a recurring theme in Woody Allen’s work over the past twenty years—“the heart
wants what the heart wants.” The writer/director (and, now, only occasionally
an actor) has lately tackled this topic with varying results. You have to hand
it to him, though—the guy has consistently made more or less a movie a year
since 1969. There have to be a few clinkers in there—even Hitchcock had some.
Luckily for us, though, Café Society is a pretty good entry in Allen’s canon—not
one of the masterpieces of yesteryear, but it’s probably the best thing he’s
done since the excellent award-winning Midnight
Café Society is a period piece that takes place mostly in
Hollywood in the 1930s, and therein lies much of its charm—the production
design and costumes, along with Vittorio Storaro’s cinematography, immediately
provides eye candy that looks fabulous in high definition. Fans of American
cinema history will find a lot to admire in the picture’s references to old
story is familiar territory. Jesse Eisenberg is the Woody-surrogate this time
around, playing New Yorker Bobby, who goes to L.A. to get a job at the studio
run by his Uncle Phil (Steve Carell). There, he meets a secretary, Veronica
(Kristen Stewart), and falls in love. Little does he know that she is involved
with Uncle Phil. Another woman named Veronica (Blake Lively) enters the tale a
little later, when Bobby is back in New York. In short, Café Society is a love story that
spans several years with a boy-meets-girl, boy-loses-girl, boy-meets-another
girl, boy-runs-into-first-girl-again plot structure.
are laughs, to be sure, but overall the film projects a bittersweet,
melancholic mood that is disarming for a Woody Allen film. Is the ending a
happy one? That’s not a guarantee; in this case what the heart wants may not be
what’s best for the heart.
performances are of high caliber, especially those of Stewart and Lively. The
former creates a deeply conflicted character in Veronica 1, while the latter
lights up the screen as Veronica 2. Parker Posey is always a welcome addition,
and Corey Stoll, as Bobby’s mobster brother, is hilarious.
a solid 3-out-of-4 stars Woody Allen flick. The one thing that definitely could
have been deleted was the voice-over narration (delivered by Woody himself),
which is unnecessary and, at times, annoying.
with most home video releases of the director’s pictures, the Lionsgate Blu-ray
(packaged with a DVD and digital copy) comes with little in the way of
supplements. In this case, there’s only two-minutes of “red carpet footage” and
a trailer—but the feature film is a little gem.