By Lee Pfeiffer
Among the plethora of WWII dramas set in POW camps, Bryan Forbes' 1965 film King Rat is among the grimmest. The problem with many of these films, including the classic The Great Escape, is that the conditions depicted in the prison camp are benign enough that one wonders why anyone risks their life to escape. Not so with King Rat, which afforded George Segal one of his first and most important roles as a leading man. Segal is Corporal King, a low-ranking soldier who has managed to manipulate his way to being the de facto top-ranking officer among Allied prisoners in a Japanese POW camp. Through cunning, conning and cheating, King has established himself as the indispensable man: someone who can get decent food, medicine and other life-saving commodities for a price. Consequently, his superior officers not only defer to him but patronize him as well, hoping to get special goods and favors. King's relative riches afford him a lifestyle that is resented by many. His uniform is pristine, his hair neatly combed and he barely breaks a sweat even in the midst of the tropical hellhole he resides in. He also has a band of slavishly loyal minions who do his bidding, including superior officers.
