"RETRO-ACTIVE: THE BEST FROM THE CINEMA RETRO ARCHIVE"
BY ERNIE MAGNOTTA
There's nothing I like better than getting
hold of a movie that I've been searching over three decades for and adding it
to my collection. At my age, there aren't many vintage films left that I don't
own in one format or another, so when I very pleased when I heard that the 1976 cult
classic Bobbie Jo and the Outlaw was
getting a Blu-ray release. This movie has somehow always managed to elude me.
It never seemed to play on any of my cable stations in the early 80s, we never
had a copy of it at the video store I worked at in the mid-80s and I was still
never able to find a copy of it anywhere throughout the 90s. To be honest, by
the time the 21st century hit, I completely forgot about this movie,
so I was pretty surprised and even more excited to find out that it was not
only being released on Blu-ray, but also with quite a few special features.
Why? To begin with, I'm a tremendous fan of the director; not to mention the
entire cast and, last, but not least, I just love fun, action/crime/drama
exploitation films from the 1970s.
Produced and directed by Mark Lester (Truck Stop Women, Roller Boogie, Class of
1984), written by Vernon Zimmerman (Unholy
Rollers, Fade to Black) and released by American International Pictures,
modern western Bobbie Jo and the Outlaw
tells the tale of quick-draw expert and Billy the Kid enthusiast Lyle Wheeler
(Marjoe Gortner, Earthquake, Food of the
Gods, Viva Knievel!, Starcrash) who, together with waitress and aspiring
country singer Bobbi Jo Baker (TV’s one and only Wonder Woman, Lynda Carter) experiences a dangerous cross country
adventure filled with love, robbery and murder.
So, was the movie worth the wait? I certainly
think so. It may not be in the same league as, say, Bonnie and Clyde (1967), but it's still an extremely enjoyable,
well-directed, written and acted low-budget feature that definitely deserves to
be seen. To begin with, Mark Lester's direction is not only solid, but he is
just at home directing the quiet, more character-driven and dramatic/romantic
scenes as he is directing a sequence involving heavy action and stunts. Next
up, Vernon Zimmerman's wonderful writing not only creates an engaging story,
but interesting and likeable three-dimensional characters as well. Lyle Wheeler
aka the Outlaw, seems to live by his own code and has definite ideas of good
and evil; right and wrong. Marjoe Gortner effortlessly and believably gets all
this across and makes his character quite likeable. (This may be my favorite
Gortner performance.) The stunning Lynda Carter gets to show a bit more range
then she did as Wonder Woman and is extremely convincing as the hopeful and
somewhat naive Bobbi Jo. The rest of the outrageously talented cast not only
add immensely to the film, but clearly came to play. Jesse Vint (Chinatown, Forbidden World) perfectly
plays Slick Callahan; a wild, not too bright cocaine fiend and boyfriend of
Bobbi Jo's sister, Pearl. Gorgeous Merrie Lynn Ross (Class of 1984, TVs General
Hospital), who also co-produced the film, brings a hardened heart quality
to slightly ditzy stripper Pearl, and the always welcome Belinda Balaski (Piranha, The Howling) shines as hippie
waitress Essie Beaumont. Rounding out the top-notch cast is Gene Drew (Truck Stop Women) as a no-nonsense
sheriff, B-movie legend Gerrit Graham (Beware!
The Blob, Phantom of the Paradise, The Annihilators, C.H.U.D. II: Bud the
C.H.U.D.) as a helpful hippie, Virgil Frye (Graduation Day), who replaced Dennis Hopper, as a macho gas station
attendant with something to prove, Peggy Stewart (Alias Billy the Kid, Beyond Evil) as Bobbi Jo's alcoholic mom, and
James Gammon (Major League) as a fast
talking salesman.
The New Mexico-lensed, low-budget feature
also benefits from some nice Albuquerque locations, Grammy winner Barry De
Vorzonâ's (The Young and the Restless,
Dillinger, Rolling Thunder) memorable score, Stanley Wright's lovely cinematography,
and "Those City Lights", a catchy country song by Bobby Bare (Tremors). A lot of people believe that
the only reason to see this film is for Lynda Carter's brief nude scene. While
Lynda looks absolutely beautiful and made both my eyes very happy, the movie
itself has more going for it than just that. All in all, it's an extremely
solid and fun piece of 1970s exploitation cinema that fans of this lost era of
filmmaking are sure to enjoy.
Bobbie Jo and the
Outlaw has
been released on Blu-ray by Kino Lorber. The Region 1 disc presents the movie in
its original 1.85:1 aspect ratio. Although the gorgeous transfer is slightly
grainy-looking at times (mostly in a few of the nighttime scenes), it never
detracts from the story, and the images are otherwise extremely clear making
the HD movie beautiful to look at. The disc also contains quite a few wonderful
special features including the original trailer, interviews with Mark Lester
(who mentions various aspects of the film such as casting, directing, budget
and the fact that the concept of the film was inspired by the classic Eagles
hit "Desperado"), Merrie Lynn Ross (who goes into detail about being both an
actor and a producer) and Belinda Balaski (who talks about how she got cast,
how she developed her character, and her recollection of working with Lynda
Carter) as well as a very interesting and informative audio commentary by
director Lester. If, like me, you're a fan of 70s action/crime cinema, I
recommend checking out Bobbie Jo and the
Outlaw.
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