Ernie Magnotta
Entries from May 2019
BY ERNIE MAGNOTTA
I love European genre cinema. For example,
the Spanish horror films of Paul Naschy and Amando de Ossorio, the British
Hammer and Amicus films; not mention the many British, French and Italian
Eurospy films, and, of course, the Italian giallos and spaghetti westerns, just
to name a few. In Italy, directors such ase Sergio Leone, Dario Argento and
Mario Bava are legends. However, there were several Italian directors who may
not have been as well-known as these three artists, but who still created many
entertaining and worthwhile films. One of these directors was Antonio
Margheriti, who dabbled in various genres including spaghetti western, peplum,
Eurospy and horror. Some of his well-known horror films are The Long Hair of Death, Seven Death’s in the Cat’s Eye and the
beloved Cannibal Apocalypse. But in
1971, Margheriti directed a film that some horror fans may not be familiar
with. Others may have heard of it, but may not have ever seen it. That film is Web of the Spider.
Directed with style by Margheriti, here using
his American-sounding pseudonym Anthony M. Dawson, Web of the Spider revolves around journalist Alan Foster who
accepts a bet from legendary author Edgar Allan Poe to spend one night in
Blackwood Castle; a structure that Poe believes to be haunted, but Foster does
not. Moments after arriving at the dusty, cobweb-covered Victorian castle, Foster
begins hearing and seeing strange and frightening things. Is it a hoax
perpetrated by Poe or is Blackwood Castle really the home of something
supernatural?
Written by Bruno Corbucci (James Tont operazione U.N.O. aka James Tont-Operation Goldsinger), Web of the Spider is a color remake of
Margheriti’s and Corbucci’s 1964 black and white, gothic horror film Castle of Blood which starred the
legendary Barbara Steele (Black Sunday,
The Pit and the Pendulum). Due to Castle
performing poorly at the box office, Margheriti decided to remake it six
years later; this time in color. The director would later say that this was a
mistake as he felt that the color robbed Web
of the Spider of its atmosphere. Although I somewhat agree with him, I
still think it’s an interesting film and I’m glad that it was made. Clocking in
at 93 minutes, Web moves along at a
fast enough pace (for me, anyway), and, although it would have been more
atmospheric in glorious black and white, conjures up quite a bit of gothic
mood. The sets are wonderful and are dressed beautifully and the look of the
movie reminds me very much of a Night
Gallery episode crossed with a Roger Corman Poe film. The period costumes
are also quite lovely looking and the eerie musical score, by prolific Italian
composer Riziero Ortolani (The Valachi
Papers, The House on the Edge of the Park), adds immeasurably to the film.
The movie also features two very well-known
actors. The first is Anthony Franciosa (A
Hatful of Rain, Tenebrae) who stars as Alan Foster and convincingly shows
us a man who goes from happy confidence to frightened madness. The second is
Klaus Kinski (For a Few Dollars More,
Slaughter Hotel, Nosferatu the Vampyre). Although Kinski’s role as Edgar
Allan Poe is brief, it is also extremely memorable and one of the highlights of
the film.
We also have lovely French actress Michèle Mercier (Black Sabbath, Angélique,
Marquise des Anges) who does well with her role of the seductive Elisabeth
Blackwood while recognizable faces such as Peter Carsten (Mafia Connection, Mr. Superinvisible), Silvano Tranquilli (The Horrible Dr. Hichcock, Castle of Blood),
Karin Field (Cave of the Living Dead, The
Mad Butcher) and Raf Baldassarre (A
Fistful of Dollars, Eyeball) only add to the well-made movie.
Web of the Spider has been released on
Blu-ray in region 1, 2 and 3 from the fine folks at Garagehouse Pictures. The
film, which is presented in its original 2.35:1 aspect ratio, looks gorgeous. The
audio is also superb and the disc is overflowing with special features such as
the German theatrical trailer, a deleted scene, an art gallery, the German
Super 8 movie digest, and the uncut Italian version in standard definition
which is also presented in its 2.35:1 aspect ratio and runs over seventeen
minutes longer than the American version. We are also treated to not one, but
two audio commentaries. The first is by George Reis, the editor of DVD Drive-in and writer/director Keith
Crocker. These knowledgeable guys tell you everything you ever wanted to know
about Web of the Spider while, in the
second commentary, screenwriter Stephen Romano, who is also a crazy talented
artist and contributed the beautiful, eye-catching artwork featured on the
Blu-ray sleeve, provides much info about the film, as well as about extremely
interesting subjects such as filmmaking and pre-home video film distribution.
Rounding out these excellent special features are fifteen minutes of Antonio
Margheriti trailers. If you’re a fan of 1970s Euro horror films, Klaus Kinski
or Antonio Margheriti, this disc is an absolute joy.
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(Ernie Magnotta is the author of "Halloween: The Changing Shape of an Iconic Series"). Click here to order from Amazon.)
BY ERNIE MAGNOTTA
Plan 9 from Outer
Space. Bride of the Monster. Glen or Glenda. You know the movie titles. And you
know the man responsible for them: the legendary Ed Wood, who has been severely
ridiculed by some, but revered by many others. I’m certainly not going to say
that his films are masterpieces, but I do like and respect them. I also think
that they have their own point of view, are far from being bad and that they
deserve to be remembered. That’s why I’m thrilled to be reviewing the Blu-ray
release of the Ed Wood-scripted, juvenile delinquent classic The Violent Years.
Directed by William Morgan and originally
titled Teenage Girl Gang, The Violent Years follows spoiled rich
kid Paula Parkins and her all-girl gang as they run wild through their city
vandalizing high schools, ripping off gas stations, sexually assaulting young
men, and eventually murdering a few people. Can they keep up this reign of
terror or will the authorities find a way to stop their rampage once and for
all?
I wouldn’t say that The Violent Years is as good as the Ed Wood films I mentioned
earlier (probably because Ed didn’t direct this one), but it’s certainly
entertaining and definitely worth a look. However, the idea that, due to her
loving parents working a bit more than they should, Paula would become
completely unfeeling and go on a bunch of crime sprees which culminate in
several cold-blooded murders is pretty far-fetched. But what we mainly have
here is a wonderful combination of 1950s time capsule and plenty of
unintentional hilarity. For example, we are treated to pajama-clad teenage guys
who are clearly 35-year-old actors; not to mention priceless Ed Wood dialogue
such as, while attempting to figure out where they went wrong with Paula, her
mother saying to her husband, “We gave her a new dress instead of a caress.†We
also have a court judge who gives a moralistic speech thath seems to never end.
Still, even without the unintended humor, the movie keeps you somewhat
interested, has a semi-engaging lead (1955 Playboy Playmate Jean Moorhead as
Paula), a catchy musical score and, being that it clocks in at only 57 minutes,
moves along pretty quickly.
The Violent Years has been released on
Blu-ray by two of my favorite companies: Something Weird Video and AGFA
(American Genre Film Archive). The disc is region free and the movie is
presented in its original 1.85:1 aspect ratio. The images are extremely clear
making the film, which has been scanned in 4K from the original 35mm camera
negative, look better than you’ve ever seen it before. The disc is also jammed
with special features which makes this a terrific Blu-ray collection. Besides
the original theatrical trailer, we have fifteen minutes of Gutter-Noir
trailers. We are also treated to ten minutes of previously unseen footage from
a juvenile delinquent flick which Ed never completed as well as a very humorous
and informative audio commentary by legendary exploitation filmmaker Frank
Henenlotter (Basket Case, Brain Damage,
Frankenhooker) and Ed Wood biographer Rudolph Grey. And that’s not all. Not
only does this Blu-ray come with a memorabilia scrapbook containing wonderful
gems such as rare photos and the theatrical trailer’s shooting script, but it
also comes with a 2nd feature! It’s another Ed Wood (co-)scripted
film from 1961 called Anatomy of a Psycho
which was scanned in 2K from an original 35mm theatrical print and is presented
in its original 1.85:1 aspect ratio. Recommended.
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(Ernie Magnotta is the author of "Halloween: The Changing Shape of an Iconic Series"). Click here to order from Amazon.)
BY ERNIE MAGNOTTA
Between 1972 and 1985, six-time world karate
champion Chuck Norris made a total of twelve films—ten
of which he had the lead role—which established him
as a martial arts movie hero. Along the way, some of these films, such as Missing in Action, helped to soften his karate hero image and strengthen his action
hero one. For his next film, Norris would tackle a project which further helped
to tone down his martial arts image and move him more into the realm of pure
action movie star. That project was 1985’s Code
of Silence.
Solidly directed by Andrew Davis (1993’s The Fugitive), Code of Silence deals with Eddie Cusack, a Chicago detective who
becomes an outcast from the force when he refuses to remain silent about one of
his fellow officers, the alcoholic Cragie, who, among other things, is
responsible for shooting an innocent teenage boy and planting a weapon on the
corpse. Now, Cusack must act alone as he attempts to rescue Diana, a greedy
mafia man’s innocent daughter, from ruthless drug gang leader Luis Comacho.
Code of Silence was originally
written for Clint Eastwood in 1979. It was to be the fourth film in the iconic Dirty Harry series. When Clint passed on
the project, the script languished until 1984 when Orion Pictures decided to
make the movie with Chuck and Andrew Davis. San Francisco became Chicago and
Harry Callahan became Eddie Cusack. Code
of Silence is a pretty engaging action film/crime drama. Solid
characterizations as well as a nice, dramatic subplot help to suck the audience
in which makes the action hero heroics even more exciting to watch. Director
Davis films several heart-pumping, adrenaline rush sequences such as Chuck
pursuing a villain atop a fast-moving train; not to mention the very
well-directed (and well-edited) opening sting operation. A Chicago native,
Davis also shoots the film in such a way that he really gives his audience a
feel of the city itself.
The movie is also greatly helped along by its
incredible assortment of talented actors. Naturally, we have the always
reliable Chuck Norris who very believably plays Eddie Cusack as a man dedicated
to his job. It goes without saying that Chuck is totally convincing as a tough
guy who can more than handle himself. As usual, his low key performance and
soft voice (I don’t think he ever raises his voice in this film) nicely balances
his flying fists and feet.
Next, we have the great Henry Silva (1960’s Oceans 11, 1962’s The Manchurian Candidate) who oozes evil as the no-nonsense, icy
drug lord Luis Comacho. Film buffs will easily recognize talented actor (and
talented casting director) Bert Remsen (McCabe
& Mrs. Miller, Fuzz) who plays gruff Commander Kates. Next up is Molly
Hagan (Some Kind of Wonderful, TV’s Herman’s Head) who shines as the tough,
but vulnerable Diana. The late, great and Chicago born Dennis Farina (TV’s Crime Story, Midnight Run) was a Chicago
cop before becoming a professional actor. Farina brings a lot of humor to his
role of Detective Dorato which helps to balance out all the action and drama.
Also, Mike Genovese (Harlem Knights, TV’s
ER) is well cast as greedy mafia man
Tony Luna; Nathan Davis (Dunston Checks
In, Poltergeist III), who also happens to be the director’s father, does well
as mafia head Felix Scalese; Ralph Foody (The
Blues Brothers, Home Alone) is spot on as burnt out, alcoholic Detective
Cragie; Joe Guzaldo (Chuck’s Hero and the
Terror) is memorable as Chuck’s conflicted partner, and Ron Dean, who went
on to appear in several films for director Davis such as Above the Law and The
Fugitive, is wholly convincing as tough cop Detective Brennan. Joseph
Kosala, who effectively portrays Lieutenant Kobas, was actually a retired
sergeant of the Chicago Police Department and, while on the set, helped out
immensely by acting as the film’s technical advisor. Kosala would go on to
appear in five more films for Davis. Lastly, fans of Frasier will enjoy a humorous cameo by the late John Mahoney.
Code of Silence has been released on
a Region 1 Blu-ray by Kino Lorber, It is presented in its original 1.85:1
aspect ratio and the beautiful HD transfer boasts sharp, crystal clear images
(I’ve never seen this film look this good) and terrific sound. The disc is also
loaded with special features. We are treated to brand new interviews with co-screenwriter
Michael Butler, actors Ron Dean and Molly Hagen, and composer David Michael
Frank. There is also an informative and entertaining audio commentary by
director Andrew Davis. Last, but not least, the disc not only contains the
original theatrical trailer, but trailers for other Norris classics An Eye for an Eye (1981), Hero and the Terror (1988) and Delta Force 2 (1990) as well as the trailer for Andrew Davis’ 1989 thriller The Package. If you’re looking for a 1980s
action film with more going for it than just exciting car chases and shootouts,
I highly recommend Code of Silence.
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(Ernie Magnotta is the author of "Halloween: The Changing Shape of an Iconic Series"). Click here to order from Amazon.)
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