GRIT" A WESTERN IN THE GREAT TRADITION; ONE OF THE BEST FILMS OF THE YEAR

"BENEATH THE DARK": "PSYCHO" MEETS "THE SHINING"

HOLLYWOOD REPORTER: NEW "TRUE GRIT" IMPRESSIVE, BUT HUMORLESS

VARIETY DAMNS "TRON: LEGACY" WITH FAINT PRAISE

NEW YORK TIMES GIVES RAVE REVIEW TO CLINT EASTWOOD'S "HEREAFTER"

"CAIRO TIME", A LEISURELY ADULT LOVE STORY

DID OLIVER STONE WATER DOWN "WALL STREET" SEQUEL?

15 GREAT COMING-OF-AGE MOVIES

USA TODAY: "THE EXPENDABLES" IS QUITE EXPENDABLE

ANALYZING "THE BED SITTING ROOM"

NEW YORK TIMES PANS "THE LAST AIRBENDER"

NY TIMES PANS "KNIGHT AND DAY"

"BUS RILEY'S BACK IN TOWN": A CRITICAL ANALYSIS

VIDEO TRIBUTE TO BERGMAN'S "THE SEVENTH SEAL"

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Celebrating Films of the 1960s & 1970s