MVD has released director Albert Pyun's 1997 thriller "Blast" as a Blu-ray edition. If you've never heard of the film, most of its cast members or director Pyun, you're not alone. But Pyun has a long-standing and enthusiastic fan base that credits him for being a pioneer in launching the cyborg sci-fi genre in the 1980s. His fans admire him for churning out independent films often under trying circumstances and very limited budgets. Despite having a few surprise hits at the boxoffice, Pyun has often been associated with films that were terminated or unreleased due to financing problems. Still, like the ultimate trooper, he continued to persevere and even today, while battling some significant health problems, Pyun remains determined to be a player in the indie film market. "Blast" enjoyed its "premiere" on home video, something that has apparently enhanced its reputation among enthusiasts for "direct to video" fare ("DTV" for those in the know...). While most movie lovers used to avoid DTV product on the assumption that it was deemed to be too bad to merit a theatrical marketing campaign, these fans enjoy making silk purses from sow's ears and claim that many underrated films have suffered the DTV syndrome. They are probably right, but "Blast" isn't one of them. The film was made when audiences were still obsessed with the blue collar working man hero generally played by the likes of Stallone, Willis, Van Damme and occasionally Schwarzenegger. The "grunt and punch" aspect of these heroes relegated them to limited dialogue, save for the precious "tag line" they will inevitably mutter in the course of the film in the hope that it will become the next "Make my day"-like catchphrase with the public.
"Blast" is set at the 1996 Atlanta Olympics games. The American women's swim team enters the pool area to practice even as the President of the United States and other world leaders arrive in the city for the opening of the games. Just as the women's swim team arrives, the complex is taken over by terrorists led by Omodo (Andrew Divoff) and his band of fanatical followers who have posed as workers for the Olympic organization. The terrified female swimmers under the guidance of their coach Diane Colton (Kimberly Warren) are verbally abused and one of the women is shot to death as a sign to the authorities that the terrorists mean business. Omodo is well-known to international authorities and is wanted by police throughout the world. Seems that Omodo's ego is bruised because his last two terrorist actions have fizzled even though they left behind a string of dead bodies. He is determined to regain his reputation by ensuring the Olympics operation is a success. (Apparently, when terrorists get together at their annual picnic, no one wants to be the butt of colleagues' jokes.) The terrorists quickly kill off any guards and begin operating the complex's security system, thus giving them views of any police attempts to enter the building, which they have made into a fortress by mining the entrances with bombs. Omodo's demands from the authorities must have been fairly mundane because minutes after he issued them, I forgot what they were. In any event, the only person in the complex left to combat the terrorists is Jack Bryant (Linden Ashby), a one-time Olympic star who has seen his life fall apart due to his own demons. He's now working in the building as a janitor. Omodo and his men can occasionally see him on the vast networks of security cameras but Bryant is a savvy guy and learns how to keep on the move and pick off the terrorists one-by-one. (Like most janitors, Bryant is also a world-class martial arts expert). For some melodramatic elements, we learn that Bryant and Diane had once been married but he lost her when his life went into a downward spiral. With the authorities virtually helpless, it's up to Bryant to thwart the terrorists...although he has a an ally in the Atlanta Police Department: Leo ((Rutger Hauer), a wheelchair-bound, eccentric detective who is an old nemesis of Omodo and who manages to provide Bryant with some helpful tips.
"Blast" is a storehouse of every action movie cliche from films of this era but it's not as bad as you might think. Director Pyun does the best he can to disguise the movie's limited budget (virtually all of it is shot in one location with a few exterior shots tossed in to break the monotony). Pyun keeps the action moving at a brisk clip and avoids at least a couple of anticipated cliches from coming to pass. However, the sheer monotony of seeing Bryant and the bad guys chase each other up and down very similar-looking hallways and staircases quickly grows wearying. The cast performs gamely, with Linden Ashby suitably hunky and capable of delivering the film's obligatory "tag line": "I'm coming to get you!!!!" Andrew Divoff brings some Bond villain-like qualities to his role but he's undermined by Pyun insisting that he imitate every vocal mannerism of Arnold Schwarzenegger imaginable. The gimmick proves to be distracting, though Divoff has a few standout moments. The musical score by Anthony Riparetti starts out well but becomes grating because it seems to consist of a constant repetition of the same few notes. The film is occasionally suspenseful and exciting but Pyun goes off the rails during the climax which sees a knock-down fight to the death between Bryant and Omodo that incorporates some ridiculous elements including a bomb explosion that is so poorly rendered that it looks like a frame from a Road Runner cartoon was utilized. Also puzzling are the brief appearances of Rutger Hauer as a potentially intriguing character but the role is drastically under-written.
MVD has released "Blast" as a nice-looking Blu-ray edition as part of their "Marquee Collection". The box art features a cringe-inducing rip-off of the main poster art for "Die Hard" including an exploding skyscraper, even though there are no skyscrapers in "Blast", exploding or otherwise. There is a bonus trailer gallery of other similarly-themed titles from MVD, although the trailer for Jean-Claude Van Damme's "Lionheart" looks like a poor VHS transfer.