BY DARREN ALLISON
Vocalion
have the rare ability to continuously satisfy. Not only does the label re-connect
us to the past with essential CD reissues, but also through re-recordings of
long forgotten and often overlooked classics. Vocalion’s three latest CD releases
continue to exemplify these principles, and all with a certain sense of style.
Themes
from The Exorcist (1974) and Flashpoint (1975) are two albums from Ray Davies
and the Button Down Brass. As albums, they formed part of an essential
collective, an audio treasury that would find their way into the hands of young
and enthusiastic kids, particularly of those who displayed an early interest
and love of both cinema and TV. They were usually the affordable route; a few
weeks pocket money would often result in one of these albums making it into the
comforting domain of your bedroom. Sat alongside your Geoff Love compilations, they
would provide countless hours of repeated enjoyment.
Themes
from The Exorcist and Flashpoint (CDSML 8526) offer a great twofer pairing.
Originally released on the Philips label, both albums contain a varied and
exciting selection of cuts. Aside from the ‘funky trumpet’ of Ray Davies, his
musicians including Alan Hawkshaw on keyboards, Alan Parker on electric guitar,
Herbie Flowers on bass guitar and Alf Bigden on drums, can all be experienced
here in top form and full flight. Covering the work of composers such as Lalo
Schifrin, Quincy Jones, Michael Small, John Williams, Elmer Bernstein and John
Barry, the selection is varied and vast. There’s a genuine refreshment to be
found in some of these interpretations, take for example Don Ellis’s The French
connection (1972) – Davies takes what could arguably be described as a frenzied
burst of dissonant trumpet sounds and applies a melody, a theme... Yes, it
perhaps lessens the intensity of its original, but instead provides a funky
reinterpretation, and one in which I believe works to a large degree. It’s
important perhaps to remember that these recordings were never in competition,
they’re not competing for supremacy – some are just far too big. Magnum Force
(1973) and its screaming, wordless vocals add so much to Schifrin’s original,
and any attempt to perhaps try and replicate that is left firmly alone, and for
good reason. However, a fresh approach certainly does it little harm, and can
be comfortably enjoyed as a separate listening experience and an addition. As
previously stated, it’s a really wonderful selection which takes in an eclectic
mix from television classics such as Kojak (1973-78) and The Magician (1973-74)
to cult movies of the day such as Mr. Majestyk (1974), Gold (1974), Point Blank
(1967) and even a couple of Bruce Lee Joseph Koo themes – The Big Boss (1971)
and Fist of Fury (1972).
Another
high point of this SACD release is that it also contains both the quadrophonic
and stereo mixes. These titles were only ever previously available in 4-channel
sound through a Japanese release. Vocalion have again produced a dynamic sound
in their mastering process and provided a super set of notes which includes an
exclusive interview with Ray Davies and his recollections of the people and the
places relating to those exciting times. As always, Oliver Lomax provides a
fascinating and detailed journey which captures perfectly the essence of
yesterday. A great package, a great sound and a great journey; let’s hope there
is more of the same to come.