2018 is the official centenary of Mickey Spillane, we at Cinema Retro thought it would be a good idea to examine this
excellent digest of the author’s works on the silver screen and on television.
and filmmaker Max Allan Collins (probably best-known for writing the graphic
novel Road to Perdition, the basis of
the 2002 film, but also author of 100+ other books) is the literary executor
for the estate of Mickey Spillane. Not only has he co-written this excellent
“bedside companion” on Spillane’s big-and-small screen adaptations, Collins has
co-authored/finished manuscripts originally begun by Spillane before his death
in 2006 at the age of 88. Co-author James L. Traylor has also had a long career
of writing critical analyses on crime authors and novels. One can be confident,
then, that in Mickey Spillane on Screen,
the authors know what they’re talking about.
Spillane wrote many popular hard-boiled—very
hard-boiled—crime novels published over five decades. His most-famous
character, detective Mike Hammer, first appeared in Spillane’s debut novel, I, the Jury (1947). Noted for its atypical
(for the time) sex and violence, the novel was not initially a success in
hardcover; but when it was published in paperback a couple of years later, it
became an international best-seller. Further Mike Hammer novels appeared, along
with books featuring other characters such as Tiger Mann and Morgan the Raider,
and stand-alone pulp fiction titles.
also had a love/hate affair with Hollywood. The first adaptation of I, the Jury was released in 1953
(featuring Biff Elliot as Hammer), directed by Harry Essex and produced by
Victor Saville, with whom Spillane had a long business relationship. Saville
would go on to produce three more pictures based on Spillane’s properties
(including one non-Hammer movie, The Long
a truth-is-stranger-than-fiction scenario, Spillane was also an actor—and he
played his own character, Mike Hammer, in the 1963 adaptation of his novel, The Girl Hunters, directed by Roy
Rowland. This U.K. production co-starred none other than Shirley Eaton, a year
before she appeared as the “Golden Girl” in the James Bond blockbuster, Goldfinger. Spillane’s first big screen
role was as himself in the crime drama, Ring
of Fear (produced by John Wayne’s production company) in 1954. Older
readers of Cinema Retro may remember
the Miller Lite TV commercials in which Spillane spoofed himself.
you know that there was a TV pilot made in 1954 by director Blake Edwards,
starring Brian Keith as Mike Hammer? This is a revelation I learned in reading Mickey Spillane on Screen.
Unfortunately, that pilot wasn’t picked up, but it was made available in a now
out-of-print DVD box set that Collins put together entitled The Black Box Collection—Shades of Neo-Noir
(2006). Perhaps you can find a copy on eBay or Amazon Marketplace.
book, which is illustrated with scenes from the films, is divided into sections that cover a brief biography of Spillane, the feature
films, and television adaptations. The latter, of course, examines the many
episodes (and TV movies) of the very popular Mike Hammer series (1984-1998) starring
Stacy Keach. The critiques and background stories behind the movies and
television series are thorough and spot-on. I agree with the authors that the
1955 Robert Aldrich masterwork, Kiss Me
Deadly, is perhaps the best Mike Hammer interpretation we ever got.
recommended for aficionados of crime films and television, Mickey Spillane on Screen is especially a love letter for the
author’s fans. Happy 100th Birthday, Mickey!