BY FRED BLOSSER
The
late Sergio Corbucci (1926-1990) had a long, prolific career in the Italian
film industry as a screenwriter and director, but little exposure in U.S. theaters
by comparison with his total output. IMDB credits him with sixty-three titles as director. By my count, eleven arrived on Stateside
screens, none of them earning Corbucci any real notice at the time. All were genre films -- first sword-and-sandal
movies, then Westerns -- before it was cool for critics to treat such products
seriously, especially dubbed imports. Three toga-and beefcake pictures -- “Goliath and the Vampires†(1961),
“Duel of the Titans†(1961), and “The Slave†(1962) -- were released on
drive-in and double-feature bills in the Hercules era. “Minnesota Clay†(1964) had a 1966 run
disguised as an American B-Western. “Navajo Joe†(1966) passed through theaters in 1967, earning a typically
dismissive review from Bosley Crowther in the New York Times (“results aren’t
worth a Mexican pesoâ€). You had to use a
magnifying glass to see Corbucci’s name on the movie poster. In his 1994 autobiography, Burt Reynolds said
he only took the offer to star in the picture because he thought the director
would be the other Sergio . . . Leone. “The Hellbenders†(1967) came and went, also camouflaged as an American
production and promoting Joseph Cotten’s starring role. Cotten was a fine actor but hardly big
box-office in ’67.
“The
Mercenary†(1968) enjoyed a higher profile in a 1970 release, but “Alberto
Grimaldi Presents . . .†dominated the credits, including the cover blurb on a
paperback novelization that touted the movie as “the bloodiest ‘Italian’
Western of them all . . . by the producer of ‘The Good, the Bad, and the Ugly.’
†“Companeros†(1970) didn’t open in the
U.S. until 1972, and then only with limited distribution. “Sonny and Jed†(1972) followed in 1974. Neither made much of an impression as the
Spaghetti cycle waned here. “Shoot
First, Ask Questions Later†(1975), a sad attempt at comedy in the Spaghetti
twilight, loped through rural drive-ins. “Super Fuzz†(1980; U.S. distribution, 1982) was a Terence Hill police
comedy that the Times’ Herbert Mitgang said had “one funny gag a few minutes
before the end.†At least Mitgang noted
Corbucci and Hill by name as “longtime makers of spaghetti westerns.â€
If
you were nostalgic for Italian Westerns in the late ‘70s and ‘80s, after the
cycle had come and gone in the States, you could read about Corbucci in
Laurence Staig and Tony Williams’ “Italian Western: The Opera of Violenceâ€
(1975) and Christopher Frayling’s “Spaghetti Westerns: Cowboys and Europeans
from Karl May to Sergio Leone†(1981). There you would learn that one of Corbucci’s Westerns that never made it
to the States, “Django†(1966), was as wildly popular and influential overseas
as Sergio Leone’s movies. But good luck
in ever seeing it or Corbucci’s other Westerns, unless you might catch “The
Hellbenders†in a pan-and-scan, commercial-infested print on local TV.
Thanks
to the advent of home video, cable, and streaming internet -- and in
particular, DVD and Blu-ray in which his films can be seen in the proper aspect
ratio and definition -- both the committed and the curious now have access to
virtually all of Corbucci’s thirteen Westerns, even the obscure “Grand Canyon
Massacre†(1964), his first powder-burner, co-directed with Albert Band. Is Quentin Tarantino justified in praising Corbucci
as “one of the great Western directors of all time� Today, you don’t have to take Tarantino’s
word for it, or not; you can judge for yourself.
By
most accounts, a Corbucci Top Five would include “Django,†The Great Silence,â€
“The Mercenary,†“Companeros,†and “The Specialist†(1969). The first four are all in relatively easy
reach in various formats and platforms. “Django,†“The Great Silence,†and “Companeros†have had domestic DVD
releases. “The Mercenary†hasn’t, but it
shows up periodically on cable channels, albeit in an edited version, and you
can find good DVD and Blu-ray editions with an English voice track through
Amazon and import dealers on the web.
“The
Specialist†remains more elusive. Written and directed by Corbucci during his peak period, originally
titled “Gli specialisti†and also known as “Specialists†and “Drop Them or I’ll
Shoot,†this Western never played in U.S. theaters, has never had an American
video release, and is hard to find even on the collectors‘ market in a print
with an English-language option. Not to
be confused with other, unrelated films of the same name, including a mediocre
1994 Sylvester Stallone crime drama and an obscure 1975 B-movie with Adam West,
it is past due for official U.S. release on DVD. Or, better yet, on hi-def Blu-ray to give Corbucci’s
compositions and Dario Di Palma’s rich Techniscope and Technicolor
cinematography their due sharpness and color on home screens.