Oscar winner Al Pacino is the latest major star to move into the realm of streaming TV series. He will star in Amazon's 10-episode series "The Hunt", a thriller set in 1977 in New York City that centers on the search for murderous ex-Nazis, a premise that seems to call to mind elements of the 1976 classic "Marathon Man". Pacino has won two Emmys for previous work in television but this marks the first time he has committed to starring in a series. The show will be produced by director Jordan Peele. For more click here.
Variety is reporting that Martin Scorsese is deeply involved in creating a new documentary about Bob Dylan titled "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese". The Oscar-winning director had previously released "No Direction Home: Bob Dylan" which covered the iconic folk singer's controversial embrace of the electronic sound he adopted in the 1960s. The new film will cover Dylan's acclaimed 1975-76 Rolling Thunder tour, that featured an eclectic group of artists performing in a largely unscripted format. Dylan, who rarely gives interviews, is said to have provided one for Scorsese to use in the new documentary, which is still shrouded in mystery. Netflix will be producing the project. For more click here.
The web site Curbed provides an informative guide to 15 classic movie theaters in Los Angeles, each of which is distinguished not only by its design but also by an eclectic schedule of programming that any retro movie lover will appreciate. Click here to read.
It's arguable that Orson Welles's "The Other Side of the Wind" was the most famous unseen film of all time. However, with it's recent release there seems to be little doubt that "The Day the Clown Cried" can take the title. Jerry Lewis went into production in 1972 on the Holocaust drama only to immediately run into a tidal wave of problems ranging from unreliable funding sources to complex copyright disputes. Lewis finished the film but the elements were scattered to, well, the other side of the wind as various investors and stake-holders in the production all claimed their pound of flesh. The end result: there apparently isn't a complete version of the movie anywhere, though substantial portions ended up in Lewis's possession and he cobbled together something akin to a final cut. Very few people were shown the movie and response ranged from underwhelming to appalling. Lewis at various times indicated he wanted the movie to be seen if the legal problems could be resolved but at one point seemed to change his mind, saying he didn't want it shown because he was ashamed of the poor workmanship on the production. New York Times writer Peter Tonguette looks at the current status of the legendary, unseen work. Click here to read.