Doreen Kern "casts" Clint Eastwood in his latest role: as model for a surprise sculpture in 1977. (Photo copyright: Doreen Kern)
By Spencer Lloyd Peet
In 1977, Clint Eastwood was cast as himself; not in
a Hollywood blockbuster movie but as a life-size portrait sculpture. Renowned sculptor, Doreen Kern, immortalised Eastwood
in bronze on the request of his then wife Maggie Johnson who asked for it to be
made as a surprise gift for the Hollywood superstar. During her stay at the Eastwood’s home, Kern
vigilantly studied Eastwood’s face and expressions making notes as he went
about his daily business. Eastwood
suspected nothing as the ladies chatted amongst themselves.
Kern first met Johnson, a former swim-wear model,
in 1974 when she came to London. Â Because
Johnson didn’t really know anybody in London, but a mutual friend of theirs, Connie
De Nave, who was in the music business working in New York at the time,
suggested the two ladies should get together.Â
“I spoke to Connie on the phone,†remembers Kern, “and she said ‘A
friend of mine, Maggie Eastwood, is coming to London and I think it would be
nice for you to meet up with her. You
know, Maggie Eastwood, Clint Eastwood’s wife.’ I hope it doesn’t sound
detrimental, but I really didn’t know who Clint Eastwood was back then. When I told my children they said, ‘Oh,
mother, what planet are you on?’ Anyway,â€
continues Kern, “I spent some time with Maggie and took her to the theater. We had a really enjoyable time together.â€Â Eastwood was directing The Eiger Sanction, at that time and he also played the main
character, Dr. Jonathan Hemlock, a former professor of art and an assassin who
is forced out of retirement to track down the killer of an old friend.  Much
of the filming - in which Eastwood performed his own stunts - took place on
snow-covered mountains and involved some risky mountaineering. During her visit, Johnson told Kern that
Eastwood was extremely upset by the death of David Knowles, a stunt-climber
who, within a few days of shooting, was killed instantly after being hit on the
head by a falling bolder. Eastwood wanted to quit production but was persuaded to
carry on filming by the other professional mountaineers who were working on the
film.