In what has been a terrible year for the loss
of great stars we all grew up with in film and music, the news of the sudden passing
of Vince Rotolo, creator of the much loved B Movie Cast podcast has hit hardest.
Vince was a huge supporter of Cinema Retro and
always mentioned it in his weekly “Sunday Service”. He would always say that Retro was
exceptional and its time that we said the same about him. Vince was such a cool
and engaging presence that he put all those he spoke to at ease. He was a fan of
the fan because he was a fan himself. I spent many great times with Vince, his
beloved wife Mary and co-host Nic Brown both here and in the States. His shows
were like listening in on a family chat about movies over Sunday lunch and I can’t
tell you the amount of times they made me laugh out loud as I listened back to
them on my commutes to work and getting many a strange look from fellow passengers.
Both myself and fellow Retro contributor Adrian Smith appeared on the cast and
would regularly phone in with comments, which Vince loved, always saying he
couldn’t believe his cast was being listened to “across the pond”.
As both Vince and the shows homely and
approachable reputation and perception grew, the B Moviecast became a world-
wide bridge for fans, with calls from all corners of the globe in his much
loved “feed-back section” on the back of undervalued movies we here at Cinema
Retro also celebrate. I will really miss Vince’s dulcet tones telling us to “Grab
a beer and a TV dinner and listen to the cast” as I will contributing to it. I
was due to participate in a couple of weeks and had only been in contact with
Vince the day before his passing. Facebook has been inundated with posts but
the one that rings truest was from Chrstopher Page when he wrote: “Vince set a
table and let us all pull a chair up just so we could chat. That is a table I
will miss terribly. I think I speak for everyone when I say, his family, Mary,
and his friends (which he made every one of us feel like), will always be in
our thoughts and our hearts.”
(Photo: Mark Mawston. )
Vince was one of us but in all honesty,
there was something about him that we all looked up to. He was like everyone’s
favourite uncle or the older brother who introduced you to cool things and I
was glad and honoured to have known him as a friend. Our thoughts go out to his
wife Mary and co- hosts Nic Brown & Juan. Sundays will not B the same
without you my friend. Ciao.
Ed Mason, who ran the film fairs at Westminster Central
Hall for over 18 years has suddenly died, leaving behind him an enormous legacy
with the film fairs and the shop he had on King’s Road in London for a great
Being part of the film fairs since they started
back in September 1973, he was responsible for introducing the now-highly
collectable Belgian posters with their great art work to the UK, and kept the
world of original film memorabilia going all through his life. Ed was also responsible
for bringing over the best poster and stills dealers from Europe and America to
his London collector fairs, which also influenced the opening of many cinema shops
both in London and around the country.
In the late 1980’s and early 90’s Ed Mason
organised the first public autograph signings at Westminster, where Caroline
Munro , Ingrid Pitt and Suzanna Leigh
did their first autograph events. Others, like Dave Prowse , Michael Ripper and
Shirley Anne Field followed.
The legacy left by Ed Mason is carried on by Thomas
Bowington at Westminster, with the London Film Convention six times a year, with
it’s themed shows and annual “ Hammer Horror Film Day “, The James Bond and
Carry On specials among them. Caroline Munro , Dave Prowse and Shirley Anne
Field still attend the shows and are as popular at Westminster as they were
over 20 years ago, with many of the legendary dealers such as Martin and Philip
Masheter and Al Reuter still in attendance.
Ed Mason’s knowledge about all things film and film
memorabilia had few, if no equals. To
those who knew him he was always a most fair, reliable, kind and helpful man.
The best and most supportive of friends, a mentor, and almost a father figure
Actress Patty Duke, who won an Academy Award for her performance as young Helen Keller in "The Miracle Worker" has died at age 69 from complications relating to an intestinal disorder. Duke was 16 years old when she won the Oscar for Best Supporting actress opposite Anne Bancroft in the classic film. Duke also starred in the popular 1960s sitcom "The Patty Duke Show" and went on to star in the feature film "Valley of the Dolls", which was lambasted by critics but which proved to be a major boxoffice success. However, Duke suffered from mental health problems and was diagnosed with bipolar disorder in 1982. Duke's tumultuous personal life extended to her love life, which saw her marry four times. Her husbands included director Harry Falk, rock promoter Michael Tell, actor John Astin and Michael Pearce, who was not in show business. She was the mother of actor Sean Astin, who took the Astin name due to Duke's belief that John Astin was his father. Biological testing later proved this was not the case and that Michael Tell is his real father. Despite her personal problems, Duke worked steadily throughout her career and also became a leading advocate for curing mental health disorders. For more click here.
Nancy Sinatra posted a tribute to her brother on her Facebook page.
BY LEE PFEIFFER
Frank Sinatra Jr, the only son of the iconic singer and actor, has died at age 72 from cardiac arrest. A consummate performer who was described by the Washington Post as the "Keeper of his father's flame", was on tour when he fell ill. Sinatra Jr.'s story is not dissimilar to that of other children of legendary entertainers in that his last name opened certain doors and helped him establish a career but also posed challenges in terms of his ability to establish an identity of his own. Sinatra Jr. always had a checkered relationship with his father. While not actually estranged, the young man found his father to be a remote figure who was content to have his son educated in expensive boarding schools. The elder Sinatra never tried to mentor his son or advise him as to what profession to enter. Sinatra Jr. discovered early in life that he also had a gift for singing. In the 1960s he made the decision to follow in his father's footsteps by crooning traditional love songs accompanied by a big band. His father neither encouraged or discouraged that decision. Sinatra Jr. was bucking the trends of the 1960s counter culture, an era in which hard rock music was all the rage among people his age. Yet he never embraced it and in fact denounced rock and roll. Over the decades Sinatra Jr. doggedly worked to establish his own identity- an admittedly difficult task considering he was mostly singing numbers made famous by his father. Sinatra Jr. made headlines in 1963 when he was kidnapped and held for ransom. Ironically, one of his kidnapper's was a friend of his sister Nancy. The situation made international news and involved such disparate figures as Attorney General Robert F. Kennedy, F.B.I. chief J. Edgar Hoover and mob boss Sam Giancana. He was eventually released unharmed and the kidnappers were arrested. In 1988 he was shocked and delighted to be asked by his father to serve as his conductor for his live concerts. Sinatra Jr. indicated that this was the closest he would ever get to his father, traveling and working with him over a period of seven years. The two men were never close but Sinatra Jr. was clearly grateful for the opportunity to work with his father in a professional capacity. After his father's death, Sinatra Jr. resumed his big band concert tours, winning over appreciative audiences. He candidly told the media in 2006 that "I was never a success", pointing out that he never had a hit record or movie. However, he did take satisfaction from performing in front of his own fans and working diligently with his sisters to ensure the Sinatra legacy through official documentaries and books. In that respect he was indeed a success.
Cinema Retro mourns the loss of Sir Ken Adam, the ingenious, Oscar-winning production designer who has passed away at age 95. Adam's work helped redefine films in terms of the elaborate and creative designs he invented, particularly for the James Bond franchise. Adam's work on the first 007 film, "Dr. No" in 1962 was deemed to be nothing less than remarkable, considering that the entire film was shot on a relatively low budget of just over $1 million. His exotic designs so impressed Stanley Kubrick that he hired Adam as production designer on his 1964 classic "Dr. Strangelove." For that film, Adam created the now legendary "War Room" set which many people believe actually exists at the Pentagon. In fact when Ronald Reagan was inaugurated as President in 1981 he asked to see the War Room, only to be told that it was a fictional creation. Reagan acknowledged that he had been intrigued by the concept since seeing it in "Dr. Strangelove". Adam had a somewhat tumultuous relationship with Kubrick, whose habit of changing his mind at the last minute caused Adam enormous grief. However, the two collaborated again on "Barry Lyndon" and Adam won his first Oscar for his work on that film. Adam's close relationship with the Bond franchise is based on his now famous designs seen in the early films. They include the massive Fort Knox set for "Goldfinger", which was created entirely on the back lot at Pinewood Studios on the outskirts of London. Perhaps his greatest achievement was the gigantic volcano set that housed a full size rocket capable of lifting off. This was done for the 1967 Bond film "You Only Live Twice". Incredibly, Adam's work was not recognized with an Oscar nomination despite what many feel is one of the greatest production design achievements in film history. His other Bond films were "Thunderball", "Diamonds Are Forever", "The Spy Who Loved Me" and "Moonraker". For "The Spy Who Loved Me", Adam built the first incarnation of the massive "007 Stage" at Pinewood Studios. It burned down in 1984 and was rebuilt by his protege, production designer Peter Lamont.
Adam's other film achievements include two of the Michael Caine Harry Palmer spy films, "The Ipcress File" and "Funeral in Berlin", "Sleuth", "Chitty Chitty Bang Bang" (for which he designed the famed "flying car"), "The Madness of King George" (for which he won a second Oscar), "The Last of Sheila", "Woman of Straw" and "Addams Family Values". He was also a prolific race car driver and had the distinction of serving in RAF in action against Hitler's forces, despite being a German national himself.
On a personal basis, Sir Ken was a good friend of Cinema Retro and had contributed to our magazine in its early stages through interviews conducted by his friend, Sir Christopher Frayling, who co-authored books about Sir Ken's remarkable life and career.He also contributed valuable interviews for documentaries we worked on about the Bond film franchise as well as "Dr. Strangelove". In his later years, Adam appeared at events pertaining to the Bond franchise that were held at Pinewood Studios by www.bondstars.com With his laid back mannerisms, wry sense of humor and omnipresent cigar, he always delighted fans with his remarkable stories. This writer sat next to him a few years ago to watch the digital screening of "Goldfinger" at Pinewood. Ken told me that he was incredulous at how wonderful it all looked. When the scene came to the interior of Fort Knox, he said to me, "I never thought I'd live to see my work presented so gloriously". It's safe to say we won't see his kind again.
(For full interview with Sir Ken Adam, see Cinema Retro issue #2)
Sir George Martin, arguably the most influential producer in the history of rock 'n roll music, has died peacefully at age 90. Martin was described by Paul McCartney as his "second father" because he had guided the Beatles through their early years, producing all but one of their albums and giving them the distinctive sound that resulted in them becoming legends. His influence on the band was so important that he gained the nick name of "The Fifith Beatle". Martin went on to exert his influence with other major acts over the decades, remaining a powerful force in the music industry. For full details of Sir George's remarkable life, click here.
Oscar winning actor George Kennedy has died at age 91, five months after the passing of his wife Joan. Kennedy's popularity as a character actor led to eventual leading man roles in major films. Born in New York City, he experienced stage life early, working with his parents in Vaudeville. During WWII he served under General Patton and was decorated for bravery. He drifted into acting on television in the 1950s. With his imposing physical presence (he was 6'4"), Kennedy immediately found work, generally playing heavies who squared off against the series' heroes. Among the shows he guest-starred on were such hits as "Have Gun, Will Travel", "Rawhide", "Gunsmoke" and "The Untouchables". He crossed into feature films in the early 1960s and first made a splash in Stanley Donen's 1963 comedy thriller "Charade" in which he played a crook with a hook hand who attempts to kill Cary Grant in a rooftop fight. The film demonstrated that Kennedy could play light comedy as well as menacing characters. From that point he never stopped working and quickly became one of the most popular "second bananas" in the film industry. He specialized in Westerns and appeared in plenty- squaring off against John Wayne in "The Sons of Katie Elder" and co-starring with James Stewart, Dean Martin and Raquel Welch in "Bandolero!". He also had a major role in the 1967 WWII blockbuster "The Dirty Dozen". His appearance as a buffoonish convict who initially fights but later befriends Paul Newman on a chain gain in "Cool Hand Luke" won him the Best Supporting Actor Oscar in 1968. This elevated his marketability in Hollywood and Kennedy got the occasional starring roles in films such as "Guns of the Magnificent Seven" and "The Human Factor". Generally, however, he was relegated to supporting roles, but high profile ones. As gruff, cigar crunching engine Joe Patroni in the original "Airport", Kennedy made a significant enough impression that he became the only cast member from that film to appear in the three sequels. He also co-starred with Clint Eastwood in "Thunderbolt and Lightfoot" and "The Eiger Sanction". He enjoyed a late career surge in popularity as Lesiie Nielsen's co-star in the three hit "Naked Gun" comedies. Kennedy had two children from his first marriage. After marrying Joan, the couple adopted four more including Kennedy's granddaughter, whose mother had been battling drug addiction. In 2011 he published his memoirs under the title "Trust Me".
Slocombe with Harrison Ford and Steven Spielberg filming "Raiders of the Lost Ark" in 1981. (Photo: LucasFilm).
Douglas Slocombe, the acclaimed cinematographer and director of photography, has passed away at age 103. Slocombe was revered by directors over a career that extended from 1940 to 1989, when he lensed his final film, "Indiana Jones and the Last Crusade". He had also filmed the first two entries in the Indiana Jones series, "Raiders of the Lost Ark" and "Indiana Jones and the Temple of Doom". Slocombe never won an Oscar but was nominated for "Travels with My Aunt", "Julia" and "Raiders of the Lost Ark". He had been nominated for eleven BAFTA awards, winning three times. Slocombe's other major films include the Ealing Studios British comedy classics starring Alec Guinness, the classic chiller "Dead of Night", "The Blue Max", "The Lion in Winter", the original version of "The Italian Job", "The Fearless Vampire Killers", "The Great Gatsby", "Jesus Christ Superstar", "Rollerball", "Close Encounters of the Third Kind" and the renegade James Bond production "Never Say Never Again". For more about his life and career click here.
Vigoda (left) with Richard Castellano and Marlon Brando in "The Godfather" (1972)
BY LEE PFEIFFER
Abe Vigoda, whose hang-dog expression and low-key mannerisms help propel him to fame, has passed away at age 94. Vigoda toiled in films and TV without notable success until director Francis Ford Coppola cast him in the key role of Tessio, a mob lieutenant in the Corleone crime family in the 1972 classic "The Godfather". Tessio was one of the most trusted "employees" of the Corleone family but following the death of its patriarch Vito Corleone, Tessio is discovered to be planning the assassination of the new godfather, Michael Corleone. Memorably he is led away to his execution with typical understated emotion. Vigoda's stock in the film industry rose immediately and he became a popular character actor, appearing in such films as "The Cheap Detective", "The Don is Dead", "Newman's Law", "Look Who's Talking" and "The Cannonball Run II". He also made an un-billed cameo appearance as Tessio in the 1974 production of "The Godfather Part II." (Both films won Best Picture Oscars). In 1975 Vigoda landed a key supporting role in the popular TV sitcom "Barney Miller", playing a world-weary detective nicknamed "Fish". The show ran until 1982 and resulted in a short-lived spin-off series about the character in which Vigoda reprised the role. Vigoda was a popular fixture with the Friars Club whose merciless jibes against him usually focused on his less-than-stellar looks and the fact that Vigoda has mistakenly been pronounced as having died in a 1982 article in People magazine. Vigoda accepted the resulting jokes with typical good humor. At various Friars Club roasts that he attended, speakers would inevitably joke "If only Abe Vigoda were alive, he would have loved this evening!".
Abe Vigoda was also a member of the legendary Lambs Club in New York City, as was Cliff Robertson. They are seen here with Marc Baron, "Shepherd" of the private club for the arts.
Dan Haggerty, who found fame as Grizzly Adams, has died from cancer at age 74. Adams had been playing bit parts in films until he was cast as the title character in "The Life and Times of Grizzly Adams", a 1974 low budget family film that went on to gross the (then) sizable sum of $45 million. The show was spun off as an NBC TV series a few years later. It lasted two seasons but made Haggerty synonymous with the role of a character who was loosely based on a real-life adventurer. Adams was a mountain man who encountered larger-than-life adventures. Although Haggerty continued to work fairly steadily in the ensuing years, he was relegated largely to low-budget and straight-to-video projects. Nevertheless, his name and that of Grizzly Adams remain pop culture icons of the 1970s. Click here for more.
In the wake of David Bowie's passing, Britain has lost another revered figure at age 69- also from cancer. Alan Rickman, esteemed star of stage, screen and television, has passed away peacefully surrounded by his family. Rickman shot to fame in 1988 as the villain in the first "Die Hard" movie and went on to become one of the UK's most respected actors. For more about his life and career click here.
Bowie starred in the 1976 cult film The Man Who Fell to Earth.
David Bowie, one of the most iconic rock and rollers of all time, has died after an 18 month battle with cancer. He was 69 years old. Bowie exploded onto the British rock scene in 1969 and quickly became an international sensation. Over the decades he remained relevant by constantly reinventing himself and producing a wide range of music. He even created an alter ego, Ziggy Stardust, who simultaneously built an equally enthusiastic audience. Cinema Retro readers should also recall that Bowie had a successful career as an actor as well. His first appearance on screen was as an extra in the 1969 film "The Virgin Soldiers" but over the decades he won acclaim for his performances that afforded him leading roles and the chance to play memorable supporting characters as well. His film credits include "The Man Who Fell to Earth", "The Hunger", "Absolute Beginners", "Labyrinth", "The Last Temptation of Christ", "Yellowbeard", "Into the Night", "Basquiat" and "The Prestige". He also won acclaim for his performance on Broadway as "The Elephant Man" in 1987.
Bowie kept his illness secret until the end. Just two days ago he released his latest album to the acclaim of critics and fans. He died peacefully surrounded by members of his family.
Actor Wayne Rogers passed away on New Years Day at age 82 from complications with pneumonia. Rogers had played bit part in movies and TV series before landing his signature role as Trapper John, Alan Alda's co-star on the TV series M*A*S*H, which debuted on CBS in 1972 and ran for eleven seasons. Rogers and Alda played the roles of insubordinate, wise-cracking medics in the Korean War. The characters were originally played by Elliott Gould and Donald Sutherland in director Robert Altman's Oscar-nominated counter culture feature film from 1970 that inspired the TV series. Rogers left the show after three seasons and was replaced by actor Mike Farrell, whose character of B.J. Hunnicut proved to be equally popular throughout the remainder of the series' run. Rogers later starred for the three seasons in another TV series that was inspired by a comedy feature film, House Calls, for which he was nominated for a Golden Globe. Major roles eluded him in the ensuing years, though he continued to play supporting parts in feature films and TV shows. Rogers eschewed acting and concentrated on the fields of real estate and financial investments. He proved to be highly successful at both. For more click here.
Acclaimed character actor Robert Loggia has passed away at age 85. Loggia was a familiar face to TV viewers throughout the decades and starred in the short-lived 1960s crime caper series T.H.E. Cat, playing the titular character. In the ensuing years, Loggia became one of the most sought-after actors for high profile supporting roles in feature films. His major credits include "Big" in which he memorably performs a dance routine with a rejuvenated Tom Hanks in the F.A.O Schwarz toy store in Manhattan; "Jagged Edge" for which he received an Oscar nomination, "Scarface" (1983), "Prizzi's Honor", "Che", "S.O.B" and "Independence Day". For more click here.
Director John Guillermin has passed away at age 89. The British director was best known for his high profile action films including the 1974 blockbuster "The Towering Inferno" and the 1976 remake of "King Kong", a production that was plagued by troubles but ended up being quite profitable. Guillermin was despised by some in the industry for his mercurial temperament and harsh methods of directing actors. However, no one could deny his talents. He was equally adept at directing scenes of intimate drama as well as explosive, large-scale action scenes. Among his best films was the 1969 production of "The Bridge at Remagen" which was interrupted by the Soviet invasion of Czechoslovakia. Guillermin and producer David L. Wolper managed to salvage the film by moving the production elsewhere, a monumental task that they completed successfully. Other Guillermin films include "Death on the Nile", "The Blue Max", "El Condor", "Shaft in Africa", "Skyjacked", "Never Let Go" and "Tarzan's Greatest Adventure". For more click here.
Milner as Officer Pete Malloy of the Los Angeles Police Department in the TV series "Adam-12" which ran between 1968-1975.
Actor Martin Milner passed away on September 6 at the age of 83. Milner had many TV series and feature film credits (including "Sweet Smell of Success", "Gunfight at the O.K. Corral" and "Valley of the Dolls"). However, he is primarily remembered for starring in two iconic television series of the 1960s: "Route 66" and "Adam-12". Novelist and Cinema Retro contributing writer John M. Whalen provides some reflections on Milner's career. Click here to read and make sure you follow the link to his 2001 interview with Milner for the Outre web site.
In 1968 Carne made the cover of the Saturday Evening Post along with her "Laugh-In" co-stars Goldie Hawn and Chelsea Brown.
Actress Judy Carne passed away last week at age 76. Her once promising career took off in the late 1960s as the "Sock It To Me!" girl who gyrated in a bikini and was routinely doused with water on "Rowan and Martin's Laugh-In". However, as her aptly-titled autobiography was titled ("Laughing on the Outside, Crying on the Inside: The Bittersweet Saga of the 'Sock It To Me' Girl"), Carne's life and career veered wildly off course after she left the hit NBC program. Broken marriages, drug problems and high profile arrests ensured that she would never see the kind of stardom that other "Laugh-In" women such as Goldie Hawn and Lily Tomlin attained. Writing in the Washington Post, Justin Wm. Moyer explores the tragic life and career of a very talented artist whose penchant for self-destruction could not be overcome.
Last week actor Dean Jones passed away at age 84. Jones was the affable star of many Disney live action films in the 1960s and 1970s including "That Darn Cat!", "The Love Bug", "The Ugly Dachshund" and "Monkeys, Go Home!" among numerous others. Jones was given a lifetime achievement award by the Disney company in recognition of his many contributions to major films produced by the studio. Jones became increasingly adamant that he would only appear in family-oriented films. However, early in his career he had supporting roles in such mainstream adult fare as "Tea and Sympathy", "Torpedo Run", "Never So Few", "Ten Thousand Bedroom"s", "Ash Wednesday" and starred in the 1965 cult horror film "Two On a Guillotine". Jones was also a proficient stage actor and received great acclaim for his starring role in Stephen Sondheim's "Company" in 1970. However, he was tormented by the divorce he was going through and ended up leaving the production after only two weeks. Larry Kert took over the plum role and received a Tony nomination. In later years, Jones, a devout Christian, became increasingly involved in faith-based projects and founded the Christian Rescue Committee, a charitable organization. For more click here.
Director Wes Craven, who revitalized the horror film genre for a new generation with the "Nightmare on Elm Street" and "Scream" franchises, has died at age 76. The cause of death was brain cancer, according to his family. For more click here.
Actress Yvonne Craig, who specialized in playing perky and sexy characters in TV shows and feature films, has died after a long battle with breast cancer. She was 78 years old. Craig broke into the film and TV industry in the late 1950s, making her big screen debut in the exploitation film "Eighteen and Anxious". Before long, she was not only co-starring with Elvis Presley in "It Happened at the World's Fair" and "Kissin' Cousins", but also dating him as well. There was no shortage of work for the attractive Craig during the 1960s and she appeared on numerous TV series including "The Man From U.N.C.L.E." In fact, Craig filmed extra sequences for extended two-part episodes of the show that were released theatrically under the titles "One Spy Too Many" and "One of Our Spies is Missing". However, it was when producer William Dozier cast Craig as Batgirl in the "Batman" TV series that she became a TV icon. Although the show's popularity was on the decline by that point, Craig did appear in the final 26 episodes of the series and built a loyal following that extends to this day.
Her other feature films include "Quick Before It Melts!", "Advance to the Rear", "Ski Party" and the Don Knotts movie "How to Frame a Figg". She also had a brief but memorable role as a Russian ballerina/spy opposite James Coburn in the 1967 hit "In Like Flint". Craig became an independent businesswoman later in life, producing pre-paid promotional phone cards and working in real estate while also providing voice-over work for the TV series "Olivia". For more click here
Alex Rocco, whose hard scrabble life on the streets of Boston prepared him to successfully play crime figures in films and on television, has died from pancreatic cancer at age 79. During his youth, Rocco ran with the notorious Winter Hill Gang, which was founded by the infamous Whitey Bulger. His association with the gang led him to be incarcerated as well as being suspected of having driven a getaway car used in a murder. At one point, his first wife was almost killed when a bomb exploded in a car she was driving. Rocco, who was born Alexander Petricone Jr, took the stage name of "Rocco" on a whim when he saw a bakery truck bearing the Rocco name on it. Fearing that his associations of the Boston mob would lead to his demise, he spontaneously decided to move to Hollywood. He took an acting class that was taught by Leonard Nimoy, who gave him valuable advice that led to some successful roles. Rocco's biggest break came with his performance as Moe Greene, the ill-fated Las Vegas casino owner who is marked for death by Michael Corleone in "The Godfather". Rocco's role was brief but he gave a commanding and memorable performance and his dialogue from the film is still widely quoted by movie fans. More roles followed but Rocco found himself typecast as mob wiseguys until he switched his talents to comedic roles in the 1980s. He won an Emmy for Best Supporting Actor for his work in the acclaimed but short-lived TV series "The Famous Teddy Z". That opened plenty of doors and Rocco remained a popular character actor throughout his career. He also appeared in "The Facts of Life" TV series that ran for nine seasons. Other film credits include "The Friends of Eddie Coyle", "Freebie and the Bean", "The Stunt Man" and "The Wedding Planner". For more click here.
Theodore Bikel, who played Captain Von Trapp in the original 1959 stage production of The Sound of Music, has died from natural causes in Los Angeles. He was 91 years old. Bikel was Austrian by birth but his father moved the family to Palestine (later Israel) in the wake of the Nazi anschuluss. Bikel always had an interest in the arts and took up acting and folk singing. He emigrated to London in 1946 where he made a name in stage productions. He later went to Hollywood and made his big screen debut in 1954. He found immediate success and over the years appeared in such films as The African Queen, I Want to Live!, My Fair Lady and The Russians Are Coming! The Russians Are Coming!. He received a Best Supporting Actor Oscar nomination for his role in Stanley Kramer's The Defiant Ones. Bikel also appeared in many classic TV series, all the while keeping his strong ties to the stage. He starred in over 2,000 performances of Fiddler on the Roof. He recorded dozens of albums of folk songs and was very tied to promoting Jewish culture and heritage. He was also a political activist throughout his life. An interesting side note: Bikel unsuccessfully screen tested for the role of Auric Goldfinger in the classic 1964 007 film. (The part eventually went to Gert Frobe). When my co-producers and I unearthed the screen test footage in the mid-1990s, Bikel was gracious enough to allow us to you use it our documentary The Making of Goldfinger. Not many actors would have been secure enough to willingly expose their unsuccessful screen test to millions of viewers, but Bikel did and for that this writer will always be personally grateful to him.
Omar Sharif, the Egyptian actor who broke through barriers to become a major international star, has died in Cairo from a heart attack at age 83. In recent months, he had been battling the onset of Alzheimer's Disease. Sharif and Peter O'Toole were virtual unknowns when they were cast as the leads by director David Lean in his 1962 masterpiece "Lawrence of Arabia". Both received Oscar nominations for the film and went on to become two of the biggest stars to emerge in the 1960s. Sharif reunited with Lean for another blockbuster, the 1965 production of "Doctor Zhivago" in which Sharif played the title role. He also co-starred with Barbra Streisand in her Oscar-winning 1968 film "Funny Girl" and appeared with her in the 1975 sequel "Funny Lady". Other prominent films Sharif appeared in during the 1960s include Samuel Bronston's ill-fated but underrated "The Fall of the Roman Empire", "Behold a Pale Horse", the star-packed production of "The Yellow Rolls Royce", "The Night of the Generals" (with Peter O'Toole), "Mayerling", "More Than a Miracle" and "Genghis Khan". Two his career missteps occurred in films he made in 1969: the critically lambasted "Che!" in which he played communist revolutionary Che Guevara and "MacKenna's Gold", a bloated Western that is more remembered for its poor rear screen projection shots than its magnificent landscapes. During the 1970s Sharif made some good films that were underrated ("The Last Valley", "The Horsemen", "The Burglars", "Juggernaut") and quite a few forgettable ones. As his boxoffice popularity went into decline, he began to appear in more obscure films or play small roles in larger productions. He increasingly concentrated on his real passion: perfecting his game of bridge. In fact, Sharif was regarded as a world-class player and wrote a syndicated newspaper column regarding techniques for playing the game. For more click here.
Macnee with Honor Blackman in an early episode of The Avengers.
The distinguished British actor Patrick Macnee has passed away at age 93. Macnee personified the "typical" English gentleman in scores of films and TV appearances. He rose to fame as John Steed, the star of "The Avengers", the iconic TV series from the 1960s. He initially co-starred with Honor Blackman, then later Diana Rigg and Linda Thorson. He starred in "The New Avengers" in 1976. Macnee's also had a thriving career as a character actor in feature films. He appeared as young Jacob Marley in the classic 1951 version of "A Christmas Carol", as well as such diverse fare as "The Sea Wolves" , director Joe Dante's "The Howling" and spoofs such as "Young Doctors in Love" and "This is Spinal Tap". Macnee co-starred with his old friend Roger Moore in the 1985 James Bond film "A View to a Kill". He also appeared as the head of U.N.C.L.E. in the 1983 TV movie "Return of the Man From U.N.C.L.E". Educated at Eton, Macnee possessed a dry wit and a charming personality. His 1988 autobiography was titled "Blind in One Ear". For more click here.
Jack Rollins, who along with his partner, the late Charles H. Joffe, had produced all of Woody Allen's films between 1969 and 1993, has died at age 100. Rollins and Joffe also served as Allen's manager. Rollins had also managed Robin Williams, Diane Keaton and Dick Cavett, among other show business notables. Rollins and Joffe were hired by Allen when he was an aspiring young filmmaker. They saw more potential in him than he saw in himself. Allen said of Rollins, "He pushed me to always be deeper, more complex, more human, more dramatic- and not to rest comfortably". Indeed, with Rollins and Joffe as his managers, Allen progressed from making popular, slapstick-oriented films to writing and directing some of the most acclaimed films in recent decades, winning Oscars for his efforts. Upon hearing of Rollins' death, Allen said "He was one of the very few people in my life who lived up to the hype about him. All the stories about how great Jack Rollins was are true." For more click here.
Family, friends and colleagues are mourning the death of Oscar-winning film composer James Horner who died yesterday when his single engine airplane crashed 60 miles north of Santa Barbara, California. Horner was piloting the plane and there were no passengers. It is not immediately known what caused the tragic accident. Horner won the Oscar for his score for the 1997 James Cameron blockbuster "Titanic". He was also nominated for Cameron's "Aliens" and "Avatar" as well as "Braveheart", "A Beautiful Mind", "An American Tail", "Field of Dreams", "Apollo 13" and "House of Sand and Fog". The 61 year-old composer's other scores include "Glory", "Patriot Games", two "Star Trek" feature films and the 1990 Disney film "The Rocketeer". He was working on the score for Cameron's sequels to "Avatar" at the time of his death. For more click here.
Dick Van Patten, the popular comedic character actor, has passed away at age 86. Patten was a child actor who eventually went on to perform in 30 Broadway shows. He also proved to be a popular presence on early TV shows such as "I Remember Mama". In the 1970s, he appeared on "The Love Boat" and a decade later had a hit show with "Eight is Enough". More recently, he co-starred on "Hot in Cleveland". Van Patten also made any number of hit feature films including such diverse fare as the Clint Eastwood western "Joe Kidd" and three movies with Mel Brooks: "High Anxiety", "Spaceballs" and "Robin Hood: Men in Tights". For more, click here.
Moody as Fagin with Mark Lester as Oliver Twist and Jack Wild as The Artful Dodger.
BY LEE PFEIFFER
There is an old adage that says bad things happen in "threes". That seemed to be the case when it came to distinguished British actors in the past week. On the heels of news that both Richard Johnson and Sir Christopher Lee had passed away comes notice that Ron Moody has also died. He was 91 years old. Moody was undoubtedly the least famous of these three gentlemen but he was no less talented. He originated the role of Fagin in Lionel Bart's classic stage musical, "Oliver!", based on the Dickens classic "Oliver Twist". Moody won kudos for his role as the charismatic con man and head of a London gang that employed young boys as pickpockets. He was astonished when he was chosen to play the lead in the 1968 film version, directed by Carol Reed. Moody's name recognition was practically zero to film audiences but his brilliant performance earned him an Oscar nomination for Best Actor as well as a Golden Globe. He would later say that he made some career mistakes in the aftermath of his triumph in the film. He was too selective about follow-up projects and, although he continued to act in feature films and popular TV series, it was mostly in supporting roles. A rare exception was having the lead in Mel Brooks' 1970 comedy "The Twelve Chairs". He also regretted turning down the role of Doctor Who. Nevertheless, Moody was by all accounts an upbeat person who relished time with his family and thoroughly enjoyed his profession. For more click here. For a tribute from his "Oliver!" co-star Mark Lester, click here.
Artist Jeff Marshall created this tribute to Sir Christopher Lee, which was presented to him by Cinema Retro publishers Lee Pfeiffer and Dave Worrall.
BY LEE PFEIFFER
Sir Christopher Lee, the acclaimed British actor, passed away last Sunday in London. He was 93 years old. The family waited to make the announcement until all family members could be notified. Lee was an early contributor to Cinema Retro magazine and periodically provided interviews and personal insights into the making of his films. We, along with movie lovers everywhere, mourn his loss. Lee was more often than not associated with the horror film genre, a fact that often frustrated him. He would routinely point out that he made many diverse films and played many diverse roles in movies of all genres, from comedies to westerns. For many years he was most closely associated with the films of Hammer studios, the British production firm that revitalized the horror film genre in the 1950s. Lee starred in seemingly countless Hammer productions, often appearing opposite another British film legend, his friend and colleague Peter Cushing. In the late 1950s, the two co-starred in the first color version of Bram Stoker's "Dracula" (released in America under the title of "Horror of Dracula"). The film, which was controversial because of its use of sex and violence, was nevertheless a major hit and spawned numerous other Hammer appearances with Lee as Dracula. He would later tell Cinema Retro that he did some of them reluctantly because the quality of the scripts had deteriorated over time. In one film, he found the dialogue was so poor that he insisted that the play the role without speaking. Nevertheless, the films remained popular and added to Lee's status as a legend of the modern horror film genre. In 1962, Lee was proposed to play the villain Dr. No in the first James Bond movie by Ian Fleming himself (the two were distant relatives.) Lee was not available and the role went to Joseph Wiseman. However, in 1974, Lee was cast as the Bond villain Scaramanga opposite Roger Moore in "The Man With the Golden Gun." In 1973, he starred in the original version of "The Wicker Man" playing a larger than life villain that became legendary in cult film circles. The film was not a hit on initial release but over the decades has been considered as a classic of British cinema. Lee's extraordinary achievements were often overlooked because he also appeared in many films that were low-budget and sub-standard. However, he brought grace and dignity to every role he played. As the years passed, he found he had outlived most of his contemporaries. Of the other great horror icons he knew, he once lamented to this writer "I'm the last one left". He said he particularly missed Peter Cushing and Vincent Price, both of whom he considered to be among the most fascinating people he knew. He said that they would often speak by phone and had a long-running gag in which they would try to deceive each other by posing as a crank caller.
Christopher Lee with Cinema Retro publishers Dave Worrall and Lee Pfeiffer, years before the start of the magazine. The photo was taken at the offices of Eon Productions in London where Lee was signing some limited edition Bond lithographs by artist Jeff Marshall.
Christopher Lee saw a resurgence of appreciation for his talents from a younger generation of filmmakers who had literally grown up on his movies. He worked several times with Tim Burton. Peter Jackson cast him in "The Lord of the Rings" films and George Lucas gave him a high profile role as a villain in the reboot of the "Star Wars" franchise. He also worked with Steven Spielberg on the big budget 1979 WWII comedy "1941". In his public life, Lee was regarded as a serious man, not generally associated with humor. However, in private he was an outstanding raconteur with a wonderful sense of humor. Joining him for lunch or drinks would inevitably become a Master Class in some worthy subject. When in London, Cinema Retro co-publisher Dave Worrall and I would occasionally invite him to lunch at his favorite restaurant, Drones. Lunch with Lee was never a simple affair: you would be taught about what wines to order and the history of certain cuisine. The man seemed to be a walking textbook. He also loved classic cinema and discussing older films, which he had an encyclopedic knowledge of. Sometimes his conversations about film making led to unexpected humorous results. On one occasion, we were discussing Howard Hawks' 1959 western "Rio Bravo" and we both agreed that Walter Brennan stole the movie from John Wayne and Dean Martin by playing a cranky and amusing deputy. I then sought to impress Lee by doing what I thought was a spot-on impersonation of Brennan in the film. Lee scoffed so I challenged him by saying, "I suppose you could do a better Walter Brennan impression?" He said, "In fact, I can" and then proceeded to do so. The sight of the distinguished Lee doing impressions of Walter Brennan should have been captured on film but, alas, it was a moment lost in time. On another occasion, we met with Lee at Drones. I was attired in a jacket and necktie, but typically Dave Worrall decided to go casual. When we got to the restaurant, Lee looked disapprovingly at Worrall and drolly said, "If I knew we were dressing for the beach, I would have worn my bathing costume." Inside the restaurant, there was a very long mirror near our table. Lee turned abruptly and almost bumped into it, causing a nearby diner who had recognized him to quip, "That's understandable- you don't have a reflection!", a reference to his appearances as Dracula. Lee stared the man down and said, "As though I've never heard that one a hundred times before!"
Lee Pfeiffer introduces surprise guest Christopher Lee at a Cinema Retro movie tour event in London, 2006.
Lee was a private man who valued time with his wife Gitte, with whom he was married to for over 50 years. (They had one child, Christina). However, he would always make time to see Worrall and I when we were in London. On one occasion, I was meeting friends for afternoon tea at Harrods. On a whim, I called up Lee and asked if he would join us. He said yes and, to amazement of all, he turned up as a surprise guest and regaled us with wonderful stories. He also had a hobby that was passionate about: collecting patches from the various branches of the British military, which he once proudly showed us in his apartment. Lee served in WWII in the fight against Rommel in Africa. He rarely talked about his experiences because he said he was still technically under the Official Secrets Act. I would try to pry information from him by pointing out the unlikely scenario that Germany and England were about to go to war again, but he wouldn't budge. "When I give my word, I keep it", he would say. Indeed he did. I never got to hear much about his duties in helping to defeat The Desert Fox. Lee was also a sentimentalist, which might surprise many of his fans. He was especially saddened at the loss of Peter Cushing in 1994. The two men led very different lives. Cushing lived in the countryside and Lee preferred city life in London. They spoke often and would see each other occasionally. He told me that the last time he saw Cushing occurred shortly before Peter's death. The two actors were reunited for an interview session for a television program. Lee said that Cushing was clearly in poor health and near the end of his life. Both men knew it but didn't acknowledge it. They laughed and told stories as they usually did. However, when Cushing got into the car that was taking him home, Lee came to the realization that he would never see his best friend again. As Cushing looked back, Lee waved and said, "Goodbye, my friend". He said it was one of the most heart-wrenching moments of his life. Lee would say that he never again enjoyed the kinds of friendships he had with Cushing and Vincent Price, although he had the highest respect for Johnny Depp, with whom he worked on several films directed by Tim Burton.
Christopher Lee holding court as a surprise lunch guest at Harrods, 2002.
Lee was so devoted to his craft and so grateful for the opportunities afforded him that he seemed unaware of the aging process. Once Worrall and I had lunch with him when he had just returned from filming the first of his "Star Wars" appearances in New Zealand under the direction of George Lucas. In one pivotal scene, he had a light saber duel with the character of Yoda. Lee explained that there really wasn't a Yoda there, nor was there any light from the saber. They would be added later by a digital process. As an actor, he said this was particularly challenging. Yet he told George Lucas that he would do much of the scene himself to minimize the use of a stuntman. Lucas cautioned him but Lee reminded him that had been deemed a master fencer his youth and prided himself on his dueling skills. The scene proved to be very arduous and sure enough, later that night Lee began to feel some chest pains. He discretely visited a local doctor who asked him if he had done anything unusually strenuous. Lee initially said no but when the doctor heard he had been filming fencing scenes at his age, he informed him that most people would find that to be unusually strenuous. Lee admonished the doctor and told him that he had done all of his own fencing scenes in the "The Three Musketeers" and "The Four Musketeers". When the doctor reminded him that was thirty years earlier, Lee said it was the first time that he realized he really was getting old. Yet, he never acted old. He was a living, breathing example of how leading an interesting life can help you avoid many of the ravages of old age. Lee remained up to date on all aspects of the motion picture industry and was also very interested in politics. He was a loyal Tory and was also a devoted royalist who had disdain for those who wanted to do away with the British monarchy. Fittingly, he was knighted by Prince Charles in 2009 for his "Services to Drama and Charity". In the latter part of his career, Lee embarked on releasing audio CDs that featured him crooning famous songs as well as contributing to hard rock concepts.
Dave Worrall and I last saw Sir Christopher Lee in October 2012 at the royal premiere of "Skyfall" in London. We had a chance encounter in the cavernous Royal Albert Hall. He looked quite frail but still cut a handsome figure in his tuxedo. As we parted, I had the feeling that, as with his experience with Peter Cushing, we might not see him again, which added poignancy to this brief encounter. Then again, the thought of the world without Sir Christopher Lee was unthinkable. On a certain level, I think I had convinced myself that he would outlive all of us.
To fully encompass Sir Christopher Lee's contributions to the world of cinema would require a thesis-like study. Suffice it to say that he was not only a major talent but a larger-than-life personality. He was also a great friend as well as a that rarest of species today, a true gentleman. The world will still turn without his presence. It just won't be nearly as much fun, nor nearly as interesting.
"Goodbye, my friend".
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Richard Johnson (far right) in the 1963 supernatural masterpiece "The Haunting" with Claire Bloom, Russ Tamblyn and Julie Harris.
BY LEE PFEIFFER
Cinema Retro mourns the loss of our friend, actor Richard Johnson, who has passed away at age 87. Johnson was a classically trained actor, having attended RADA and was also one of the founding members of the Royal Shakespeare Company. His acting career was interrupted by service in the Royal Navy during WWII but Johnson resumed his profession at the end of the war. He alternated between playing small parts in feature films and leading roles in stage productions. In 1959, he got his first significant screen role starring with Frank Sinatra and young Steve McQueen and Charles Bronson in the WWII film "Never So Few". He was initially offered the role of James Bond but turned down the opportunity. He later told Cinema Retro that he had no regrets because he felt that he would not have made the series the international success it was. He claimed that "I was so right for the part, I would have been wrong. Sean (Connery) was so wrong for the part, he turned out to be right for it." He starred in director Val Guest's underrated thriller "80,000 Suspects" in 1963. That same year he got what many consider to be his most memorable screen role as the leading man in director Robert Wise's classic chiller "The Haunting". Johnson played an academic who conducts an experiment with three other people to see if an ancient mansion house is actually haunted. The experiment meets with terrifying and tragic consequences. Johnson also had a significant role in the 1966 WWII thriller "Operation Crossbow" as well as a major co-starring role opposite Charlton Heston in "Khartoum" that same year. In 1967 he played famed detective/adventurer Bulldog Drummond in "Deadlier Than the Male", which spawned a sequel, "Some Girls Do". He teamed with Heston again in 1970 to play Cassius in the star-packed remake of "Julius Caesar". He also starred with his friend Heston in three high profile TV productions: "A Man for All Seasons", "Treasure Island" and the Sherlock Holmes film "Crucifer of Blood", in which he played Dr. Watson. Over the decades, he appeared in many top British TV series, most recently playing recurring roles in the shows "Spooks" , "Midsomer Murders", "Doc Martin" and "Silent Witness". His more recent feature film appearances include "Lara Croft, Tomb Raider", "Snoop", "The Boy in the Striped Pajamas" and his last film, "Radiator" which was produced in 2014. Johnson had been married several times, once to actress Kim Novak with whom he co-starred in the 1965 comedy "The Amorous Adventures of Moll Flanders". He is survived by his wife Lynne, who he married in 2004, and four children.
(Cinema Retro will be reflecting on the personal side of Richard Johnson in a future article.) For more click here.
Anne Meara, who along with her husband and partner Jerry Stiller, became a comedy legend, has died at age 85. Meara and Stiller were unlikely candidates for romance in 1950s New York: he was Jewish, she was Catholic. Nevertheless, to the disappointment of both of their families, they married. Like many young couples in show business, they initially struggled to pay the bills. They developed a comedy act that proved to be popular in Gotham night clubs. This eventually caught the eye of Ed Sulllivan, who gave them a coveted slot on his Sunday night variety show. The rest was history. Stiller and Meara became one of the top comedy acts in the country. Their real life marriage lasted 61 years, during which they remained mainstays on the New York social scene. They also continued to perform regularly and even had a popular web-based series. Meara was a familiar face on television and in feature films. She was multi-talented and could play drama as well as broad comedy. She was nominated for numerous Emmy Awards. Among her feature film credits are Lovers and Other Strangers, The Boys From Brazil, Fame, Awakenings and two films in which she appeared with her son, actor Ben Stiller: Zoolander and A Night at the Museum. For more click here.
Lewis with Beverly D'Angelo and Clint Eastwood in the hit 1978 comedy Every Which Way But Loose.
Acclaimed character actor Geoffrey Lewis, and father of actress Juliette Lewis, has died at age 79 of natural causes. Lewis had a long and impressive list of major films and TV appearances to his credit. He was frequently cast by Clint Eastwood in the iconic actor's productions including High Plains Drifter, Thunderbolt and Lightfoot, Every Which Way But Loose, Any Which Way You Can, Bronco Billy, Pink Cadillac and their last collaboration, Midnight in the Garden of Good and Evil. Although Lewis was often cast as earthy, hillbilly-types, he could also excel at playing sophisticated characters as well. Other major film credits include The Wind and the Lion, Heaven's Gate, The Lawmower Man, Maverick and the TV movie version of Salem's Lot. He primarily worked in television and had amassed a seemingly endless number of appearances on major series over the decades.
Actor Leonard Nimoy has died from pulmonary disease at age 83. The iconic "Star Trek" legend had attributed his health issues to the habit of smoking, even though he gave up cigarettes many years ago, according to the New York Times. For full coverage, click here.
Lizabeth Scott, the sultry blonde who epitomized cinematic "bad girls" in film noir productions, has passed away at age 92. Scott specialized in playing hard-bitten, self-confident femme fatales usually from the wrong side of the tracks. Her leading men included Robert Mithchum, Burt Lancaster, Michael Caine, Charlton Heston, Elvis Presley, Dean Martin, Jerry Lewis and Kirk Douglas. Her film credits include "Loving You", "Dark City", "I Walk Alone", "Too Late for Tears", "Pitfall" and "Scared Stiff". Her last screen appearance was in director Mike Hodges' acclaimed 1972 cult movie "Pulp", which was a send-up of the film noir genre. Scott's career began to fade in the late 1950s though she did make occasional appearances in TV series in the following years. In more recent years, she occasionally appeared at film festivals to discuss her work and career. Click here for more.
Screenwriter and producer Brian Clemens has passed away at age 83 in his native England. Clemens wrote scripts for some of the most revered British television programs of the 1960s and 1970s including "Danger Man" (aka "Secret Agent"), "The Avengers", "The Persuaders", "The Professionals", "The Baron" and "The New Avengers". Clemens also produced or executive produced several of the aforementioned shows. He also contributed single episode scripts for other popular shows including "Highlander", "The Protectors" and "Remington Steele". Clemens wrote numerous scripts for "Father Dowling Mysteries" and three "Perry Mason" TV movies in the early 1990s. A prolific writer, he also wrote screenplays for feature films beginning in the 1950s. His credits include "Station Six Sahara", "The Corrupt Ones" (aka "The Peking Medallion"), "See No Evil", "The Golden Voyage of Sinbad", Disney's "The Watcher in the Woods", "Highlander II: The Quickening" and the Hammer horror film "Captain Kronos: Vampire Hunter", which he also directed and produced. According to his son, Clemens was still actively involved in working on scripts when he passed away on Saturday. In 2010, he was honored by the Queen for his significant contributions to British broadcasting and drama. For more click here.
The cruel loss of legendary cinematic figures continues into the new year with the death of Anita Ekberg in Italy at age 83. The precise cause of death is not known at this time but she had suffered from a long illness. Ekberg was Swedish by birth but was often mistaken as a native of Italy because of her close association with Fellini and his films. She was named Miss Sweden as a teenager and competed in the Miss Universe contest before her statuesque figure ensured a career in show business during an era when full-bosomed sex sirens were all the rage. Hollywood studios were particularly on the lookout for the next exotic European beauty and Ekberg filled the bill perfectly. She slogged through bit parts uncredited in major studio productions before landing a prominent role opposite John Wayne and Lauren Bacall in the 1955 hit "Blood Alley" (in which she played a Chinese woman!) This opened doors and she went on to appear in other Hollywood hits including "Back From Eternity", "War and Peace" and the Martin and Lewis smash "Artists and Models". She would reunite on screen with the comedy team for "Hollywood or Bust". She received above-the-title billing in the 1956 adventure film "Zarak" opposite Victor Mature for future James Bond producer Albert R. Broccoli. However, it was the Fellini classic "La Dolce Vita" that made her a household name in 1960. In the film's most memorable sequence, she cavorts in the Trevi Fountain with Marcello Mastroianni while attired in a gown. Photos of the sequence remain an iconic part of film history. After "Vita", Ekberg's star burned brightly but briefly. She reunited with Fellini for a segment of the 1962 film "Boccaccio '70". She appeared opposite Frank Sinatra and Dean Martin in the hit western spoof "4 For Texas" and opposite Tony Randall in "The Alphabet Murders". She had a starring role in the 1963 comedy "Call Me Bwana" with Bob Hope. The film was produced by Broccoli, now in partnership with Harry Saltzman. (It remained the only non-Bond film the men would produce during the years of their partnership). She also had a prominent role in the Jerry Lewis comedy "Way...Way...Out". By the late 1960s, however, her star had faded in English language cinema and she concentrated on starring in European productions that were often made on low budgets. Her last credited screen role was in "The Red Dwarf" in 1998.
Ekberg's love life was the stuff of dreams for the tabloid press. She had affairs with prominent male stars such as Yul Brynner and Frank Sinatra. She was married for three years to British actor Anthony Steel and was married for over a decade to American actor Rik Van Nutter, who is primarily known for playing CIA man Felix Leiter in the Broccoli-Saltzman James Bond blockbuster "Thunderball" in 1965. Supposedly, Broccoli, who was dining with Ekberg and Van Nutter, offered him the role over dinner on a whim. It was a James Bond film, "From Russia With Love", that played an important role in Ekberg's career, though-bizarrely- she never appeared in the movie, at least in the flesh. In a pivotal sequence, a Soviet agent is assassinated when he tries to climb out a window of an Istanbul apartment house, the wall of which is adorned with a giant promotion of Ekberg in "Call Me Bwana". The clever gimmick promoted the Broccoli-Saltzman comedy that was already in release.
Ekberg's later years were anything but glamorous. In her obituary, the New York Times reports that the childless actress spent her last days in a nursing home penniless and lonely. She did, however, have one last moment in the sun when she appeared in 2010 at an Italian film festival where a restored print of "La Dolce Vita" was being shown. For at least this brief moment, her glory days returned as she made a glamorous appearance that stole the show.
Taylor in the 1960 screen version of The Time Machine.
BY LEE PFEIFFER
If the year 2014 proved to be an exceptionally cruel one in terms of the number of legendary celebrities who passed away, the new year is off to an equally depressing start with the news that Rod Taylor has passed away at age 84. Taylor, who was two days away from his 85th birthday, died suddenly from a heart attack following a dinner party at his home. He was surrounded by friends and family when the end came. Taylor was a solid leading man who came to prominence in the late 1950s. Although Australian by birth, the ruggedly handsome Taylor could effectively play Brits, Irishmen and Americans with convincing ease. He first gained attention with supporting roles in high profile, big Hollywood studio productions in the late 1950s such as "Raintree County" and "Separate Tables". His breakthrough role came in 1960 when he received top billing in the acclaimed screen adaptation of H.G. Wells' classic science fiction novel "The Time Machine". Taylor was suddenly a hot property and an international star. He could play virtually any kind of role, from light comedy to portraying men of action. By the early 1960s, he was one of the most popular stars in the world. His film credits from this era include "The V.I.P.S", "The Caterered Affair", Disney's "101 Dalmations", Hitchcock's classic "The Birds", the popular sex farce "Sunday in New York", "Fate is the Hunter" and "36 Hours" (a rare appearance as a villain). He showed exceptional chemistry with Doris Day and played her leading man in two major hits over a two year period, "Do Not Disturb" and "The Glass Bottom Boat", a Bond-inspired spy spoof. His hot streak continued through the late 1960s with the tough-as-nails mercenary adventure "Dark of the Sun" (aka "The Mercenaries"), the star-studded soap opera "Hotel", the gritty western "Chuka", the espionage thriller "The High Commissioner" and the controversial private eye flick "Darker Than Amber". He also had a supporting role in Antonioni's legendary 1970 flop "Zabriskie Point". By the mid-1970s, however, the bottom seemed to drop out in terms of Taylor being offered good roles. He did co-star with John Wayne in the underrated western "The Train Robbers" in 1973 and that same year co-starred with Richard Harris in another western, "The Deadly Trackers". Taylor turned to television, starring in numerous series including "Bearcats", "The Oregon Trail" and "Outlaws". He also had a supporting role in the 1980s prime-time soaper "Falcon Crest". From that point on, Taylor seemed to voluntarily refrain from appearing in high profile productions, opting instead for supporting roles in rather obscure, non-Hollywood films. He rarely granted interviews and kept a low profile, though he did come out of self-imposed retirement to portray Winston Churchill in a cameo role in Quentin Tarantino's "Inglourious Basterds" in 2009. Cinema Retro mourns the loss of yet another legendary Hollywood star.
(For Steve Saragossi's tribute to Rod Taylor's life and career, see Cinema Retro issue #19).
Donna Douglas, the former beauty queen who became an icon of 1960s TV, has passed away at age 82. Douglas started as a model in the 1950s and landed small roles in feature films before being cast as Elly May Clampett, the sexy but naive daughter of backwoods millionaire Jed Clampett on the smash hit TV series "The Beverly Hillbillies". The show was met with open disdain by CBS brass, who felt it was beneath the dignity of the network. However, viewers warmed to the Clampett clan immediately and the show became a smash hit that ran for nine seasons. It was still near the top of the ratings when it was canceled in a purge by network executives of its rural-themed hit shows in the early 1970s. Douglas' character was always relentlessly jovial and upbeat on the show and Elly May's penchant for bringing exotic animals onto the Clampett estate generated many laughs. Although she was type-cast, Douglas never complained. She went on to record gospel music, co-star with Elvis Presley and in her later years, attend autograph shows where she greeted her many fans. With her death, actor Max Baer Jr., who played Jethro, is the last living member of the cast of "The Beverly Hillbillies".-Lee Pfeiffer
The year 2014 has proven to be one of the cruelest in terms of depriving us of notable people in the arts. The year's morbid streak has continued to the bitter end with the announcement of the death of noted character actor Edward Herrmann. The 71 year-old actor has passed away after a months-long battle with brain cancer. Herrmann, who was both an Emmy and Tony award winner, had worked steadily in films, TV and on stage since he first made his mark in the early 1970s. His feature film credits include "The Paper Chase", "Brass Target", "The Lost Boys", "The Great Gatsby", "The Purple Rose of Cairo", "Nixon" and "The Aviator". His TV credits include "Eleanor and Franklin", "The Practice" (for which he won an Emmy in a recurring role), "The Gilmore Girls", "The Good Wife", "How I Met Your Mother" and "M*A*S*H". For more on his life and career, click here.
Rainer with William Powell in The Great Ziegfeld, for which she won her first Oscar.
Luis Rainer, who won Oscars for "The Great Ziegfeld" and "The Good Earth", has died in London. She was 104 years old. Rainer was a German immigrant who came of age during the Weimar Republic in the post-WWI period. She witnessed the rise of Hitler and the increase in Nazi barbarism before she immigrated to America in 1935 where, improbably, she became a major star virtually overnight. For details of her incredible life and career, click here to read NY Times obituary.
Billie Whitelaw, the acclaimed British actress who won praise for her roles on stage as well as on screen, has died in a nursing home at age 82. Whitelaw began appearing in British films in the 1960s and gradually became one of the nation's most reliable and respected actresses. Her film titles include "Carve Her Name With Pride", "Charlie Bubbles", "The Krays", "Gumshoe", Hitchcock's "Frenzy", "Start the Revolution Without Me", "The Dark Crystal" and her final big screen venture, the 2007 hit cult comedy "Hot Fuzz". She is best known to American audiences as Mrs. Baylock, the creepy housemaid from the 1976 version of "The Omen" who has a knock-down brawl to the death with Gregory Peck. Whitelaw, who was also a popular presence through frequent appearances in television series, attributed her rise to stardom to her close association with avant garde playwright Samuel Beckett, with whom she collaborated on numerous acclaimed stage productions. For more click here
Virna Lisi, one of the most prominent European actresses to find success in Hollywood during the 1960s, has died at age 78. The exact cause of her death has not been revealed but the NY Times states that she was recently told she had an incurable disease. Lisi's stunning looks helped her find success in her native Italy before she followed the path taken by Ursula Andress, Sophia Loren, Anita Ekberg and other European beauties and moved to Hollywood. Here she made a sensational big screen impression opposite Jack Lemmon in the hit 1965 comedy "How to Murder Your Wife". Lisi never made any cinematic classics but during her years in the film industry she starred opposite such prominent leading men as Frank Sinatra, Tony Curtis, Richard Burton, George C. Scott, Marcello Mastroianni, Robert Vaughn and David Niven. She was recently widowed and said that she had gone into self-imposed retirement because her husband had always objected to her career as a cinematic sex siren. For more click here.
Director Mike Nichols, one of the most influential artists of his generation, has passed away at age 83. Nichols is one of the few people who could claim to be the winner of the Oscar, Emmy, Grammy and Tony awards. Nichols rose to fame with his comedy act in which he teamed with Elaine May. He made a successful transition into feature film with his 1966 screen adaptation of Edward Albee's "Who's Afraid of Virginia Woolf?", a triumphant film debut that starred Elizabeth Taylor and Richard Burton. The following year he won the Oscar for his 1967 classic "The Graduate". Other films over the decades included "The Birdcage", "Working Girl", "Charlie Wilson's War" and "Silkwood". His plays include "Barefoot in the Park", "Death of a Salesman" and "The Odd Couple".
Burton and Taylor on the set of Nichols' 1966 triumph "Who's Afraid of Virginia Woolf?"
Holder in his iconic role as the evil Baron Samedi in the 1973 James Bond film "Live and Let Die".
Geoffrey Holder, the native Caribbean who played a crucial role in transforming modern theater, has passed away from pneumonia at age 84. Holder's imposing 6'6" stature and inimitable baritone voice helped make him a highly influential figure both on stage and in film. The general public knows him as the long-time spokesman for 7 Up in the 1970s and 1980s as well as a familiar face in major motion pictures, such as the 1973 James Bond movie "Live and Let Die" in which me memorably portrayed the legendary voodoo icon Baron Samedi. However, theater goers know Holder as the Tony Award-winning talent whose revolutionary methods of presenting theatrical productions earned him world wide acclaim. For full NY Times obituary, click here.
We at Cinema Retro are still grieving over the loss of our friend and contributor, actor Richard Kiel. He touched the lives of everyone who knew him, including his "Moonraker" co-star Lois Chile. On the blog Hill Place, Lois recalls her affection for the "Gentle Giant of Cinema". Click here to read.
The web site TMZ has reported that actor Richard Kiel has passed away at age 74. Details are sketchy but the site states that Kiel entered the hospital last week in Fresno, California, for treatment of a broken leg. It is not known whether any complications from that injury contributed to his death.
Kiel was an iconic figure in both television and feature films. His imposing stature often led to him being cast as a heavy. Those of us who were privileged to call him our friend always found this ironic, since he was a kind, gentle man who virtually never said an unkind word about anyone else. Kiel appeared in the 1960s in a slew of major TV shows and played the role of the seemingly benign alien in the classic Twilight Zone episode "To Serve Man". Although his role had no dialogue, Kiel's presence was so impressive that, decades after the telecast, collectibles from the episode were still being made in his likeness. Among the other classic shows he appeared in were The Man From U.N.C.L.E., The Wild, Wild West, Kolchak: The Night Stalker, The Monkees and Honey West. Kiel made an impression on the big screen as well in films like Silver Streak and The Longest Yard. However, his biggest claim to fame came when he was cast as the mute, steel-toothed villain Jaws opposite Roger Moore in the 1977 James Bond hit The Spy Who Loved Me. Kiel was considered so popular with test screening audiences that his final scene was reshot, thus sparing the character death and allowing him to reappear in the next Bond flick Moonraker. Over the decades, Kiel was a popular fixture at film events and autograph shows around the world. He truly enjoyed meeting his many fans and always had time to swap stories with them and pose for photos. He wrote and actively promoted his entertaining autobiography, appropriately titled Making It Big in the Movies. He also won a new generation of fans with his role in the Adam Sandler comedy Happy Gilmore.
At the start up of Cinema Retro ten years ago, we approached Richard Kiel to contribute an article about his early days in show business. He agreed immediately and became one of our major boosters. In 2010, we attended a special dinner in his honor in London, hosted by www.bondstars.com It became evident that his popularity, far from waning, was increasing. He was a devoted husband to his wife Diane and an outstanding father to his children. We express our sincere sympathies.
Richard Kiel has left us in the physical sense- but his presence will live on indefinitely through his appearances in film. Rest in peace, big guy- we miss you already.
- Lee Pfeiffer and Dave Worrall
UPDATE: The Kiel family has issued the following statement:
It is with very heavy hearts that we announce that Richard has passed away, just three days shy of his 75 th birthday. Richard had an amazing joy for life and managed to live every single day to the fullest. Though most people knew of him through his screen persona, those who were close to him knew what a kind and generous soul he was. His family was the most important thing in his life and we are happy that his last days were spent surrounded by family and close friends. Though his passing was somewhat unexpected, his health had been declining in recent years. It is nice to think that he can, once again, stand tall over us all.
McLaglen with his father Victor on the set of Rawhide with Clint Eastwood.
Andrew V. McLaglen, the son of famed character actor Victor McLaglen, who went on to a successful career as both a television and feature film director, has died at age 94. McLaglen got into directing by working on popular television Westerns in the 1950s and 1960s such as "Rawhide" and "Have Gun, Will Travel". He collaborated with John Wayne on the 1963 Western comedy "McLintock!", which proved to be a boxoffice smash. He would collaborate with Wayne on numerous other films such as "Hellfighters", "Cahill: U.S. Marshall", "The Undefeated" and their most acclaimed joint project, the 1970 Western "Chisum" which proved to be a favorite of President Richard M. Nixon. (Some of Nixon's political adversaries theorized that the film inspired him to launch the secret war in Cambodia.) McLaglen also excelled at making action adventure films such as "North Sea Hijack" (aka "fflokes") with Roger Moore. Other major films include "Bandolero!", "The Rare Breed", "Shenandoah" (the latter three with James Stewart), "The Last Hard Men" and "The Devil's Brigade". The two men also collaborated on the highly popular 1978 film for producer Euan Lloyd, "The Wild Geese" and a follow-up project, "The Sea Wolves". McLaglen had retired from films and lived a serene lifestyle in rural Washington state. For more click here
Attenborough's role in the 1963 classic The Great Escape gained him international acclaim.
The film industry has lost another legend with the passing of Lord Richard Attenborough, who was one of the pioneers in successfully carving out dual careers as both actor and director. Attenborough was a familiar face as an acclaimed character actor in British films in the post-WWII era but gained international stardom in director John Sturges' 1963 WWII classic The Great Escape. (Attenborough's co-star in that film, James Garner, passed away last month). Attenborough also co-starred with Steve McQueen in that film and would reunite with him in director Robert Wise's sprawling 1966 epic The Sand Pebbles, which would earn Attenborough a Golden Globe award and an Oscar nomination for Best Supporting Actor. He directed his first film in 1969, a big-budget anti-war musical Oh! What a Lovely War. In 1972, he directed the ambitious screen biography of Churchill, Young Winston. He also directed the 1977 WWII epic A Bridge Too Far. The following year, he gave Anthony Hopkins an important early leading role as the star of the suspense thriller Magic. Curiously, none of these films were significant boxoffice or critical successes but Attenborough persevered and finally brought his dream project- the biography of Ghandi- to fruition in 1982. He won the Academy Award for Best Director and also received the Oscar for producing the Best Picture. Attenborough had gone into self-imposed retirement from acting to concentrate on directing. He returned to the screen in 1993 to play an important role in Steven Spielberg's blockbuster Jurassic Park. Five years ago, Attenborough suffered a stroke and never fully recovered. He passed away today at his home in England at the age of 90. Click here for New York Times obituary.
It is with profound sadness that we must announce the passing of director Brian G. Hutton, a long-time friend of and contributor to Cinema Retro. Brian was one of the most unique talents in the film business. Born in New York City, he never lost his hard-scrabble, irascible attitude which extended to resenting having to take orders from the studio "suits" who employed him. He walked away from a great and lucrative career in the industry decades ago and kept out of the public eye, granting precious few interviews in the intervening decades. He remains primarily known for his two big budget WWII MGM films, "Where Eagles Dare" and "Kelly's Heroes", both starring Clint Eastwood. The films were difficult to make and the latter resulted in a major conflict with Hutton and Eastwood and MGM when the studio exercised its rights to dramatically cut the film prior to its release. Hutton also made a number of lesser-known films but each of them proved to be enduring and worthy of praise.
When Cinema Retro was preparing its first Movie Classics edition devoted entirely to "Where Eagles Dare" in 2009, we made every effort to contact Hutton for an interview, but we were unsuccessful. However, shortly after the issue appeared, I was
startled to receive a phone call from a gentleman named Bill Tasgal who said he
was sitting in a coffee shop in L.A. with his friend Brian Hutton and they were
both perusing the Where Eagles Dare issue.
He said Hutton wanted to speak with me. A few seconds later an unmistakably New
York accent growled, “Is this Lee Pfeiffer?” When I said it was, he said “I’m
looking at your magazine and I’m going to sue you for using such an ugly photo
of me!” To which I replied, “As a director, you should know the camera never
lies!” So began a friendship that saw Brian contribute extensively to our Movie Classics Kelly's Heroes issue as well as our revised updated edition of the Eagles Dare issue that was published in 2012.
Last October, Dave Worrall and I traveled to L.A. to finally meet Brian in the flesh. We managed to arrange a wonderful lunch date that saw him reunited with his old friend, director John Landis, who Brian gave a break to when he hired John as a "go for" on Kelly's Heroes. Brian saw great promise in the young film enthusiast and, of course, Landis made good on the faith shown in him by becoming an internationally respected director himself. Over lunch, we were privileged to hear some amazing and truly hilarious stories about their adventures filming in Yugoslavia (not all of them are suitable for publication). It was a wonderful day in every respect.
Reunion in L.A., October 2013. From L to R: Bill Tasgal, John Landis, Brian G. Hutton and Cinema Retro publishers Lee Pfeiffer and Dave Worrall.
Brian Hutton suffered a heart attack a couple of weeks ago and struggled valiantly against the odds. An original tough guy, he managed to hang in there a lot longer than anyone would have predicted but finally the battle was lost. He is survived by his loving wife Victoria and his devoted friend and colleague, Bill Tasgal, who was played a crucial role in making Brian's later years so rewarding and enjoyable. However, Brian had many other "friends" that he never knew personally- namely, everyone who ever saw one of his films. Although he was loathe to lavish praise on his own work, he was very grateful to the loyal fans who kept his films in the spotlight long after he went into self-imposed retirement. He was particularly moved by the fact that so many people around the globe held Where Eagles Dare and Kelly's Heroes in such esteem. He was always lavish in his praise of Clint Eastwood, with whom he continued to maintained a close friendship over the decades.
Rest in peace, Brian- and as Oddball from Kelly's Heroes might say, "Hope you only encounter positive waves...."
(Continue reading for a biography of Brian G. Hutton)
The Peter Cushing Appreciation Society reports that actress Madeleine Collinson has passed away from unknown causes at age 62. Collinson and her identical twin sister Mary became international sensations in the late 1960s and 1970s by posing nude together in provocative photos in "men's magazines". They were featured in a high profile layout in a 1970 issue of Playboy, becoming the first twins to pose for the iconic magazine. Collinson's screen career was short-lived and the high water mark was "Twins of Evil", a 1971 cult favorite produced by Hammer Studios and starring Peter Cushing. Madeleine and Mary played twin sisters who fall prey to to religious fanatics and a charismatic vampire in old England. The Collinsons were born in Malta but gained fame when they moved to England where their uninhibited natures and willingness to pose nude together gave them a kinky twist during the sexual revolution. Details are sketchy regarding Madeleine's passing. For more click here