commitment to Pam Grier and her Blaxploitation films of the seventies continues
with their latest package Sheba, Baby (1975). By the arrival of the mid-Seventies
Grier was at the top of her game, coming off such genre classics as Coffy
(1973) and Foxy Brown (1974) both directed by Jack Hill and both of which are
also available in superb releases from Arrow. Grier’s work for AIP continued in
explosive, fashionable style with Sheba, Baby and with new director William
Girdler at the helm. Sheba is without doubt a star vehicle that was tailor made
for exploiting Grier’s talents.
Shayne is a Chicago private eye who receives a telegram informing her of
trouble in her hometown of Louisville. The local mob boss, Pilot (D'Urville
Martin) has started to turn up the heat in trying to obtain her father’s loan
business. Along with her father Andy (Rudy Challenger), the business is run by
his partner Brick Williams (Austin Stoker), an instantly recognisable actor and
best known perhaps as Lt. Ethan Bishop from John Carpenter's cult classic
Assault on Precinct 13 (1976). After several threats and a near fatal car bomb,
Sheba soon realises that the situation is becoming desperately out of control.
a few shaky moments in the script (credited to director Girdler and producer David
Sheldon), the film is carried in every respect by Grier’s scintillating screen
presence, she truly bosses the film, and looks fantastic in every frame. It’s a
film that should be enjoyed without too much scrutinising; accept it purely on
its surface level and you’ll find yourself smiling a whole lot and lapping up
the action. If your intention is to analyse it, then forget it. If you
scrutinise the problems in terms of continuity of dates, Sheba’s small quantity
of luggage (there’s a costume change in practically every scene), etc, then
you’ll be missing out on the action and overlooking its pure entertainment
value. The action scenes are plentiful and arrive fast and furious. Was this
film actually rated as PG upon its release? Look out for the car that spins
wildly off a grass verge, then look again to see how it misses Grier (on the
assumption it was her and not a stunt double) by a matter of inches. It is a pure
adrenalin pumping sequence. Yes, the film might be considered as routine and
stereotypical, even offensive in relation to its language (the ‘N’ word raises
its ugly head on several occasions), and the mob are of course pimped to the
max. But you’d be wise to let it go, as this is, after all, a product of its
time, and yes, it was almost considered as socially tolerated in the more discriminate
social culture of the seventies.
1080p presentation of Sheba, Baby can only be described as flawless. The
picture quality is as near to pristine as you could ever wish. Whist it retains
a generic low budget look, its colour grading delivers both a natural look and
just enough enhancement to emphasise those wonderful vivid colours of the
fashions and the times. The whole look manages to achieve a perfect balance.
Check out the film’s opening credits, the pin sharp yellow lettering almost
pops out from the screen. If they look familiar, you might just make the
comparison with Jackie Brown (1997), as director Quentin Tarantino uses the
exact same colour and font for his own Pam Grier movie. It’s not only homage,
but a deeper example of how Tarantino holds these movies so close to his heart.
The Blu-ray audio (original mono uncompressed PCM) is clean and clear
throughout, and allows the film’s soulful score (by Alex Brown and Monk Higgins)
to become an integral part of the experience. There are also a couple of great
vocals tracks (including the theme) provided by the American R&B/soul
singer Barbara Mason.
bonus material is both enjoyable and generous. First, there are two audio
commentaries, the first featuring producer-screenwriter David Sheldon and moderated
by critic Nathaniel Thompson. The second is provided by Patty Breen the
webmaster of WilliamGirdler.com. Breen’s commentary is actually a great deal of
fun; it’s a completely relaxed ‘fan’ style narration. Whilst Breen can’t help joking
about the film’s flaws and inconsistencies, it is never in malice and it’s
clear she absolutely adores every aspect of the movie.
Baby (15mins) is a brand new interview with David Sheldon who discusses his
role and his experience working on the movie and alongside director William
Girdler. Pam Grier: The AIP Years (12mins) does exactly what it says on the tin
and takes a look over the wonder years of the Blaxploitation queen with film
historian Chris Poggiali. The original theatrical trailer (2mins) and a
selection of publicity shots and lobby cards rounds off a very nice collection
of bonus material.
packaging consists of a reversible sleeve featuring original and newly
commissioned artwork by Sean Phillips, while the booklet features brand new
writing on the film by Patty Breen and is illustrated with both archive stills
Sheba, Baby is an excellent package and one that leaves us in hope that Arrow will
continue to explore Grier’s later American international Pictures such as Bucktown
(1975) and Friday Foster (1975). There’s little doubt that they would certainly
be welcomed and appreciated with open arms.
Technical Spec: Region: Region A/B Blu-ray / DVD 1/2, Rating:
15, Cat No: FCD1210, Duration: 90 mins, Language: English, Subtitles: English
SDH, Aspect Ratio: 1.85:1, Audio: Mono, Discs: 2, Colour