Sylvester Stallone's reunion of 80s action stars in The Expendables has failed to impress USA Today critic Claudia Puig, though maybe a female writer isn't the intended audience Stallone had in mind. Puig gives the film the kind of unreservedly awful review that you seldom come across, calling it "... truly a movie that nobody needs — gratuitously savage, implausible and sometimes incoherent." Click here to read
Turns out that the legendary Mitch Miller was actually legendary enough to be mentioned in Queen's classic song Bohemian Rhapsody.
I just read Lee Pfeiffer's notice of Mitch Miller's passing. Part of
one sentence struck me as being awfully peculiar: the bit about Miller's
being mentioned in Queen's Bohemian Rhapsody. Because he ain't.
Here's the lyrics. If you can find Mitch in here, please let me know where because I'm missing something.
All the best,
Is this the real life? Is this just fantasy? Caught in a landslide No escape from reality Open your eyes Look up to the skies and see I'm just a poor boy, I need no sympathy Because I'm easy come, easy go A little high, little low Anyway the wind blows, doesn't really matter to me, to me
Mama, just killed a man Put a gun against his head Pulled my trigger, now he's dead Mama, life had just begun But now I've gone and thrown it all away Mama, ooo Didn't mean to make you cry If I'm not back again this time tomorrow Carry on, carry on, as if nothing really matters
Too late, my time has come Sends shivers down my spine Body's aching all the time Goodbye everybody - I've got to go Gotta leave you all behind and face the truth Mama, ooo - (anyway the wind blows) I don't want to die I sometimes wish I'd never been born at all
I see a little silhouetto of a man Scaramouch, scaramouch will you do the fandango Thunderbolt and lightning - very very frightening me Gallileo, Gallileo, Gallileo, Gallileo, Gallileo Figaro - magnifico
But I'm just a poor boy and nobody loves me He's just a poor boy from a poor family Spare him his life from this monstrosity Easy come easy go - will you let me go Bismillah! No - we will not let you go - let him go Bismillah! We will not let you go - let him go Bismillah! We will not let you go - let me go Will not let you go - let me go (never) Never let you go - let me go Never let me go - ooo No, no, no, no, no, no, no - Oh mama mia, mama mia, mama mia let me go Beelzebub has a devil put aside for me for me for me
So you think you can stone me and spit in my eye So you think you can love me and leave me to die Oh baby - can't do this to me baby Just gotta get out - just gotta get right outta here
Ooh yeah, ooh yeah Nothing really matters Anyone can see Nothing really matters - nothing really matters to me
Anyway the wind blows...
Retro Responds: Bryon, we always take delight in debunking false urban legends - especially if we have been unintentionally complicit in spreading them. The line in question reads "Bismillah" - which many people have thought to be "Mitch Miller!". So widespread was this belief that when the song first came out, people at parties would sing "Mitch Miller!" and that false notion was repeated throughout the mainstream media in Miller's obituary. The premise that Mitch Miller might have been mentioned in the Queen classic didn't strike anyone as particularly absurd, given the fact that the song haphazardly name drops other seemingly disconnected prominent people, albeit in retrospect, Mitch Miller wouldn't have the same historical significance as Galileo or Beelzebub. I confess to never having heard the word "bismillah", but some research shows it is an Arabic term for "The Word of God." Thank you for setting the record straight on this erroneous legend- but please don't try to convince me that Elvis isn't alive and shacking up with elderly James Dean. - Lee Pfeiffer
David L. Wolper, a legend among producers, has died at age 82. Wolper's legacy is an impressive one with a string of highly acclaimed TV documentaries ranging from the Jacques Cousteau specials to The Incredible World of James Bond. His greatest triumph was the 1977 TV mini series adaptation of Alex Haley's Roots, which kept American audiences transfixed for many nights in the era before home video was widespread. Wolper also occasionally produced theatrical films. They include his acclaimed nature documentary feature The Hellstrom Chronicle, the hit comedy If It's Tuesday, This Must Be Belgium and the 1960s epic WWII films The Devil's Brigade and The Bridge At Remagen. Click here to read Huffington Post columnist Dale Olsen's tribute to Wolper's remarkable career.