Lucas put on a happy face when he sold his rights to "Star Wars" to Disney in 2012. Since then, he's made his frustrations public about not being able to further the original story lines he had envisioned for the series, which he describes as a "soap opera".
BY LEE PFEIFFER
Don't invite George Lucas and Mickey Mouse to the same cocktail party. The "Star Wars" creator was not at all happy with negative feedback from fans in relation to the last trilogy of films in the series that he had creative control over. Lucas, in an interview with CBS News, states that he was frustrated by the perception that the series should be about "space ships" instead of human relationships. Thus, Lucas threw in the towel, sold his rights to Disney, took his billions in profits and went home. He's basically washed his hands of "Star Wars" and realizes that the Disney vision will be about fan perceptions of the series, not his original story lines. Lucas says he still wants to direct, but prefers to work on the kinds of experimental movies that "will not be shown anywhere". In essence, Lucas is about to embark on creating prestigious home movies ever made. Lucas isn't alone in his disdain for the modern film industry. His colleague Francis Ford Coppola hasn't made a major studio film since "The Rainmaker" in 1997 and spends much of his time either tending to his successful wine business while occasionally directing films that give him personal satisfaction even though they have very limited commercial appeal. Today's film industry is about developing "tent pole" series that can spawn numerous sequels. Seemingly every other movie in release features a spy or a guy in tights. Still, every year finds a crop of worthy art house movies that often find their intended audiences and win awards. One would hope that Lucas and Coppola might some day find a happy medium and direct films that have at least some commercial appeal. The caveat, of course, is that both men are used to having complete creative control over the projects, a demand that would generally fall on deaf ears today. For more click here.
This gentleman was photographed at this year's Victory Show, a WWII re-enactment festival that was held in September in Cosby, England. If you have to ask who he resembles, it's time to purchase our special issue dedicated to "Kelly's Heroes".
Cinema Retro has received the following press release:
IN CINEMAS ON OCTOBER 23rd2015,
ON DIGITAL HD ON 9TH NOVEMBER,
AND AVAILABLE ON DVD & BLU-RAY FROM
From British director Stevan Riley (Fire in
Babylon, Everything or Nothing) and award-winning producer John Battsek (Searching
for Sugarman, Restrepo) comes LISTEN TO ME MARLON – an insightful,
captivating portrait of one of the most iconic and complex individuals of this
century. LISTEN TO ME MARLON is a creative odyssey into the mind and
motivations of Marlon Brando. Brando’s own voice leads the storytelling - there
are no interviewees, no talking heads, just Marlon guiding us into the
padlocked recesses of his own memory, and through the story of his life.
In homage to the corkscrew personality of its subject,
previously unheard audio tapes reveal witty and unexpected turns of Marlon’s
thinking; dipping between light and dark, humour and self-psychoanalysis. The
non-linear approach leaps and drifts back and forth in chronology to help
illustrate memory’s haunting effect on the present. Visually the film conveys
hypnotic states and quixotic departures as we lose ourselves in Brando’s spoken
daydreams, playful asides and confiding whispers.
As Marlon looks back on his legendary career, film clips are
woven alongside personal archive; the young Brando’s electrifying looks, raw
performances and brooding charm put us entirely under his spell. In mid-life
his meteoric comeback continues to resonate, while the reclusive exile of later
years offers up rare flashes of acting brilliance from a waning supernova. The
film draws narrative parallels between Marlon’s screen performances and
personal life, and as these become increasingly blurred his entire life becomes
the stage. Throughout, Marlon provides a surprising range of insights – from
his revolutionary methodology, to his relationship with his father to his
politics. What emerges is Brando’s intellectual introspection, humour and
sensitivity; a man in perpetual search for moral clarity.
(Click here for Cinema Retro review of American release of the film).
UPDATE: Looks like we were correct to term this story from the German magazine Bild as "too good to be true". Doris Day has denied published reports that she will come out of retirement to appear in a film directed by Clint Eastwood. Click here to read more.
File this in the "Seems Too Good To Be True" section. The Guardian reports that Clint Eastwood is trying to lure Doris Day out of retirement for a role in one of his forthcoming films. The 91 year-old screen legend retired from making feature films in 1968 and has resisted all offers to resume her career. However, she is said to be open to working with Eastwood on the project, of which nothing is known at this time. Eastwood was said to have delivered a script to her and that she made only two demands: to film her scenes in Carmel, California and to ensure that her long time charity that benefits animals will see a percentage of the profits. There have been rumors over the years regarding Day's imminent return to the screen. All have proven to be unfounded. For more click here.
Apple Records has announced that the company will release a set of 27 #1 hits by the group with rare accompanying videos. Titled "Beatles +1", the set will be available on DVD and Blu-ray and contain over 200 minutes of video materials compiled from various sources. The set will be released November 1. For more click here.
Fans of the "Star Wars" franchise just got some news from Disney that is out of this world: the company intends to open 14 acre theme parks based on the film series at both Disneyland and Disney World. The complexes will include an auditorium designed to show a media show about the history of "Star Wars". It will be built to hold a staggering 8,000 people. For more click here.
Deadline Hollywood is reporting that William Friedkin, the Oscar-winning director of The Exorcist, The French Connection and Sorcerer, is planning to direct a film version of Don Winslow's crime thriller novel The Winter of Frankie Machine about a retired Mafia hit man who finds that someone is out to kill him. He must figure out who it is and why before time runs out. The project is in its early stages with no financing or studio attached. Friedkin won't approach investors or seek a distribution deal until a script is finalized. Winslow is said to be working on the screenplay now and Friedkin may collaborate on that. The book has tempted directors such as Martin Scorsese and Michael Mann in the past but nothing became of those projects. Friedkin wants to get back to his roots and shoot the movie in a gritty style with a budget of $15 million maximum. That should make the project plenty tempting for both studios and investors. Friedkin has rarely made films in recent years, preferring to concentrate on his passion for directing operas. For more click here.
Cinema Retro has received the following press release:
“DARK WAS THE NIGHT received
an overwhelming response at ScreamFest and the Lincoln Center’s New York Film
Festival Sidebar Scary Movies Series and is now in theaters across the
country and available Day and Date on VOD, and Digital platforms including
ITunes and Amazon instant video.
Kevin Durand (The
Strain) and Lukas Haas (INCEPTION) star as local policemen who go to battle
against an ancient evil. The script, from Tyler Hisel, appeared on the 2009
Black List of best un-produced scripts, a rarity for the monster genre, under
the title THE TREES. Rounding out the cast are Bianca Kajlich
(Undateable), Sabina Gadecki (the ENTOURAGE movie), Heath Freeman (SKATELAND),
Steve Agee (@midnight) and Nick Damici (LATE PHASES).
Maiden Woods is a remote
and quiet town, but something stirs in the dark woods surrounding this isolated
community. Sheriff Paul Shields (Kevin Durand) and his deputy (Lukas Haas),
struggle to confront their own personal demons while facing down a new breed of
Kevin Durand, Lukas Haas, Bianca
Kajlich, Steve Agee, Nick Damici, Sabina Gadecki, and Heath
Dallas Sonnier, Jack
Heller, Stefan Nowicki, Dylan K. Narang, Joey Carey
Ross Dinerstein and Kevin Iwashina
Caliber Media, Sundial Pictures,
Preferred Content & P Street Films
Stars in a creature feature that is downright poignant.
Director Jack Heller
does a fantastic job of doling out the scares and ratcheting up the tension in
– AINT IT COOL NEWS
design and cinematic discretion, make the damn thing work! –
by withholding the usual genre tropes... A notch above standard horror,
suspense. Tech and design contributions are nicely turned all
certainly talent in Jack Heller’s fright film “Dark was the Night,” beginning
with its cast. (Kevin Durand) conveys tender sorrow and steely resolve
with understated dexterity.
A trip into the
woods that will give you chills, but provide you with the urge to press “play”
over and over again – highly recommended.
- DREAD CENTRAL
One hell of a
great movie! One of the best horror films of the year. Don’t miss it!
This could be the next great horror franchise. – FANGORIA
Jack Heller is a graduate of the University of Southern
California School of Cinematic Arts. Jack made his directorial debut with the
Micro Budget film Enter Nowhere, starring up and coming stars Scott
Eastwood (The Longest Ride), Sara Paxton and Katherine Waterston (Jobs,
Inherent Vice), the independent film was released by Lionsgate. As a music
video and commercial director, he has worked with artists including, Miley
Cyrus, Big Sean, and Chief Keef, as well as brands such as Beats By Dre, Pac
Sun, British Knights, Stussy, and Hood By Air. Heller has produced over
20 feature films including the upcoming Bone
Tomahawk starring Kurt Russell, Patrick Wilson, Matthew Fox, and Richard
Jenkins and is a founding member of the production company Caliber
Media. Dark Was the Night is his second feature film as Director.
F.W. Murnau, the influential German director of the silent film era, is improbably back in the news again. His grave, located outside of Berlin, has been tampered with on several occasions since his untimely death in a car crash in 1931 at age 42. However, this time robbers have succeeded in absconding with the head of the deceased director. German police are looking into the possibility that the grave robbery may have been part of an occult ritual, given certain evidence found at the scene. Although Murnau's achievements in filmmaking are among the most consequential of all time and span a wide range of subject matters, he is most widely known for his adaptation of Bram Stoker's novel "Dracula". Murnau's film "Nosferatu" was released in 1922 and remains perhaps the most definitive and frightening version of the tale. At the time he was sued by Stoker's widow for not getting authorization for the film from Stoker's estate. She won and prints of the movie were ordered to be destroyed. However, numerous prints survived and the film is widely shown on classic movie circuits today. For more click here
Producer Jack Heller contacted us to say that he's a big fan of Cinema Retro. Even better, he's producing that rarest of rarities in today's cinema: a Western. "Bone Tomahawk" is his forthcoming production starring Kurt Russell. Heller says he's been influenced by the gritty feel of Clint Eastwood's "Unforgiven". Well, he's at least been inspired by the best...We also love the movie poster which brings back memories of when artistry defined the way movies were marketed instead of lame, scanned in Photoshop creations. Kudos to you, Jack...We look forward to seeing the film.
Fans camped out for days at Comic-Con hoping to be among the anointed who got the opportunity to attend the big sneak peak at the forthcoming "Star Wars" epic. Director J.J. Abrams was on hand along with original cast members Carrie Fisher, Mark Hamill and Harrison Ford. There was a good deal of sentiment on display and there was also a compilation of clips pertaining to the eagerly-awaited film. Click here for more
Disney, which now owns the rights to the "Star Wars" film franchise, has announced that it will develop a stand-alone film that centers of the life and adventures of young Han Solo, the character who has been famously played by Harrison Ford in the legendary film franchise. The movie will be co-directed by Christopher Miller and Phil Lord, who were the "force" (pardon the pun) the hit films "The Lego Movie" and "21 Jump Street". The film will be written by Lawrence Kasdan and Jon Kasdan. Lawrence is the scribe who co-wrote "The Empire Strikes Back", "Return of the Jedi" and "The Force Awakens". No casting has been announced but the film is slated for a May 2018 release. Disney has been upfront about expanding the "Star Wars" universe into new segments. The studio obviously hopes that Han Solo can carry a successful tent pole franchise on his own. For more click here.
Macnee with Diana Rigg in the classic TV series The Avengers.
The Daily Beast's Andrew McKie writes an amusing and informative tribute to the late Patrick Macnee, the dapper actor who defined British class and elegance. Macnee, who passed away on June 25, was mostly known for his starring role as adventurer and crime fighter John Steed on the long-running TV series The Avengers. But, as the article points out, there was so much more to his story, including an unconventional upbringing by his lesbian mother and her lover as well as his roguish ways that saw him expelled from Eton. To read, click here.
Directors Brent Hodge's and Derik Murray's new documentary "I Am Chris Farley" covers the bittersweet life and career of the comedy genius who died tragically ahead of his time. Through the cooperation of his family, friends and colleagues, the film presents a complete picture of the artist who was perpetually making audiences laugh even as he battled his own personal demons. The film opens theatrically in New York and L.A. on July 31 and will be telecast on Spike network on August 11, followed by availability through on-demand outlets. For more about the production, click here to visit the official web site.
It's the most bizarre mating of two diverse talents since Ernest Borgnine thought it would a good idea to marry Ethel Merman, though hopefully this one will have a happier ending. Cult movie director Rob Zombie has announced that he will bring a Groucho Marx biography to the screen. The film will based on the memoir "Raised Eyebrows: My Years Inside Groucho's House" by Steve Stoliar, a fan who worked for the legendary actor and comedian as his personal secretary and archivist in the last years of his life. (Marx died in 1977 at age 86). Turns out the esteemed Mr. Zombie is a life long Groucho admirer. Who knew? We look forward to Zombie directing Dame Judi Dench in a biopic of Gracie Allen. For more click here
Brynner, Richard Widmark and George Chakiris share top billing in “Flight From
Ashiya” a 1964 Japanese- American co-production originally released by United
Artists. The movie is dedicated to and takes place within the world of the United
States Air Force Air Rescue Service. Created in 1946, the Air Rescue Service mission
is to rescue downed military aircrew. Their motto, which is displayed
throughout the opening credits, reads: “That Others May Live.” In 1947 the
mission was expanded to that of a special operations unit which later included
Navy SEAL like Pararescuemen or “PJs” supporting everything from
humanitarian rescue missions to NASA astronaut recovery.
story of “Flight From Ashiya” is a mix of military themed clichés and melodrama
which fans of this genre will find familiar. Two Air Rescue Service teams stationed
at Ashiya Air Base in Japan depart on Air Force float planes to rescue a group
of Japanese civilians who are clinging on to a make-shift raft after being shipwrecked
during a typhoon. With the typhoon still raging, the first float plane crashes
while attempting a landing on the choppy storm tossed water. The special
effects are well done for the era and the aircraft models look realistic. For
the new viewer today living in the era of over-used CGI effects, the models and
water tank footage may appear old fashioned, but it all works if the viewer
considers this movie was made decades before modern special effects.
three men at the center of the story suffer from what we commonly refer to today
as post traumatic stress syndrome. As they circle above the shipwreck survivors
while the typhoon rages, we learn through a series of flashbacks that each man is
opening up emotional baggage throughout the rescue which is packed with doses
of love, pain, guilt, hate, sorrow and loss. Brynner, Widmark and Chakiris are
convincing as military men and their performances allow us to forgive the
limitations of the special effects.
Chakiris plays Lt. John Gregg, a pilot stationed with Widmark and Brynner in
Germany prior to their assignment in Japan. He feels responsible for the civilian
avalanche victims he was unable to rescue in 1954. In his flashback, the team
initially manages to land their rescue helicopter, drop off supplies and take
back a few survivors. Brynner assists in delivering a baby and we see a hint of
Widmark’s troubled past in a brief flashback within this flashback followed by
a racially charged tirade toward Brynner, who we learn is half Japanese.
Chakiris insists on returning and Widmark reluctantly agrees. Their helicopter
can only carry a dozen people at a time and on the return trip the helicopter rotor
blades cause another avalanche which kills the remaining survivors.
plays Lt. Col. Glenn Stevenson, a tough Air Force veteran and survivor of a
Japanese prisoner of war camp. He was a civilian pilot and owner of a charter
airline flying supplies out of Manila, Philippines. On the eve of the Japanese
invasion of the Philippines and America’s entry in WWII, he meets his future
wife, Caroline Gordon. She’s a journalist covering the victims of a recent earthquake
for which Stevenson just happens to be flying supplies. Shirley Knight plays
Caroline in a brief and understated role as Widmark’s soon to be wife. They end
up in a Japanese prison camp and Widmark begs the Japanese camp commander for
medicine, which is denied. Their baby and his wife die in the camp and Widmark
carries this resentment to the other rescue missions.
plays Master Sgt. Mike Takashima, the senior paramedic of the team. He’s an
Army corpsmen in North Africa in 1943 during WWII during his flashback where he
meets a beautiful French speaking woman named Leila. He introduces himself
with, “Mike Takashima... father Japanese, mother Polish.” We soon learn that
she is Muslim and she and everyone else tells him their romance is not meant to
be. Not willing to give up, Brynner tells her, “My father was a Buddhist, my
mother a Seventh-day Adventist.” As Brynner searches for Leila on his
departure, she comes running to him just as a demolition team detonates an
unexploded bomb, killing Leila.
sweats a lot during the typhoon rescue mission. He’s the co-pilot and his guilt
over the avalanche deaths is relived when Widmark arrives as the replacement
pilot at the start of the movie. Widmark is faced with his racism and
resentment as he initially declines landing the float plane to rescue the
Japanese civilians. Brynner drops to the survivors with a life raft and offers
medical assistance. The three men wrap up their flashbacks and complete the
is convincingly commanding whenever he plays military men and this movie is no
exception. Likewise, Brynner is also terrific as Mike in spite of appearing
more Polish than Japanese. Widmark and Brynner are compelling in all their
films, this one included. They have a few key scenes together during the
typhoon rescue and the avalanche flashback rescue, but do not upstage one
is on hand for the younger audience members and is probably best remembered for
his skill as a dancer in “West Side Story” for which he won a best supporting
actor Oscar. He danced his way through other movies including the Jacques Demy
musical “The Young Girls of Rochefort” featuring
Catherine Deneuve and Gene Kelly. He also co-stared previously with Brynner in
“Kings of the Sun,” and later appeared in a stage revival of “The King and I.”
He worked with Charlton Heston in the drama “Diamond Head” and appeared in
other military themed movies like “633 Squadron” “Is Paris Burning?” and
McGuire Go Home.” He transitioned to TV roles in the 1970s and retired from
acting in the late 1990s to focus on making handcrafted jewelry.
Knight is very good in her brief scenes with Widmark. Primarily a stage and TV actress
with roles in dozens of TV series throughout her continuing prolific career,
Knight was occasionally cast in high profile movies including “Sweet Bird of
Youth,” “House of Women,” “Petulia,” “Juggernaut” and “As Good as it Gets.”
model and actress Daniele Gaubert plays the beautiful Leila in the Yul Brynner
flashback scenes. We see her briefly on the beach in a one-piece swimsuit and
she speaks only French onscreen. She had a brief acting career and is probably
best known as the star of Radley Metzger’s “Camille 2000.” She was married to
Olympic skier Jean-Claude Killy until her death from cancer at age 44.
Parker plays Lucille Carroll in the third female role, but she has very little
to do in the contemporary scenes back at the Air Rescue Service operations
center. It’s not clear exactly why she’s there other than to give concerned
commentary and look worried as radio reports come in. Parker was an American
model and actress who had parts in a handful of high profile movies and TV
series such as “Funny Face,” “Kiss Them for Me,” “The Best of Everything,” “The
Interns” and appearances in the TV series “Twilight Zone,” “It Takes a Thief”
and “Night Gallery.”
movie was directed by Michael Anderson, who had a long and prolific career and
is the director of many fan favorites. I remember watching his 1956 version of
George Orwell’s “1984” in high school after we read the book. Despite its
critics, I still enjoy his “Around the World in 80 Days” which was a broadcast
TV “event” in the era before home video and cable TV. “The Dam Busters,” “The
Wreck of the Mary Deare,” “Operation Crossbow,” “The Quiller Memorandum,” “The
Shoes of the Fisherman” and “Logan’s Run” are a few of the highlights in
Anderson’s prolific career.
From Ashiya” is predictable and melodramatic, but enjoyable and winds to a
satisfying 100 minute conclusion. The widescreen Panavision image looks very
well preserved and the audio is also more than satisfactory.. The DVD is
made-to-order through the MGM Limited Edition Collection and has no extras.
"Jurassic World" may have received mediocre reviews but the dinosaur flick has taken a gigantic bite out of the boxoffice with the second highest opening weekend gross in history (behind "The Avengers") with over $204 million. For more, click here.
The estate of Sherlock Holmes creator Sir Arthur Conan Doyle has sued Miramax for damages regarding its forthcoming feature film "Mr. Holmes" which stars Ian McKellan as Holmes in retirement. The estate claims that the screenplay has borrowed from elements of the ten stories that are still under copyright control by Doyle's ancestors. A court ruling in the USA declared that all but ten of Doyle's works are in the public domain, meaning the story elements can be used without payment of licensing or royalty fees. However, the Doyle estate jealously guards key elements of the Holmes legend that appear in the ten works that are still under their control. The estate points out in their lawsuit that the producers of the recent Sherlock Holmes feature films and the hit BBC series "Sherlock" have paid licensing fees and accuse Miramax of trying to avoid doing the same. For more click here.
The majestic Loew's Theatre on Journal Square in Jersey City, New Jersey is one of the theaters that had been saved from destruction.
There's few things sadder than witnessing the decline and neglect of a one time movie palace. At least in the New York City area, this trend is finally being reversed thanks to major restoration efforts to save and preserve these landmark cinema showcases. The New York Times has a major piece on these restoration efforts, which are affording movie lovers the opportunity to enjoy classic films and cultural events in these historical settings. Click here to read.
Variety reports that Bradley Cooper is in negotiations to direct the latest big screen remake of "A Star is Born". It is not known whether he intends to star, as well. The film was originally made in the 1930s with Janet Gaynor and Fredric March. It was successfully remade in the 1950s with Judy Garland and James Mason. In 1976, Barbara Streisand and Kris Kristofferson starred in a modern version of the tale that was largely reviled by critics but proved to be a major boxoffice success. In recent years, Cooper's "American Sniper" director Clint Eastwood announced plans to direct another remake of the film but plans went on hold when his star, Beyonce, dropped out of the project due to pregnancy. It would appear that Eastwood has now moved on from plans to be involved in this latest remake. It's also unknown whether Beyonce will be attached to the production. If it comes to fruition, this would make Cooper's directorial debut.
The Italian fashion house Antony Morato has funded the digital restoration of director Vittoria De Sica's 1971 classic "The Garden of the Finzi-Continis", which won the Oscar for Best Foreign Film. The movie depicts the tragic story of an influential and affluent Jewish family in Italy prior to their deportation to Nazi death camps. The restoration will be shown at numerous international film festivals in recognition of the 70th anniversary of the liberation of Auschwitz. The restored film will premiere at a gala celebration in Rome on March 25, which will be attended by the De Sica family. For more click here.
Director Steven Spielberg has reunited with Tom Hanks for the recently-completed Cold War espionage thriller "Bridge of Spies", which tells the true story of a famous prisoner exchange that took place on a bridge in Potsdam. The intrigue involved American efforts to get back military pilot Francis Gary Powers, whose U2 spy plane had been shot down over the Soviet Union, thus giving the communists a major propaganda victory. The film will be scored by John Williams, who marks his 27th collaboration with Spielberg. For more click here.
Ford's WWII-era private plane in the aftermath of today's crash.
Iconic actor Harrison Ford has been injured in a private plane crash this afternoon. Ford, an experienced pilot, was flying his WWII-era plane when it crashed on a Los Angeles golf course this afternoon. Ford had been at the wheel of the plane and there were no other passengers. Witnesses said Ford suffered injuries and was bloodied. He was transported to a local hospital where he has been reportedly listed in critical condition. The story is developing...Details often change as more facts are known, but this is what is being reported by TMZ and NBC News. For more click here.
Director John Sturges' classic 1960 Western "The Magnificent Seven" will be remade as a big screen MGM Western by director Antoine Fuqua. Denzel Washington, Ethan Hawke and Haley Bennett are the first cast members to be announced. The original film was based on another classic, director Akira Kurosawa's "Seven Samurai". For decades, MGM has been trying to launch a remake of the film but the closest the studio came was with a moderately successful TV series. At various times, names like Arnold Schwarzenegger and Tom Cruise had been linked to remakes that never bore fruit. The first movie spawned three big screen sequels between 1966 and 1972. At the time it premiered, the only big name stars in the cast were Yul Brynner and Eli Wallach. However, the success of the movie helped launch supporting actors Steve McQueen, Charles Bronson, Robert Vaughn and James Coburn to full-fledged leading man status. German actor Horst Bucholz also went on to a very successful career. The remaining major cast member, Brad Dexter, became a film producer. For more click here.
If you're as addicted as we are to director Joe Dante's "Trailers From Hell" web site, maybe you can help the site continue to grow. "Trailers From Hell" presents an amazing number of original theatrical trailers for everything from classic cinema to "B" movies and schlock films. Best of all, each trailer is accompanied by a commentary track by a well-known filmmaker, writer, or movie historian. You can view the trailers both with or without the commentaries. Joe tries his best to present and preserve these precious artifacts of movie marketing but there are some titles that have eluded him. Click here to find out the trailers on his "must have" list and see if you can help!
"Boyhood" won the coveted Best Film award at this year's BAFTAs. Richard Linklater won the director's award for the same film. Eddie Redmayne won for Leading Actor for "The Theory of Everything" and Julianne Moore won Leading Actress for "Still Alice". Click here for full list of winners.
In the wake of their success with "Gone Girl", Ben Affleck and director David Fincher will re-team for a remake of Alfred Hitchcock's classic 1951 thriller "Strangers on a Train". The original film is regarded as one of Hitchcock's best. The movie starred Farley Granger as a dapper young tennis pro who has a chance encounter with a man of similar age, played by Robert Walker, with whom he shares a compartment on a train. To pass the time, the men engage in a macabre "what-if" scenario to see if they can construct the perfect crime. They come up with what appears to be a foolproof plan. Both men name a bothersome real life person as the presumed "victim". They then agree that if each man carried out a murder on behalf of the other man, they would never be caught because they have no ties to each other and don't even know the person they will murder. The two men part company but Granger is horrified when he discovers Walker took the conversation literally and has murdered the person Granger had named as the victim. Worse, he now insists that Granger carry out his part of the plan or be murdered himself. The ingenious story line has a timeless appeal but Affleck and Fincher are walking on thin ice in terms of incurring the wrath of Hitchcock enthusiasts who regard his work as sacred. On the other hand, they obviously hope to appeal to young audiences, among whom many probably never even heard of Hitchcock, let alone the original film. The original has also been analyzed extensively for what many consider to be a homo-erotic attraction between the characters played by Granger and Walker, who had a field day creating one of the era's most memorable movie villains. Given Affleck will star, chances are this element of the original film will not be present in the remake. Click here for more.
There is a reason why most home-grown Chinese films are set in ancient times.
In an enlightening article in the New York Times, screenwriter Nury Vittachi analyzes the current state of the film industry in communist China. His verdict? Not good. Despite decades of capitalist reforms that have resulted in new freedoms and the emergence of a middle class, Big Brother is still watching over the people and arts. Vittachi laments the fact that the arts commissions that oversee every film production made in China are still clinging to the ludicrous idea that citizens will believe they are living in a real-life Shangri-la if only they don't see disturbing story lines on screen. Thus, in order to get a film made with government approval, there can be no evidence of criminal activity among Chinese citizens, no prostitution, virtually no vice of any kind- and at all times government officials must be portrayed in a heroic light. Vittachi discusses the creative loopholes filmmakers try to employ in order to get around these Draconian rules. Click here to read.
Clint Eastwood may not have snagged a Best Director Oscar nomination last week, but he's having the last laugh at the North American boxoffice. Until now, the highest weekend opening of an Eastwood film had been $29 million for "Gran Torino" in 2008. "Sniper" is projected to bring in $90 million this weekend. Warner Brothers described the film as a "cultural phenomenon" and industry analysts attribute the astonishing grosses to excellent word-of-mouth. Making the studio brass even more delighted is that Eastwood is from the old school of filmmakers: he works fast, efficiently and within a modest budget. "Sniper" cost only $60 million to make, ensuring that it will become a major financial success. Click here for more.
Western movie lovers of a certain age often reminisce about the era in which going to big ticket films was a special experience. "Roadshow" presentations played in select big city movie houses for extended runs before the film was released to local theaters nationally. In some cases, films could play for months in roadshow engagements before people in small towns and suburbia could see a blockbuster flick in their local theater. This trend is all but dead today. Even the biggest hits have short theatrical runs, at least compared to the old days. That's because studios want to capitalize on the recent marketing campaigns by moving quickly to pay-per-view, home video and cable exploitation of a hit movie. However, in India- where passions for all things cinematic run deep- one particular film has been running consistently in a Mumbai cinema for twenty years. The simple love story titled "Dilwale Duhhania Le Jayenge" touched a nerve with Indian audiences. It centers on a young Indian woman who is living in London and is about to wed through a marriage arranged by her father. This is an old and revered Indian custom that is still widely adhered to even by the younger generation. Prior to the young woman moving to a village in India where she will wed and reside, she has a chance encounter with an attractive young man and they fall in love. What sets the film apart from most cinematic depictions of such dilemmas is that the young couple doesn't simply run off but, rather, try to convince the girl's father to rescind the agreement through which his daughter will marry. Such a notion is quite controversial in India and the situation depicted on screen has consistently spoken to audiences that identify with the young couple, as well as the girl's father. The film still often plays to sold-out audiences. For more (and to view the trailer) click here.
We're not the only ones who act like Scrooge when it comes to evaluating the present state of movie poster designs. There was a time when even "B" movies boasted epic posters. Today, we have bloated $250 million productions that are marketed with cheapo poster designs that look like they were knocked out by some folks in a marketing agency in the course of 15 minutes. The Huffington Post seems to agree, as evidenced by their comparison of how Christmas-themed movies have been marketed in recent years. There seems to be only a couple of basic designs that are copied and recopied by unimaginative poster designers.
If you want to see truly imaginative poster designs, just scan fan pages on the web. The mock up "unofficial" posters you'll find there generally blow away the junk being released by major studios. Maybe it's appropriate, as most of these films are unwatchable. There may be a few gems here and there but many of them feel they have to include scatological jokes and gags and fill the screen with screaming, dysfunctional families.
As for the present state of holiday movie designs, we can sum up our feelings in one word: "Humbug!"
After facing blistering criticism from arts groups, ,actors, writers, producers, directors and even the president of the United States, Sony has announced that it will release "The Interview" to select independent theaters on Christmas Day. Sony has maintained it has been trying to find venues for the film all along, but as Cinema Retro pointed out previously, they apparently weren't looking very hard. While it is true that major theater chains are still refusing to show the film due threats of violence from the hackers, who are believed to be working for the North Korean government, independent theater owners would eagerly play the film- if for no other reason that to make a statement against self-imposed censorship. Now an unspecified number of such theaters will be showing "The Interview" on Christmas Day, the original date the movie was intended to premiere across North America. Sony appears to have been chastised by criticism but more recently, bolstered by support, not only from the arts community but also the Obama administration. Look for a deal to make the film available via streaming to be announced in the near future, as that seems like the inevitable next step. Click here for more.
She was the most famous pin-up model of the 20th century. She had an air of sweetness and innocence about her, even as she posed for kinky photos, often with more than a hint of S&M about them. The Huffington Post reports that the late, great Bettie Page is alive and well-- in spirit, anyway- as evidenced by a revival of interest in the pin-up culture she helped kick into high gear in the 1950s and 1960s.
She is the subject of films and stage productions, as the "Bad Girl" image of the 1940s comes roaring back into the 2000s- and much of it is inspired by charitable efforts to aid veterans. Seems only fair. After all, it was WWII G.Is and swabbies who immortalized their favorite female stars through tacking up sexy photos of them on their walls and lockers. Click here to read.
In a wide-ranging year-end press conference, an upbeat President Obama discussed a range of issues from the recent changes to the foreign policy with Cuba to the Keystone Pipeline. However, the entertainment industry will be most interested in his opinion that Sony "made a mistake" by canceling plans to show the Seth Rogen/James Franco comedy "The Interview". Unless you've been living in a cave for the last few weeks, you are aware that Sony suffered a humiliating hack of its private E mails and corporate data. In a rare instance of a sitting President immersing himself in a discussion of a specific motion picture, President Obama confirmed what everyone suspected: that the hack was orchestrated by the North Korean government in retaliation for the satirical plot line of the film that involves the assassination of dictator Kim Jong Un. The President said that the decision to pull the film prior to its release amounted to giving in to the hackers and sets a slippery slope for future demands that might be made. The President presented a scenario in which studios might be threatened about the content of future films and news broadcasts. He said he feared a scenario in which people in the creative community would self-censor future projects rather than incur potential threats. The President expressed sympathy with Sony executives, who he acknowledged suffered severe damage due to the hacking. He also said he understood the studio's concerns regarding threats of violence should the film be released. However, the President also said he "wished they had spoken to me" prior to making the decision to meet the hacker's demands, but acknowledged that, as a private corporation, Sony acted in what they thought was their best interest.
The President's candid remarks surprised some in the media who expected him to give a more nuanced response in regard to the Sony situation. However, Obama was feisty, humorous and- in the words of a CNN analyst- in a "bouyant" mood, trading wise-cracks with members of the press. Obama stated his opinion that it shows the vulnerability of the North Korean government that they can be intimidated by a Seth Rogen movie, causing loud laughter from the press corps. Obama sheepishly added that he "loved" Rogen and co-star James Franco but said that no government should feel threatened by a satirical comedy.
On a more serious note, the President vowed that the USA would respond "proportionally" to the North Korean hack but would not specify what actions that might entail.
The President's position on the Sony issue seems to mirror that of widespread reaction in the filmmaking community.Actor/director George Clooney tried to get major studios to sign a letter stating that they would not bow to future demands to censor their product. No one studio executive would sign the letter.
Meanwhile, CNN is reporting that Sony received a letter purportedly from the hackers who praised the decision by Sony to pull the film, saying it was a "wise" decision. However, the letter also made additional demands from the studio, primarily that Sony also withdraw any trailers relating to "The Interview" or risk the release of even more damaging data.
Superstar Angelina Jolie is described as "a minimally talented spoiled brat" in a confidential E mail that has now gone viral.
The hacking scandal that has afflicted Sony Pictures has turned into a major disaster with implications that could ruin lucrative business relationships as well as lead to lawsuits. Sony was hacked by a mysterious entity that seemed more interest in embarrassing the company than extorting it. Thousands of social security numbers of employees have been leaked along with their salaries, unreleased films have been compromised at a potential cost of many millions of dollars and, perhaps most devastating to the suits in the corner offices, private E mails have been made public that reveal shocking comments by executives towards some of the most prominent people in the industry. The smart money is on North Korea as the culprit behind the sophisticated hack, that goes far beyond what most security experts have seen. Sony is about to release a comedy about a plot to assassinate North Korean leader Kim Jong Un- and the Dear Leader clearly doesn't think its funny. The North Koreans have denounced the film and called for Sony to suppress it. The studio's refusal to do so may have unleashed North Korea's intelligence services on it's computer systems. The Washington Post reports that the scandal has reached levels that is causing major agita among the top brass at Sony. In an industry that prides itself on keeping secrets, the cats are running out of the bag. Click here to read.
For extensive coverage of leaked E mails, click here for Gawker article.
Burt Reynolds' rise to fame and fortune was one of the great Hollywood success stories. Reynolds broke into acting in the 1950s but found the road to stardom blocked by a factor he could not control: his physical resemblance to Marlon Brando. But Reynolds persevered, landing a recurring supporting role on the legendary TV show "Gunsmoke". He also starred in two detective shows in the late 1960s and early 1970s: "Hawk" and "Dan August" as well as a number of "B" feature films like "Skullduggery", "Navajo Joe" and "Sam Whiskey". By the early 1970s, a new side of Reynolds began to emerge as he became a popular guest on Johnny Carson's "Tonight Show" as well as various game shows that allowed him to show off his knack for off-the-cuff witticisms and self-deprecating humor. Yet, stardom on the big screen still eluded him despite top-lining in the 1972 cop satire "Fuzz" with Raquel Welch and Yul Brynner. He wisely promoted his nude centerfold spread in "Playgirl" magazine into a bonanza of free publicity that made him an international celebrity. Later in 1972, major success finally landed at his door step when Reynolds' was given star billing along with Jon Voight in director John Boorman's classic screen adaptation of James Dickey's "Deliverance". The film was a major hit with both the public and critics. Finally, Reynolds was more than just another pretty face on the silver screen. After "Deliverance", Reynolds' rise to stardom was meteoric. He could seemingly do no wrong. He became one of the most popular male sex symbols in the world. Along with his contemporary, Clint Eastwood, he ruled the international box-office. (The two actors posed for the cover of Time magazine, which anointed them the new kings of Hollywood.) Reynolds epitomized the very definition of being a "star" in that audiences flocked to his films even when they weren't very good. He deftly deviated between first class, sophisticated films "Starting Over" and popular fodder for the drive-in audience, such as his "Smokey and the Bandit" flicks.
By the mid-1980s, however, Reynolds' armor was beginning to tarnish. He made a few too many lousy movies and even his core audience began to tire of this predictable fare. (He would later lament turning down Jack Nicholson's Oscar-winning role in "Terms of Endearment" to film a little remembered cornpone bomb, "Stroker Ace.") While Clint Eastwood studiously built his reputation as both actor and director, often turning out box-office bombs that were nevertheless critical successes, Reynolds suffered from over-exposure. He was literally everywhere, epitomizing the old joke that he so loved the spotlight that he struck a pose every time he opened the refrigerator door. Unlike Eastwood, who realized that a major movie star should limit his exposure on television, Reynolds cheapened his image by appearing on seemingly every show imaginable. By 1984, he was deemed box-office poison. Eastwood tried to help his old friend by teaming with him in the retro-based crime comedy "City Heat". A few years earlier, the film would have been a blockbuster based on the pairing of these two stars, but the movie turned out to be a debacle with director Blake Edwards quitting and being replaced by Richard Benjamin. The movie received poor reviews and even loyal Eastwood fans stayed away. Worse for Reynolds, a mistimed stunt resulted in his being seriously injured. He was out of action for many months recuperating from an operation during which time tabloids cruelly spread the rumor that he was dying of AIDS. Reynolds recovered and slogged through a string of mediocre feature films and TV movies before unexpectedly receiving the best reviews of his career as the pornographer in the 1997 film "Boogie Nights". He won the Golden Globe for Best Supporting Actor and received an Oscar nomination as well. Although considered the sentimental favorite, he didn't win and surprisingly tarnished his hot streak by returning to the genre of forgettable TV movies. In the ensuing years, Reynolds suffered severe medical problems that saw him undergo heart surgery. Additionally, apparent plastic surgery on his face resulted in plenty of nasty tabloid stories that bluntly stated that his looks were now ruined. Reynolds' messy love life also made headlines over the years and resulted in an expensive divorce settlement with actress Lonnie Anderson. The couple's split was one of the nastiest in Hollywood history with sordid charges flying back and forth including Anderson's allegations of physical abuse. Simultaneously, Reynolds' business investments began to go south, as well. A dinner theater and investment in a restaurant chain cost him millions in losses.
Better times: Reynolds and old friend Eastwood on the cover of Time magazine, January 1978.
Now Burt Reynolds is facing another indignity: the loss of his palatial Florida mansion, which he had once tried to sell for up to $10 million. He has since dropped the price to just under $3 million, but there are still no takers. Banks hold the mortgage on the property and Bank of America claims he hasn't made a payment in four years. To raise money, Reynolds is selling of many of his prized personal possessions, from the canoe from "Deliverance" to his Golden Globe and autographed photographs given to him by legendary personalities. These items, along with hundreds of others, were once on display at the Burt Reynolds Museum in his home town of Jupiter, Florida. The auction will take place in December 11-12 in Las Vegas, handled by Julien's. Whether the one-time superstar will realize enough profits from the sale to help alleviate his dire financial crisis remains to be seen.
Click here to view the long-awaited teaser trailer for "Star Wars: The Force Awakens". Fans hope that more than the Force will be reawakened with this film, which they hope will restore the franchise to its former glory.
(Photo copyright Dollie Banner/Cinema Retro. All rights reserved.)
By Lee Pfeiffer
If you've been a serious collector of movie memorabilia over the last 40 years or so, you will know the name Jerry Ohlinger. He has long been the king of selling vintage and current film posters, photos and other rarities. Ohlinger has operated out of several New York City stores since the 1970s. However, earlier this year, Ohlinger closed down his mid-town store because of increasing rent costs. He relocated to a smaller store where he sees customers by appointment only. However, in 2003 Ohlinger partnered with a New Jersey-based married couple who run their own movie memorabilia business. They jointly market and sell Ohlinger's materials via on eBay, with Ohlinger receiving 75% of the sales revenue. The bulk of Ohlinger's inventory is stored in a warehouse in Paterson, New Jersey. Now the business partners are embroiled in a law suit filed by Ohlinger, who states that the couple has illegally appropriated his inventory, which is estimated to be worth as much as $8 million. Ohlinger has apparently fallen behind on his obligation to pay for most of the rental costs on the Paterson warehouse, but says he had an agreement with the couple that, should such a circumstance arise, such costs would be deducted from his share of on-line sales revenues. Ohlinger also claims that his former business partners are maintaining that they actually purchased the entire inventory years ago for a mere $70,000. In a lawsuit filed in Newark on October 22, Ohlinger is seeking possession of his warehouse inventory and $5 million in damages. Neither party would comment to Northjersey.com reporter Hugh R. Morley, stating that they were acting on advice from their attorneys. Click here to read.
(For previous coverage about Jerry Ohlinger, click here)
Even major stars are subject to the Rubik's Cube system of finding financing for major films. The studio has pulled the plug on "Idol's Eye" starring Robert De Niro, Robert Pattinson and Rachel Weisz after producers failed to find adequate funding to begin production. The aborted project is an indication that, despite the presence of major names, film budgets have skyrocketed to such an extreme that funding often evaporates before a movie can even begin shooting. For Variety report click here.
Mickey Rourke and Christopher Walken in "Homeboy".
Cinema Retro has received the following press release from Dillon Kastner, who represents the estate of his late father, producer Elliot Kastner:
Hollywood Classics has signed a new distribution
agreement with Dillon Kastner of Cinema Seven Productions to represent the
Elliot Kastner library for all rights.
Titles in the library of the Hollywood producer include
comedy musical A Chorus of Disapproval, starring Jeremy Irons and Anthony
Hopkins, and US sports drama Homeboy with Mickey Rourke and
John Ramchandani, MD of Hollywood Classics said: “I am
delighted to work with Dillon Kastner on the wonderfully eclectic and adored
selection of his father’s features.
“Throughout his extensive career Elliott worked with
the highest calibre of world-renowned actors, screenwriters and directors
including Peter Ustinov, Jeremy Irons, James Spader, Pierce Brosnan, Alan
Ayckbourn and Donald Cammell.”
Dillon Kastner of Cinema Seven Productions Ltd said:
‘It is a pleasure to be working alongside the team at Hollywood Classics.
“My father had many ups and downs in his career, and
independent finance can inspire risky and offbeat choices, but at the end of
the day my father believed in all his projects and would be very pleased that
they have now been added to a library of films thoughtfully presented by his old
friend Joe Dreier.”
Bertolucci directing Marlon Brando and Maria Schneider in Last Tango in Paris.
P.E.A. Films, a European based company, has filed a lawsuit against MGM stating that their auditors has found evidence that the movie studio has underpaid royalties due P.E.A. and, in general, has been slow in cutting checks and hindering the audit processes. The suit involves the 1965 Italian Western classic For a Few Dollars More starring Clint Eastwood and it's 1966 sequel The Good, the Bad and the Ugly (the first film in the trilogy, A Fistful of Dollars, is not included in the lawsuit). Also in dispute is director Bernardo Bertolucci's controversial 1973 classic Last Tango in Paris starring Marlon Brando. The sexually provocative film was a critical and boxoffice hit despite having an X-rating.
Clint Eastwood in Leone's The Good, the Bad and the Ugly.
This is not the first lawsuit filed against MGM by P.E.A. Over the years, the company has accused the studio of negligence in terms of reporting revenues due to P.E.A. The current lawsuit seeks termination of MGM's distribution rights to the films as well as payment of $5 million in damages. For more click here.
The Expendables 3 boasts the kind of all-star cast that is rarely assembled in today's film industry- yet the movie is under-performing.
By Lee Pfeiffer
Call it "Suddenly Last Summer"...one year ago, Hollywood was crowing about the performance of its usual spate of special effects-laden monstrosities designed to appeal to the least-demanding audiences, at least in terms of intellectual content. Now, suddenly, comes the realization that even viewers who thrive on shallow sex comedies and the celluloid equivalent of monster truck rallies may finally be wising up. With cinema tickets now considered a major investment by moviegoers who are still reeling from the last recession, it appears that the studios may have hit the wall: Hollywood has seen its worst summer since 1997. In July, boxoffice receipts for the North American market plummeted by 30% compared to the same month last year. Studio executives call the disastrous summer a fluke and have even blamed competition from the World Cup, which finally caught on with Americans, as a prime reason for the boxoffice decline. They may be right - and some of these so called "bombs" will go into profitability once international grosses and home video sales are calculated. However, no one wants to consider another possible reason: many of these overblown epics simply stink. The cost of a couple attending a movie in a big city now requires a small loan to be taken out. Greedy studios take the lion's share of the profits, leaving hapless theater owners to rely on diverse offerings at the snack stand in order to ensure profitability. Who wants to pay $15 a ticket to sit next to a guy who is burping up tacos and pizza? For a New York Times report click here.
As improbable as it would seem, some important out-takes and behind-the-scenes footage have been discovered pertaining to director Sergio Leone's landmark Western "A Fistful of Dollars". Made in 1964, the film was responsible for the pop culture phrase "spaghetti western" and became an international hit that made a star of Clint Eastwood. Cinema Retro writer Howard Hughes, writing on the Spaghetti Western Data Base site, provides in-depth analysis of these recently-discovered cinematic treasures. Click here to read.
To celebrate the UK Blu-ray release of The Good, the Bad and the Ugly, food artist Carl Warner has fashioned a unique tribute to the film made entirely from pasta! We'll admit it looks magnificent, Carl-- but we're still waiting for that King Kong tribute made from bananas. Here is the official press release:
World renowned food artist Carl Warner has produced
his culinary interpretation of the classic ‘Spaghetti Western’ film trilogy,
made entirely from spaghetti and other Italian ingredients.
In his film foodscape debut, Warner has brought
Sergio Leone’s masterpiece The Good, The Bad and The Uglyto
life using traditional Italian ingredients from pasta to pancetta, to celebrate
the re-mastered Blu-ray release of the and to mark the 90th
Anniversary of the studio MGM.
Warner, who was born in Liverpool, produced the
foodscape in his studio down the road from Borough market, where he sourced a
lot of the authentic Italian ingredients.
“Over my 25 year career this is the first time I
have brought a film scene to life,” said Warner. “Having grown up with the Spaghetti Western
trilogy, the imagery and music from those films are indelibly printed in my
childhood memories and lent themselves so perfectly to my style that it was the
perfect canvas for my film foodscape debut.”
“The term Spaghetti Western was coined because of
the films’ Italian origins, and I have been inspired by Italian ingredients
throughout my career, but was surprised how well they lent themselves to Sergio
Leone’s stunning vistas and the central figure of The Man With No Name,
portrayed so brilliantly by Clint Eastwood.”
Warner produced the foodscape following a trip to
Turin, where he sourced a lot of the ingredients and found much inspiration. The iconic scene in which the mysterious
figure of The Man With No Name stands among a bleak graveyard in the dessert
was created using over twenty different Italian ingredients, including gnocchi,
various pastas, risotto, dried herbs, parma ham, bresaola beef, parmesan,
polenta, olives, Italian breads and, of course, spaghetti.
“Pasta is very much the Lego of the food world and
I find these fantastic Italian ingredients really lend themselves to natural
looking desert and Mediterranean landscapes,” added Warner. “There is a real organic element to the
compositional values of the food – from pasta shells forming rocks to dried
spaghetti making perfect tumbleweed, through to the swirling layers of white
cooked spaghetti bringing the skies to life, partly inspired by Van Gogh’s work.”
“These films were very off the wall and really
broke the mould for westerns, so this slightly surreal nature really
compliments the surreal nature of my art. To bring to life this trilogy as part of my ongoing Foodscape is not
only a great privilege but has been such a joy to create.”
The image took weeks of planning and was created by
Carl in his Borough studio over two days.
(The Good, The Bad & The Ugly Re-mastered
Edition is available on Blu-ray now from MGM and Twentieth Century Fox Home
Cinema Retro has received the following press release:
has released its brand new trailer for the upcoming documentary Filmed In Supermarionation, featuring
digitally remastered clips from the iconic 1960s shows. The film will be out in
and produced by Stephen La Riviere (The Story Of Upstairs
Downstairs, We Were ‘The Champions’), Filmed In Supermarionation is the
definitive documentary on the work of Gerry and Sylvia Anderson and the iconic
puppetry and animation technique they developed through the 1960s including Stingray, Captain Scarlet, and most famously, Thunderbirds.
The world premiere of Filmed In Supermarionation will take place on 30 September 2014 at the BFI Southbank.
In one of the craziest legal brawls over trademark protection we've ever heard of, Duke University is attempting to prevent the estate of John Wayne from marketing a new bourbon under the title "Duke". As any movie lover knows, that was Wayne's nickname since childhood and stemmed from a dog who used to follow him around. Locals referred to them as "Big Duke" and "Little Duke". The name Duke has been synonymous with Wayne throughout the decades. The university argues that it is merely ensuring that they are protecting their own use of the name as a famed institution of learning. The Wayne estate says that is pure bunk and that no one could logically confuse a John Wayne bourbon with anything having to do with Duke University. We somehow doubt those university officials would have taken on this case if the Duke himself were still around to oppose them. Click here for more.
Cinema Retro has received the following press release:
Los Angeles - July 7, 2014 - Exuberant Pop culture phenomenon A HARD DAY'S NIGHT successfully opened nationwide and exceeded estimated this July 4th in a 50th Anniversary Re-Release, with multiple sellout screenings and high demand among fans across generations, with a cume of $220,542.
Playing in over 100 venues across the nation, the unique theatrical event includes full week runs in NYC at Film Forum and in LA at The Cinefamily, and over 100 special event, single screenings, and weekend screenings. In addition to Janus Films' theatrical re-release, the restored film is available now on Blu-ray and DVD through Criterion Collection.
For a list of American theaters showing the film, click here
Regular readers of Cinema Retro know that the Loew's Jersey City Theatre is not only an American landmark but it also hosts classic movie screenings throughout the year. The magnificent structure was saved from the wrecking ball by a dedicated group of volunteers known as Friends of the Loews. They have gone to Herculean efforts over the years to painstakingly restore much of the theatre to its original glory, though there is still much work to be done. Now the Friends of the Loews claims that the new city administration is attempting to sideline them and give massive tax breaks to a "for profit" group from outside the city to come in and take over the venue. The Friends have started a grass roots campaign to prevent this from happening. Click here for the full story and a petition you can sign to help their efforts.
The Hollywood Reporter says that Harrison Ford's recent injury on the set of the new Star Wars film, now shooting in England, resulted in a broken ankle and he may miss filming for up to eight weeks. Nevertheless, producers are confident that they can get around the problem and that the film's December 18, 2015 will not be affected. For more click here