Anderson’s marvelous 2012 comedy, Moonrise
Kingdom, was previously released on Blu-ray and DVD, but The Criterion
Collection has seen fit to issue an edition that blows the old one away. With
an abundance of fun, entertaining supplements and packaged ephemera—Criterion’s
disc is in keeping with the other fine releases the company has done for the
Moonrise Kingdom is the first Wes
Anderson movie I truly fell in love with. While I liked and appreciated his
earlier pictures, Moonrise is a
flawless masterpiece of style and wit—as is Anderson’s following film, The Grand Budapest Hotel. For my money,
these are two slam-bang pieces of comic brilliance.
setting is a small fictional New England island, during one summer in the Sixties.
A Boy Scout troop camps out there. Some families live on the island, others
visit for the season. Twelve-year-old Suzy (wonderfully played with a mature
sense of irony by Kara Hayward) falls for one of the scouts, Sam (Jared Gilman,
in another highly accomplished performance). They’re both intelligent, curious,
and have wicked senses of humor. They make plans to run away together, and when
they do, the adults (Bill Murray and Frances McDormand are Suzy’s parents,
Edward Norton is the scoutmaster, and Bruce Willis is the chief of police on
the island) go nuts. The whole island gets involved in searching for the
precocious lovebirds, including the entire scout troop. Add in an approaching
hurricane and you’ve got a wacky romantic farce with suspense.
you’re familiar with Anderson’s work, you’ll know to expect a good degree of
quirkiness—every frame of this delightful picture oozes with eccentricity.
Oddballs abound. The overall tone is light and whimsical, and yet the handling
of the subject of young love is powerfully poignant and painfully real. How
many of you remember what it was like?—that first, young love, the infatuation
with another person at such a tender, yet blossoming, age. Anderson captures it
all with a good deal of laughs and a lot of heart.
director and his team also managed to build an entire universe around this
little island—the detail is remarkable, all the way from hand-knitted
decorations to the invented library books Suzy has stolen to read over the
summer. The sense of community the picture conveys is palpable—and it’s no
wonder, since the entire cast and crew (and, of course, others from Anderson’s
stock company pop up—Bob Balaban, Jason Schwartzman, Tilda Swinton, and Harvey
Keitel) lived together for a couple of months while making the movie. As
emphasized repeatedly in the supplemental documentaries, the cast and crew
became a family.
the restored 2K digital transfer, supervised by Anderson, is the kind of
picture one would use to demonstrate the joys of Blu-ray to a novice. It is a
colorful, vibrant picture with an imaginative look and feel, thanks to the
Production Design, Art Direction, and Set Decoration by, respectively, Adam
Stockhausen, Gerald Sullivan, and Kris Moran. The new audio commentary features
Anderson, Bill Murray, Edward Norton (who literally phones it in), Jason
Schwartzman, Roman Coppola, and others—and it’s all entertaining stuff.
supplements include special shorts that were used to promote the film, some of
which were previously released, such as the Bob Balaban-narrated overview of
the six library books Suzy is reading throughout the film, and Bill Murray’s
guided tour of the set. There’s a new behind-the-scenes documentary,
selected-scene storyboard “animatics,” audition footage of the child actors,
and interviews with many of the cast and crew. Edward Norton presents a
selection of short videos he shot with an iPhone, and there is a bit on
miniatures and props used in the film.
the packaging includes a few souvenir goodies—a “postcard” of the cast and a
map of fictional New Penzance Island. The enclosed booklet contains pictures of
merit badges, the library book covers and some illustrations, and an essay by
critic Geoffrey O’Brien.
back at 2012, it’s a shame that the picture’s only Oscar nomination was for its
Original Screenplay (by Anderson and Roman Coppola). It was my favorite picture
of the year, and Criterion did it proud.