In part two of Herb Shadrak's tribute to actor Richard Basehart, his Voyage to the Bottom of the Sea co-star David Hedison reflects on working with Basehart on the popular Irwin Allen TV series.
By Herb Shadrak
Veteran actor David Hedisonis best known for three roles: the
ill-fated scientist Andre Delambre who switches heads with The Fly (1958), CIA
agent Felix Leiter in two James Bond films – Live and Let Die (1973) and
Licence to Kill(1989) [in which he
loses his leg to a shark] – and Captain Lee Crane, who, along with Admiral
Harriman Nelson (Richard Basehart), commanded the high-tech submarine Seaview
on the hit TV series Voyage to the Bottom of the Sea (1964-1968), which the
Boston Globe’s TV critic said was “like
Star Trek with fish.†In this exclusive interview for Cinema Retro, Hedison
recalls his admiration for Basehart and the highlights of working with him on
the fondly remembered science-fiction action-adventure series.
Cinema Retro: Why did you want to work with
Richard Basehart?Â
David Hedison: I had admired his film work
for years. He was always so natural on camera and he had passion. You believed
in his very human characters.
CR: Which of his film performances
particularly impressed you?
DH: La Strada was heartbreaking. Moby Dick.
Fourteen Hours. Time Limit. Richard had fabulous range and was always worth
watching in anything he did.
CR: What transpired during your very first
encounter with Richard Basehart?Â
DH: I had asked him to invite me up to his
house. I wanted to meet him off the set, only the two of us and talk. I had
some ideas for the series. Richard graciously agreed. I went up there. We
talked. We hit it off, he had a lot of the same ideas I had and a similar
working style. Richard didn’t take to everyone, but he liked me; my enthusiasm,
I guess. I did want to work with him. He taught me so much during those four
years.
CR: Was Basehart aware of your admiration
for his work?
DH: Not at first, but we found we could
work together easily enough and then we did.
CR: What did you learn from Richard
Basehart in terms of acting technique?Â
DH: Richard had great concentration. At
first, noise, a wrong line, any background distraction would throw me off.
Nothing shook Richard. He was always camera-ready, knew his line reading.
I wanted to be able to do that and after a while, I got better at tuning out
the distractions. He made me work harder, like tennis with a much better
partner. Richard pushed me to be as good as he was and some days I almost was.
Richard Basehart may have been the greatest
American actor ever. Certainly he was
too accomplished a performer ever to be “just another movie star†– his unconventional
good looks and astonishing versatility allowed him to convincingly portray murderers,
heels and suicidal neurotics in a career that spanned 45 years, but he was
equally effective at playing gentle souls, men of action (such as the intrepid
U.S. intelligence agent in Decision
Before Dawn), cowboys and the heroic Admiral Harriman Nelson in the Voyage to the Bottom of the Sea science
fiction series on ABC.
“Even
today, Richard Basehart remains one of the great, unrecognized talents of
post-war American films,†writes Mark Gross in Films in Review. “Possibly this is because he is neither
conventionally handsome nor easily identifiable as a character type. Instead,
he seems to become lost in his performances, belied by a surface calmness, with
a subtlety underlined by a sense of abandon in his quest for realism.â€
After six years knocking about Broadway, Ohio-born Basehart's breakthrough came in 1945 in The Hasty Heart, in which he was cast as a proud, dying Scottish
soldier. Basehart won the 1945 New York Drama Critics
Award for his realistic performance and was named the most promising newcomer
of the season. Hollywood came calling, and Basehart was soon signed to a movie
contract. Thus began a globe-trotting screen career that lasted until his death
in 1984.
As his Hollywood career took off, Basehart made every effort
to avoid being typecast, although in his early noirs he seemed to favor parts
in which he was of a villainous or conflicted nature. In preparing for his roles, Basehart spent hours by himself trying
to shape the character. He would sit on the end of the couch in his living room
and be so engrossed in the roles that he was completely oblivious to what was
going on around him.