Martine Beswick (One Million Years B.C., Slave Girls and Dr Jekyll & Sister Hyde), Caroline Munro (Captain Kronos and Dracula A.D.72), Kate O'Mara (Horror of Frankenstein and The Vampire Lovers) and Maddie Smith (Vampire Lovers and Frankenstein and the and Monster from Hell). (Photo: copyright Mark Mawston, all rights reserved.)
9th November 2013
by Adrian Smith
Saturday in the shadow of Westminster Abbey, amidst the power-hungry elite of
Whitehall and Downing Street, gathered an even more sinister and corrupting
influence. Darth Vader rubbed shoulders with evil twins, corrupted children,
vampires, zombies and even Jack the Ripper. Overseeing this evil conclave were
directors whose films were so depraved that sometimes sick bags were supplied
to the audience.
film buffs were of course overjoyed at the fantastic selection of stars at this
Hammer and Horror Film event. Representing the Bond girls were Caroline Munro,
Caron Gardner, Martine Beswick and Madeline Smith. They were alongside horror
queens Barbara Shelley, Kate O'Mara, Judy Matheson, Janina Faye and Emily
Booth. Barbara Shelley sat with some of the alien children from her classic
British sci-fi Village of the Damned, Teri and Lesley Scoble and Martin
Stephens (also star of The Innocents). David Warner (Tron), Dave Prowse (Star Wars) and John Carson (Plague
of the Zombies) were all very friendly and accommodating of the multitude
of demanding fans, and writer-directors Michael Armstong (Mark of the Devil),
Norman J. Warren (Satan's Slave) and Brian Clemens (The Avengers)
were also there discussing their work and meeting old friends.
Kate O'Mara, Dave Prowse (Horror of Frankenstein) and Madeline Smith. (Photo: copyright Mark Mawston. All rights reserved.)
focus of the day was the recent restoration of Hammer's Twins of Evil. To
celebrate the director John Hough met up with Damien Thomas, who played Count
Karnstein, Judy Matheson, burnt at the stake by Peter Cushing, and good twin
Mary Collinson, who had travelled to the event from Milan. Sir Christopher
Frayling, one of the UK’s leading authorities on vampire fiction, lead the
onstage discussion. He provided a fascinating history of the Karnstein story
from its origins in the work of Sheridan Le Fanu to Hammer’s lesbian vampire
trilogy. They all clearly enjoyed the reunion, and Hough did his best to
convince the audience that the Collinson girls' voices were not dubbed, despite
what all the film history books say. Mary explained that they both received
elocution lessons, as neither of them were trained actors. Twins of Evil was
to be their last film, released when they were only nineteen, and they returned
guests were also interviewed throughout the day. Brian Clemens, Caroline Munro
and John Carson got together to discuss the magnificent Captain Kronos:
Vampire Hunter, agreed by one and all to be the last good film Hammer made
in the 1970s. Norman J. Warren described the difficulties of making Satan's
Slave with money raised by your producer re-mortgaging his house. They had
such small funds that star Michael Gough had to supply his own wardrobe and
sleep on a friend's sofa for three weeks, all for the grand sum of £300.
Warner was especially mischievous during his interview, reacting with horror
every time a clip was shown from his extensive back-catalogue (including Tom
Jones, The Omen, Time
After Time and Star Trek). He had the room in gales of
laughter and explained that as an actor without any ambition he is very happy
to have never been a star, something that many in the room disagreed with.
Cinema Retro columnist Adrian Smith with Mary Collinson (Twins of Evil).
(Photo: copyright Mark Mawston. All rights reserved).
makes one of these conventions so enjoyable is that alongside the guests are
dozens of stalls weighed down with rare DVDs, obscure film posters, original
James Bond toys, vinyl, novelisations; virtually every kind of film memorabilia
and ephemera that you can think of (and many you can't) from all over the
world. From Thai Evil Dead posters to original Hammer Quads it was a
collectors dream, even though you may also need to re-mortgage your home
yourself in order to pay for everything you want. Cinema Retro came home laden with
press books, lobby cards, old magazines, books and rare Spanish 1960s superhero
movies, and could easily have gone around the hall several more times.