Written and produced over the past 10 years with Ray
Harryhausen's cooperation and support, the complete 3-volume definitive
295,000-word career/biography features interviews with Ray and his colleagues
and is profusely illustrated with several hundred rare photographs, artwork,
and illustrations (many of which have never been previously published).
We published Volume 2 ("The American Films")
first, then Volume 3 ("The British Films"), and are now wrapping up
the set with Volume 1 (“Beginnings and Endings”).
Chapters in Volume 1 extensively cover:
Ray's Early 16mm Experiments, The Influence of Willis
O'Brien and King Kong, George Pal's Puppetoons®,
Ray's Film Work During World War II, The Fairy Tale Short Subjects, Ray's
Retirement Years (including tributes, awards, convention appearances,
colorizing his films, unfinished projects, the King Kong 50th
Anniversary celebration at Grauman's Chinese Theater in 1983, Ray's cameo
appearances in other films, Ray's Lifetime Achievement Oscar® from The Academy
of Motion Picture Arts and Sciences, Ray's "Star" on the Hollywood
Walk of Fame, and much more).
As a special adjunct to the Willis O'Brien chapter,
we're including the complete first draft of the King Kong
screenplay by British mystery writer Edgar Wallace.
A special supplement that we're calling "How To
Make a Monster" will take you step-by-step through the process of
constructing a stop motion model using photos from numerous stop motion films (Caveman,
When Dinosaurs Ruled the Earth, Willis O'Brien films, and more) —
from blueprint to armature to clay sculpture to plaster mold to final foam
rubber animation model. (Now you'll know the answer when someone asks,
"How did they DO that...?")
Contributors to Volume 1 include Famous Monsters editor Forrest J Ackerman, Darlyne (Mrs. Willis)
O'Brien, Lost World star Bessie Love, King Kong producer Merian
C. Cooper and star Fay Wray, screenwriters Beverley Cross and Kenneth
Kolb, animator and visual effects artists Jim Danforth and Randall William Cook,
director John Landis, producer Arnold Kunert, and many others, some of
whom have since passed away.
Stills and other visual material come from numerous
private collections, including considerable material that has never been seen
in print before (including Ray Harryhausen's own books).
• “Ray Harryhausen's Los Angeles” – A multi-page map
of key locations connected to Ray and his films in the 1940s and 50s;
• Advertising art and posters from different
• Reviews and story synopses;
• Filmographies of key cast and crew.
• 370 pages, 125,000 word text (chapters, appendices,
• Over 1,500 images —photos, artwork, posters,
technical diagrams and
other illustrations— in Spectacular Color, Nostalgic
Sepia-Tone, and Glorious Black-and-White.
• Hardcover: dark brown imitation leather with title
stamped in gold foil;
• Full color dust jacket;
• Heavy 70 pound semi-gloss paper stock;
• Overall dimensions 9" x 11-1/2";
• Weight: 5 pounds.
Majicks Vol. 2 and Vol. 3 are long sold out and now command
prices ranging from $350 to $500 to over $700 per copy on eBay and Amazon. So
don't delay— sales have been brisk and our limited edition print run of Vol. 1
(the final volume in the set) is on its way to selling out soon.
From his Preface to Volume 3 —
"There is no way to overstate the importance of
these books. [This book] is simply the most perfect book about
Harryhausen ever made. This is the book that you dreamt of having as a child
and makes you want to go out and re-watch every single one of the chronicled. It
makes you fall in love with cinema all over again."
— Guillermo del Toro, Director of Hellboy
and Pan's Labyrinth
From his combination review of Volumes 2 and 3 of Majicks:
“…Hankin’s in-progress overview of Harryhausen’s
career is unlikely to be surpassed; other books may offer different pictures,
different vantages and depths of specific information, but the totality of
Harryhausen’s achievement is best represented here.”