Kino Lorber has released the 1945 film "Hangover Square", directed by John Brahm, as a Blu-ray special edition. George Harvey Bone (Laird Cregar) is a sensitive,
talented composer who has been working very hard, perhaps too hard, on a new
concerto for piano. A well-known conductor (Alan Napier) thinks it’s a worthy
piece of music and is going to debut it at Symphony Hall once it’s finished.
The conductor’s daughter Barbara (Faye Marlowe) not only adores George’s music,
she adores him as well. Sounds like an ideal situation, but in this 1945 20th
Century Fox film noir, you know things are not going to work out very well. You
see, George has a problem. He has blackouts that are caused whenever there are
loud dissonant noises around him. And when he blacks out he kills people.
The film actually starts with a murder scene. We see
George stabbing an antiques shopkeeper to death and setting the place on fire
(fire is a major motif in the film). He escapes before the police can catch him
and walks through the foggy London Streets to his home on Hangover Square,
where he finds Barbara and her father trying out his unfinished concerto. He’s
forgotten what he just did but when he sees a newspaper headline (they printed
them fast in those days), he has a bad feeling that he might have done
something naughty. He tells Barbara about his misgivings and decides to go see
Dr. Allan Middleton (George Sanders) a forensic psychologist who works for the
police. Middleton does some tests on George’s clothes and the knife he found in
his possession and tells him there’s no evidence of any connection with the
murder. But he’s still concerned about George having these weird blackouts. He
tells him he needs to get some rest, relax, and get away from that damned
concerto for a while. Turns out to be the worst doctor’s advice ever.
George goes out to unwind at a local music hall and gets
an eye full of Netta Longdon (Linda Darnell), a singer/dancer and a
card-carrying member of the International League of Femmes Fatales. In fact,
she’s probably president of the local chapter. George is flattered when she
pays a little attention to him after finding out he’s a composer. She’s trying
to make a name for herself on the stage and needs some new songs. She coaxes
George to write some tunes for her. Being a totally naïve sucker who never had
much experience with women, other than the decent Barbara, he’s totally out of
his league with Netta, who has several other guys on leashes, including her
piano player and a handsome playboy type she meets one night while in George’s
One night, amidst this abuse, he’s walking home in that
perpetual 20th Century Fox fog and a horse- drawn wagon carrying
steel pipes hits a ditch and the loud cacophony of the pipes hitting the ground
sends George off into another one of his spells and you know what happens. What
I like about “Hangover Square” is that there is no explanation for why George
has blackouts whenever he hears discordant sounds. It’s just how it is.
Something in his brain is screwed up and, I suppose, being a musician, he’s
sensitive to sound. If they did a remake today, you’d have tons of psychobabble,
and flashback scenes of how his parents abused him when he was a baby, blowing
loud duck calls in his face in the bathtub or something similar. There’s none
of that. There’s the gimmick of the loud noises and flashbacks and that’s it.
Anyway, George starts neglecting the concerto and Barbara
and finds himself consumed by Netta and her insatiable demands for music. That
might have been okay, except every time he tries to get close to her, spend
some time alone with her, she’s always busy, or has a headache (or has a date
with another guy). Frustration builds up and explodes when George goes to her
apartment and asks her to marry him so he can devote all his time to her and
discovers she’s actually going to marry that slick playboy rat. Bad mistake. I won’t
tell you what happens next and it’s not what you think. Not right away. There’s
actually still a lot of the movie left. A lot of it is taken up with George debuting
his concerto. The soundtrack score, including the concerto for “Hangover Square”
was written by the inestimable Bernard Herrmann. There’s music throughout the
film, with scenes of Laird Cregar at the keyboard actually playing some of it.
The big scene at the end features 10 minutes of the concerto, a significant
piece of film music in its own right.