The film must have seemed to have the makings of a classic. Director Vincente Minnelli reuniting with Kirk Douglas for the first time since their triumphant The Bad and the Beautiful a decade earlier. Edward G. Robinson co-starring and a supporting cast that included Cyd Charrise, Claire Trevor, James Gregory, George MacReady, George Hamilton and lovely up-and-coming actresses Rosanna Schiaffino and Daliah Lavi. Add to this exotic Rome locations during the era when La Dolce Vita was all the rage plus a source novel by Irwin Shaw -- this had to be a project that couldn't miss. Alas, it did indeed go off-target, but the fact that the 1962 screen version of 2 Weeks in Another Town falls short of its potential doesn't mean it isn't a gloriously trashy spectacle to behold.
Douglas plays Jack Andrus, a washed up, one-time screen legend who is
driven to the brink of insanity by the philandering nature of his
Italian wife (Charisse), who ended up having an affair with Douglas'
friend and collaborator, screen director Maurice Kruger (Robinson).
Years later, Andrus is contacted by Kruger, whose career is also in
decline, to reunite for a Rome-based major film that could revive their
reputations and popularity. When Andrus gets to Italy, he discovers
there is no part for him in the picture, but Kruger felt it would be
therapeutic to have him assist in the dubbing of the film. Before long,
the love/hate relationship between the two men sparks jealous and anger,
with Kruger's Lady MacBeth-like wife (Trevor) constantly finding ways
to cause friction. Adding to the soap opera aspects of the story is the
presence of an Italian screen diva (Schiaffino), whose temper tantrums
have everyone on edge. Andrus does find solace in the arms of a young
lovely (Lavi) but before long is embroiled in enough personal intrigue
and frustration to once again threaten his sanity.
The film is certainly not high art. Douglas dominates the landscape
with the type of eye-popping antics that made him a favorite of
impressionists during the era. Robinson is far more understated and it's
great fun to watch the two conflicting acting styles in the same
scenes. The film benefits from some good location scenery including rare
glimpses of fabled Cinecitta Studios during its heyday, but Minnelli
relies far too often on cheesy rear-screen projection shots that
distract from the byplay among the actors. The story is often overly
melodramatic and somewhat confusing, with the vast number of characters
intertwined in each other's scandals. However, it never reaches the
so-bad-it's-good status the similarly- themed The Oscar, which is
somewhat of a mixed blessing. With a few more "over-the-top" elements,
Minnelli could have created a trash classic. As it stands, 2 Weeks in Another Town is
too campy to be called a truly good film, and not campy enough to
emerge as a cult movie. Still, with all the powerhouse talent involved,
it never commits the cardinal sin of being dull.
The Warner Archive Blu-ray features a very good transfer and includes the original theatrical trailer.
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